Everything's Coming Up Tweetweek

curated for you so you don't have to be on Twitter.

There’s still plenty of time 💅 https://t.co/xdkimtGfgz

— Susan Sarandon (@SusanSarandon) April 28, 2022

a tweet that was probably inspired by this one...

the most important 30 seconds in cinematic history pic.twitter.com/QgRObqzO4W

— giffy (@giffyonline) April 25, 2022

One of the few undeniably fun things about Twitter is celebrities responding to tweets about themselves and watching people riff on other tweets. It's a joy if they have a sense of humor! More tweets after the jump including Jane Fonda and Lily Tomlin comparing awards stashes, slut eras, limo singing, awesome duos, funny truths, and ending with an absolutely hilarious letter from "Barbra Streisand" riffing on Jon M Chu's letter about Wicked...

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Review: The Twentieth Century

By: Patrick Gratton

Canadian history remembers William Lyon Mackenzie King as one of our most defining statesmen. King was the longest running Prime Minister to hold office in Ottawa, and a central ally to both Winston Churchill and FDR, in mobilizing Canada in World War II. Historians commend Mackenzie King as a central rallying cry for a divided country, whose skill set helped him reach across the aisle, mending multiple differences and helping grow Canada’s Independence even as it remained a British colony.

In his feature film debut The Twentieth Century, Winnipeg-born Matthew Rankin subverts this story. Set in 1899 and told in ten chapters, the film omits all of the soon-to-be Prime Minister’s triumphs, focusing instead on Mackenzie King’s (Dan Bierne) candidacy to be the country’s leader. Rankins shows a steady hand, confidently orchestrating a film that’s equal parts  German expressionism, 1920s melodrama and absurdist satire. The film unapologetically ransacks the mythos of the Canadian identity.

The future prime minister is depicted as a precious man-child, with an overbearing mother (Louis Negin, in drag)...

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Link Club

• Variety RIP Piero Tosi one of the great costume designers. His film credits include Death in Venice, La Traviata, La Cage Aux Folles and The Night Porter so he's the one responsible for Charlotte Rampling at her most sexually provocative
• BuzzFeed good piece on Brad Pitt's talent and why he shines in weirder sideline roles as opposed to leads... though we object to any notion that he isn't a leading man in Once Upon a Time... but this battle is already lost since critics keep calling him supporting even before the Oscar campaign does. (sigh)

more after the jump including The Hunt, a fun conversation on Hobbs & Shaw, Tarantino and Almodóvar...

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Pussywillows! Serial Mom at 25

by Salim Garami

What's good?

The existence of Serial Mom 25 years ago establishes that America’s current obsession with true crime stories – with the likes of Serial and American Crime Story and the never-ending avalanche of Netflix documentaries – is not something remotely new to our day and age. Hell, it wasn’t even new to 1994; many of the social observations Serial Mom makes arguably were already well before up to the previous year’s The Positively True Adventures of the Alleged Texas Cheerleader-Murdering Mom. There is little prophetic in the satire but there is A LOT of scary forecasting regarding the OJ Simpson murder case that was just around the corner at the time of its release...

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