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Entries in Stanley Tucci (18)

Thursday
Feb202025

Split Decision: “Conclave”

In the Split Decision series, two of our writers face off on an Oscar-nominated movie one loves and the other doesn't. Today, for the last convo of the season, Abe Friedtanzer and Cláudio Alves tackle Conclave...

CLÁUDIO: As the Academy congregates to elect a new Best Picture winner, here, at The Film Experience, we continue our Split Decision convos. However, this debate won't finish with the white smoke of agreement - we never seem to come to such conclusions around these parts. And yet, we persevere in arguing because it's fun. Oh, how I wish Conclave were as fun to watch as it is to reflect upon and talk about. I've fallen in love with the movie those Yaoi girlies saw and keep promoting online, but that's not the movie I watched at TIFF. Edward Berger's too self-serious for such levity, even if this adaptation would have significantly benefited from a surrender to its gossipy pleasures. Give us RuPaul's Drag Race: Vatican with a matching Untucked, not this mirthless drudgery that only elicits laughs because it treats its characters as fodder for shock rather than people. I guess that's enough for an introduction. So let me do like Cardinal Lawrence and wrap up this homily. Or should I emulate Bellini and declare war? Whatever the case, let's go, Abe. Come defend your Catholic fave.

ABE: We're off to a good start with this bevy of puns and references, which should make for a great conversation…

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Monday
Sep162024

TIFF: Ralph Fiennes carries the engaging and tense "Conclave

by Matt St Clair

Ralph Fiennes in "Conclave" © Focus Features

After taking audiences through the treacherous WWI battlefields in the Oscar-winning epic All Quiet on the Western Front, director Edward Berger crafts a different exercise in tension in the form of a Pope election with Conclave, a high-stakes thriller based on the 2016 novel by Robert Harris that is full of high-stakes political intrigue and stellar performances...

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Saturday
Dec312022

Review: "Whitney Houston: I Wanna Dance With Somebody" Is a Lovable Mess

By: Christopher James

No one loves their cliches more than the biopic genre. However, no music biopic has blown through every cliche with such quick and reckless abandon as Whitney Houston: I Wanna Dance With Somebody. That’s not necessarily an insult.

Few pop culture icons loom as large as Whitney Houston, “The Voice,” who holds the record for seven consecutive number one singles atop the Billboard Top 100. By virtue of also being a modern celebrity, most people have some concept of Houston. Thus, the biopic spends less time educating people on who Whitney Houston is. In fact, it’s a crash course through her Wikipedia. Unfortunately, it misses out on her soul and motivation - what drove Whitney Houston from the biggest star in the world to death at 48?

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Saturday
Mar122022

Tweetweek

Kathy Bates does have a point.

 

More curated tweets after the jump including Ariana DeBose, Kodi Smit-McPhee, The Batman, Benedetta, vintage Stanley Tucci  and more...

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Thursday
Sep022021

Streaming Review: "Worth"

By Ben Miller

With the 20th anniversary of the September 11th terrorist attacks approaching, Sara Colangelo’s Worth paints a compassionate picture of the victims and their families while attempting to get into the heads of the lawyers in charge of assigning a dollar amount to the victims. While the lead trio are each superb, the host of character actors and actress recounting their lost loved ones tug at the heartstrings.  Poignantly acted and directed, the film lacks the flash and grandstanding of the usual Hollywood fare, but still delivers a heartfelt message on the value of life.

Following the 9/11 attacks, to stave off the potential of economically disastrous lawsuits against the airlines, the United States Attorney General assigns respected lawyer Kenneth Feinberg (Michael Keaton) as the Special Master of the fund allocated to compensate victims and their families of the attacks...

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