But now I pass the torch
The ballots are in
And one girl has to win
And now she's number one
COMMENT DU JOUR
What did you see this weekend?
"I watched Clouds of Sils Maria. I wanted even more Kristen Stewart, which is a testament to how great she was in it." - JEFF
"9 to 5 was on tv so I watched it to see all the best shots. My favourite part was the opening with all the ladies heading off to work set to the song. Stuff like that always makes me want to pack it up and become an independent lady in New York City."-SVG
Your suscription dimes make an enormous difference to The Film Experience in terms of stability and budget to dream bigger. Consider...
THANKS IN ADVANCE
For those who can't commit to a dime a day, consider a one time donation for an article or a series you are glad you didn't have to live without.
But now I pass the torch
The ballots are in
And one girl has to win
And now she's number one
Michael Cusumano here to review the latest stylistic throwback based on the writing of Patricia Highsmith.
When people gripe “They don’t make ‘em like they used to” films like Hossein Amini’s The Two Faces of January are the kind of movie they mean. It’s adapted from the work of an acclaimed novelist whose books were the source of such beloved films as The Talented Mr. Ripley and Strangers on a Train. It features big stars in sumptuous foreign locales. It is made with a careful attention to detail. It doesn’t dumb things down or clutter the plot up with needless action. It is fair to say I was primed to love this movie, yet it never quite jolts to life. At some point my investment in the story passed from suspense to impatience. It never went so far as indifference, but I was pretty far from the edge of my seat. Rather, I was leaned back in my chair, head in my hand, thinking what a classy job everyone involved was doing and admiring the sumptuous visuals and thinking how this was going to end up being one of those reviews that used the word “sumptuous” a lot.
The key problem is that foreign intrigue of the Hitchcock variety requires storytelling that stays a few steps ahead of the audience, and it's easy to keep leaping ahead of January’s characters. Far too much time is spent with characters sitting in cafés, smoking, drinking, and eyeing each other suspiciously, when they should be trying to have sex with or murder one another, preferably both. [More...]
After Ellen "Return of the Lesbian Villain"
/Film Sharon Stone does Mrs Robinson at The Graduate live-read
KCRW Tilda Swinton guest DJ special. She's a fan of Marilyn Manson, Björk & Bowie. We could have guessed as much!
Vanity Fair Daniel Radcliffe does the Proust Questionnaire
What is your greatest regret? I’m 24! I think it’s a little early for all that
Pajiba Cameron Diaz vs Kiki Dunst in the battle of the vapid remarks
AV Club Tony Kushner working on another Steven Spielberg project The Kidnapping of Edgardo Mortara. Sounds intriguing but anything that keeps Tony away from writing that Viola Davis as a politician movie is a problem for me
Judgmental Maps NYC by stereotype
Variety a new memoir on Ethel Merman. When is she getting a biopic for chrissakes?
i09 Why were there so many giant insect movies in the 1950s?
/Film on potential superhero crossover movies. Only when the mega-corporations are out of ideas/money
The Normal Heart trailer. Will this be yet another TV movie that we have to wonder how it would have fared at the Oscars had it been released theatrically? At the very least the doctor role would've resulted in a nomination no matter who played it. That's the part once slated for Barbra Streisand decades ago with Julia Roberts taking over for Ellen Barkin who won the Tony on Broadway (why wasn't she asked to reprise it given her connections to Ryan Murphy?) so expect Julia at least to be up for the Emmy.
Exit Question: Is it just me or does the type here inadvertently imply or perhaps subliminally predict that Matt Bomer and Taylor Kitsch will one day be Oscar nominated actors?
And now our semi-weekly check in with actresses we love. Where / What / Who are they up to?
Brie Larson has accepted an offer to star in the psychological horror drama as "Ma", about a woman who's trapped in her father's basement for years with her son. It's based on the novel by Emma Donoghue who also did the screenplay but the novel is narrated by the 5 year old child who's only ever known this one room so that one's going to be tricky to make breathe as a film. This seems a better fit for her dramatic gifts than that dumb Terminator reboot she lost out on. The actress is in demand now post Short Term 12 as well she should be. She's also got The Gambler remake and the comedy Trainwreck coming out. Room is not the only novel adaptation she's attached to. She'll probably co-star in The Good Luck of Right Now based on a forthcoming novel by Silver Linings Playbook author Matthew Quick. From descriptions of the novel I'm guessing she's playing the librarian girlfriend of the bipolar leading man, who believes she was once abducted by aliens. [src]
As we feared but predicted Hollywood wasted the golden years right after The Help (a white actress in that kind of huge hit / breakthrough would have gotten a ton of follow up offers) and kept on casting Viola Davis in thankless supporting bits that didn't really require her skill level. Just as they'd always done. But the actress stays busy. As previously discussed she has a small but potentially showy role in Get On Up, the James Brown biopic. And she is politically active too. The actress, who often went hungry as a child living in poverty is speaking out as part of the "Hunger Is" initiative. [src]
You wake up thinking about food, you go to sleep thinking about food. We live in a country where you can have anything in your reach, and it's emotionally shameful to live in a land of plenty with nothing to eat.
That little girl who grew up in dysfunction and poverty is still with me. That's why I need to help those who don't have a voice."
She's already filmed her next five roles: as previously discussed she'll play the showy small role of James Brown's mom in Get On Up (August, 2014); she's excellent as a college professor in The Disappearance of Eleanor Rigby Pts 1 and 2 (release date still TBA but I saw it at TIFF); she's in Michael Mann's thriller Cyber (January, 2015) with Chris Hemsworth as the headliner and supposedly her role is large there as an FBI agent; She'll headline Shonda Rhimes TV series "How To Get Away With Murder" and if it gets picked up past the pilot, don't expect to see her on your movie screens for awhile; The other leading role is Lila & Eve (she plays Lila) but her co-star is... (wait for it)... Jennifer Lopez? Huh. They play moms out to avenge their children who were gunned down in a drive by. The film is directed by Charles Stone III (Mr 3000 and Drumline). There's been little movement on the most exciting Viola projects though -- still no word on a film version of Fences (her Tony winning role despite the obvious marketability (Denzel Washington is proven to be one of the surest box office draws in the world) and her proposed biopic about politician Barbara Jordan with a screenplay by Tony Kushner is also quiet. Both are the kind of prestige projects that could challenge her and win her an Oscar but I fear neither are going to happen.
[SPOILER ALERT] Lt. Ellen Ripley may return in Prometheus 2 from Ridley Scott. Rumor has it that Sigourney Weaver will return to her signature role. Or a clone version thereof. [/SPOILER]
There is nothing happening. I continue to be so disappointed that she does not care. She's an empty-nester this year even so for god's sake get back to work.
Kirsten Dunst, whose career is back on track with the 1-2-3 punch of great performances in All Good Things, Bachelorette, and Melancholia has upset people with not-exactly progressive gender comments she made to Harpers Bazaar UK (she's on the cover, pictured above). But we're here to talk about her career.
She'll be back on screens very soon in the Patricia Highsmith adaptation The Two Faces of January (torn between Viggo & Oscar Isaac? Tough life) and not very soon but maybe later this year in Jeff Nichols' Midnight Special a father and son sci-fi-tinged drama (his follow up to Mud so one assumes he'll get bigger budgets now) so it surely won't be focused on her. Still... I feel more offers really ought to be headed her way, right? Her career is back on track but it isn't quite on fire. Some auteur needs to bring some gasoline. Because, as former co-star Ben Foster agreed in our interview in 2011, her talent is major. "She is a beast of an actor, always has been."
Jose here with your weekly top ten.
Visionary. Lunatic. Nazi. Enfant terrible. Misogynist. Genius. Poseur.
Lars Von Trier is called so many things that we often forget that he's a terrific director of actors. With his strange sense of humor and world views, his films are often as alienating as they are enlightening, but actors seem to die to work for him. He's led three of his actresses to wins at the Cannes Film Festival and has injected new life into the careers of actors like Kirsten Dunst, Willem Dafoe and now Uma Thurman. Whether you're a fan of his films or not, his contributions to directing actors are incomparable. Now that both of his Nymphomaniac volumes are out in theaters (reviewed), it's a great time to look back
Ten Best Performance in Lars von Trier Films
(after the jump)
Bouncer: All right, down the street."
Regan: Did you just call us prostitutes?"
Katie: Did you just call us prostitutes?"