Celebrate Dev Patel with "Monkey Man"

by Cláudio Alves

Happy birthday, Dev Patel!

The erstwhile Skins actor turned hottest living Oscar nominee is 34 years old today and, as if to commemorate the occasion, Monkey Man just became available on PVOD. The India-set action movie is Patel's feature directorial debut, though he's more than just the guy calling the shots from the director's chair. The multi-hyphenated artist also produced and wrote the revenge flick. Oh, and he stars in it, too, doing most of his stunts, which resulted in a broken hand on the first days of shooting. Overall, it was a challenging project to bring to fruition, made more so when Netflix dropped Monkey Man in response to its political content. Thankfully, Jordan Peele came to the rescue, guaranteeing the film a theatrical release that, if nothing else, confirmed Dev Patel's promise as a bonafide movie star…

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Drag Race RuCap: “Werq the World”

Nick Taylor and Cláudio Alves are following and recapping RuPaul’s Drag Race season sixteen. This week, it’s time for episode ten…

Sapphira is our Lisan al Gaib. All others are false prophets.

CLÁUDIO: It’s been quite the week to grumble about robbed queens, but enough about the Oscars. In RuPaul’s Prison Experiment, there were no such robberies. Indeed, there isn’t even an elimination to discuss since Mother Reverend Charles blessed us with a non-elimination episode. I’m not sure how I feel about that last bit, but I can’t help but cheer as Sapphira cements her claim on the crown. As we’ve discussed off-record, this chapter feels like the moment when a winner comes into their own, the place where, in retrospect, the narrative solidified and their Golden Path came to be. God Empress Cristál has risen, while both the Banana Queen and the bitchy aircraft fumble - false Kwisatz Haderachs, the two of them. Now, will you indulge my Oscar/Dune nonsense, or is it time to get serious? 

NICK: Listen, I’m used to just nodding along while people say things I can barely grasp in context, so go off diva...

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Stand strong SAG-AFTRA and WGA

by Nathaniel R

There's a lot of good reporting on the current WGA strike out there from the big budget entertainment sites. You absolutely should get caught up at Vanity Fair for instance, to catch up with what's going down. We were thrilled to learn that SAG-AFTRA has joined forces with the ongoing Writers Strike. It's brought Hollywood to a literal standstill today. Productions have halted. Furthermore no actors can promote their current or upcoming TV and movies. It's a disaster for the industry that was already struggling but strikes are supposed to be disruptive and wealth absolutely must be shared. There's no reason why CEOs and executives should consume all the spoils and leave crumbs for the writers and actors who create the stories and characters we all obsess over and spend money on.

While we the audience will feel the painful repercussions for months -- watch out for many delays in movies, tv seasons, and the hobbling of Emmy season and fall film festivals as actors will not be allowed to promote their work -- we applaud the strike...

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Queering the Oscars: Visconti's "The Damned"

by Cláudio Alves

At the 42nd Academy Awards, the Best Original Screenplay category was a rarity of historical importance. You wouldn't know it in 1969, but all nominees would be studied for years to come. Whether seen as seminal works in their author's careers or cultural milestones with much to reveal about the society that produced them, the films form an illustrious bunch, going from Bob & Carol & Ted & Alice's pop psychology to the revisionist brutality of The Wild Bunch. The winner was Butch Cassidy and the Sundance Kid, a western which has inspired queer readings for over half a century though it was far from the queerest picture in the race. 

That would be Luchino Visconti's The Damned, marking the start of his German trilogy, the international metamorphosis of his cinema, and the most open expression of gay sensibilities in his oeuvre to that point…

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Glenda Jackson (1936-2023)

by Cláudio Alves

WOMEN IN LOVE (1969) Ken Russell

Some people feel like they'll never die, their presence bound to eternity, shackled to forever. Deep down, we know it's not true, that no one lives forever. Self-delusion is easier than questioning those innocent untruths that, like laws of the universe, make life seem less chaotic. For me, Glenda Jackson was one of those impossible constancies, someone who wouldn't, couldn't die. And yet, here we are. This past Thursday, June 15th, news broke that the two-time Oscar winner turned politician, turned back to actress, was gone. She died peacefully at her London home, leaving behind a legacy whose majesty is hard to overstate.

On this sad occasion, let's look back to that inheritance, remember the glorious Glenda Jackson and what made her so uniquely great…

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