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Entries in Isabella Rossellini (11)

Tuesday
Dec172024

Oscar Volley: Best Supporting Actress Isn't Supporting Anything

The Oscar Volleys, in which various TFE members discuss specific categories, begin... now

Rossellini & Gomez are two of only four supporting actresses who MIGHT show up in the five-wide Supporting category... if they can get around about seven leading ladies.

BABY CLYDE: The Academy can be a stuffy and old fashioned institution. Adverse to change and reluctant to move with the times, it’s taken decades of pressure to finally get a casting prize added. The poor stunt performers are still without a statue in their honor, so it’s come as a great surprise that a new award has been instituted this year a without any prior announcement or fanfare at all.

They’ve done away with Best Supporting Actress and introduced the ‘Best Lead Actress in a ‘Supporting’ Role’ category. To secure spots for all of those poor unappreciated A List, millionaire, billed above the title, Leading Lady Stars, they’ve been given their very own spill over category. This will ensure the ceremony has as many big names as possible and isn’t encumbered by character actors, theatre performers or anyone over the age of 50 that Tik Tokers won’t recognize...

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Saturday
Oct192024

Mother-Daughter Duos at the Oscars

by Cláudio Alves

Fernanda Montenegro in Walter Salles' I'M STILL HERE.

This past week, Fernanda Montenegro celebrated her 95th birthday. A living legend of Brazilian culture in various mediums, she is our oldest living Best Actress nominee. Montenegro is back on the awards trail with Walter Salles' I'm Still Here. While her late-film cameo won't excite many voters, Brazil's Best International Film submission is raking in Audience Awards at festivals worldwide and sterling reviews to match. Perhaps Sony Pictures Classics can even look away from Saoirse Ronan and Almodóvar's leading ladies for a moment, and mount a Best Actress campaign for Fernanda Torres. Her performance as Eunice Paiva is nothing short of magnificent. 

Though a longshot, Torres' nomination would be amply deserved, making her and Montenegro one of the few mother-daughter duos to score acting Oscar nominations. It's a very exclusive club that includes…

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Monday
Sep162024

TIFF: Ralph Fiennes carries the engaging and tense "Conclave

by Matt St Clair

Ralph Fiennes in "Conclave" © Focus Features

After taking audiences through the treacherous WWI battlefields in the Oscar-winning epic All Quiet on the Western Front, director Edward Berger crafts a different exercise in tension in the form of a Pope election with Conclave, a high-stakes thriller based on the 2016 novel by Robert Harris that is full of high-stakes political intrigue and stellar performances...

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Saturday
Apr302022

Everything's Coming Up Tweetweek

curated for you so you don't have to be on Twitter.

a tweet that was probably inspired by this one...

One of the few undeniably fun things about Twitter is celebrities responding to tweets about themselves and watching people riff on other tweets. It's a joy if they have a sense of humor! More tweets after the jump including Jane Fonda and Lily Tomlin comparing awards stashes, slut eras, limo singing, awesome duos, funny truths, and ending with an absolutely hilarious letter from "Barbra Streisand" riffing on Jon M Chu's letter about Wicked...

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Thursday
Aug192021

How Had I Never Seen..."Blue Velvet"

We're revisiting 1986 this month leading up to the next Supporting Actress Smackdown. 

by Ben Miller

I’m not a David Lynch person.  My first exposure to anything he made was The Straight Story, the most un-Lynchian thing he ever did.  I wasn’t around the people who cared about Twin Peaks the television show, the film or the subsequent revival series.  I enjoy the levels of surreal like David Cronenberg and Yorgos Lanthimos, but Lynch is a level of bizzare I wasn’t willing to commit myself to caring about.

But, being the Oscar completist that I am, I gave a shot to Mulholland Drive, and I really took to it.  It was during the viewing of Mulholland Drive that I realized what made Lynch different from other filmmakers...

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