Beauty vs Beast: Pre Endgame

Jason Adams from MNPP here with this week's "Beauty vs Beast" -- a little movie called Avengers: Endgame will be hitting a couple of screens this weekend (we count Thursday nights are "the weekend" now in blockbuster world) with the blunt force of a megaton bomb; this time next week it'll be nothing but breathless box office masticating and eulogies for the fallen. So today, in the ever so brief calm before that oblivion, let's look back at last year's Infinity War appetizer and face down the great big goof heard round the galaxy -- that time Peter Quill aka Star-Lord (Chris Pratt) let his emotions get the best of him and let Thanos (Josh Brolin) live to snap another day... 

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PREVIOUSLY While every week is a good week to be Emma Thompson Week last week we made it official in honor of her 60th birthday, and the Merchant Ivory character to top them all turned out to be, with 68% of your vote, Margaret from Howard's End. Said Marsha Mason:

"Remains of the Day is the better film imo, but her performance in Howards End sticks with me a little more."

Interview: The Emotionally Resonant Visual Effects Work in "Avengers: Infinity War"

It's our final Oscar nominee interview of the season! 

On a break from their post-production madness for Avengers: Endgame (opening in 66 days!) we spoke with co-directors Joe Russo and Anthony Russo and the visual effects team of MCU's colossal two-parter. Part one, better known as Avengers: Infinity War, is culmination of ten years of serial storytelling within the Marvel Cinematic Universe and is Oscar-nominated for Best Visual Effects. Given how strangely difficult it's proven for superhero films to win the Best Visual Effects Oscar --- only one has managed that competitively: Spider-Man 2 (2004) with Superman (1978) also getting a special achievement Oscar -- the odds are probably against Avengers: Infinity War, But, consider this: If Infinity War does win this Oscar no one will gripe that this team didn't deserve it. 

Hell, the 'snapture' alone warrants it! Now excuse the dust as this team tries to top themselves once more in Endgame. Since our interview was with multiple people we're presenting it in a series of quotes rather than a conversation. Hope you enjoy...

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10th Anniversary: Milk (2008) is Aging Beautifully

by Eric Blume

This month marked the tenth anniversary of the release of Gus Van Sant’s semi-biopic Milk, chronicling the last eight years of the life of gay politician Harvey Milk.  If you’ve never seen Milk, get ye post haste to it, if for no other reason than to be fully immersed in this crucial window of history.  If you saw Milk when it was released a decade ago and haven’t seen it since (which was true for me), watch it again:  it’s aging beautifully.

Olympic diver Tom Daley’s husband, Dustin Lance Black, won the Oscar for Best Original Screenplay for this movie, and the trophy was richly deserved.  Black not only manages to avoid almost every biopic cliché, he captures the beginning of the gay rights movement with precision, pain, and most importantly, humor.  Black’s script starts when Harvey Milk turns forty, had been mostly closeted, and was not politically aware. He chronicles his consciousness-raising without a hint of clumsiness or fake nobility.  And while Black keeps his focus squarely on Milk, his real achievement is in casting a wider net: he gives Milk’s real-life contemporaries a vivid presence, and shows us a full community within the Castro neighborhood in San Francisco.  This script manages to be both macro and micro, and throughout you can see Black’s gigantic heart and passion for this story...

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Review: "Sicario: Day of the Soldado"

by Chris Feil

That crowdsourced “fan” remake of The Last Jedi that made the rounds in the past week? The one rooted in thinly veiled misogyny, white supremacy, and general ill-advised sentiment to tool with material that’s perfectly fine on its own? Put yourself in front of Sicario: Day of the Soldado, the new prequel to Denis Villeneuve’s layered 2015 film musing on the pervasive institutional evils of the War on Drugs, and you might be convinced that those fans got their hands on this narrative as well.

The warning signs make themselves known immediately, this time focusing on the more enigmatic men in the thick of the corruption: Josh Brolin’s task force leader Matt Graver and Benicio Del Toro’s patiently vengeful hitman Alejandro. Kicking the film off with a demonstratively labored Islamophobic sequence, the audience is served a video game brand of warfare as Graver and Alejandro initiate a kidnapping plot across the Mexican-American border. The kidnappee is Isabel Reyes (played by Isabela Moner, the film’s brightest spot), the daughter of a major cartel leader that may be linked to Alejandro’s past. As expected, the men's hubris is turned in on itself...

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In the Links

• The New Yorker Kathleen Turner is singing... yes, singing, at Cafe Carlyle for a week or so. OMG I'd love to cover that for y'all but that place is pricey.
• Film School Rejects the troubled history of the film adaptation of Lin-manuel Miranda's In the Heights may finally be ending with Warner Bros snatching up the rights
• MNPP on the trailer for the art slasher flick Knife + Heart premiering at Cannes

 

• The Guardian thoughtful piece by Xan Brooks about provocative cinema, Cannes, and Lars von Trier in our new age of moralizing
• Playbill California readers take note. At the upcoming Hollywood Bowl production of Annie, Megan Hilty, Ana Gasteyer, and Lea Salonga star. Fun casting! And those voices!!
• Boy Culture Trinity Taylor makes over Nico Tortorella who now identifies as gender fluid, or as he says 'sort of cisgendered but not so... CISSY
• AV Club Jordan Peele producing a series set in the '70s about Nazi-hunting in NYC. What now?
• DListed obsesses over a strange Cannes moment with John Travolta and 50 Cent
• MovieMaker profiles Geena Davis's Bentonville Film Festival 
• W Magazine interviews Brie Vinaite on her busy post-Florida Project life
• Film School Rejects "How Marvel Broke Storytelling" a good piece on exactly what the problem is with how they've trained audiences and deferred endings
• Playbill This is so heartbreaking. Just a few months ago Tony-winning actress Ruthie Ann Miles (The King and I) lost her daughter (to a driver who hit five pedestrians including Miles) and now due to complications from that tragic event she's lost her unborn child
• ExtraTV silly bro clip of Josh Brolin talking about his naked ad for Fish Love

Exit Video
Here's the trailer for the series finale movie of Sense8. Sad that this singular series from the Wachowski sisters and J Michael Straczynski is ending but glad we'll have closure.