TIFF '24: A Mohammad Rasoulof Double Feature

by Cláudio Alves

THE SEED OF THE SACRED FIG won a Special Jury Prize at Cannes.

Much of the period leading up to this year's Cannes Film Festival was consumed with news of Iranian filmmaker Mohammad Rasoulof. Always outspoken against an oppressive regime, his career has been dedicated to political art commenting on present injustices through the prism of fiction. For this, he has been arrested multiple times, and his latest feature, The Seed of the Sacred Fig, proved too much for the Iranian authorities. Police hounded many people involved with the production, Cannes organizers were pressured to drop the official competition title, and Rasoulof himself was put behind bars, convicted to eight years in prison and an additional filmmaking ban. Thankfully, before celebrations started at the Croisette, the cineaste managed an escape to a safe house in Germany, the same country that now takes Sacred Fig to the Oscars as its official submission.

At TIFF, two works with screenplays signed by the Iranian political dissident were screened. There was the eponymous Cannes prize-winner and Seven Days, directed by Ali Samadi Ahadi…

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Hail Satan and Holy Blasphemy: An Olympian Watchlist

by Cláudio Alves

Christian conservatives worldwide seem to have had their outrage activated by the Paris Olympics Opening Ceremony. The French Revolution pageantry has been decried as satanic, but even more religious nuts are losing their mind over a tableau starring drag queens in a pose that could remind one of Da Vinci's Last Supper. According to the ceremony's artistic director, Thomas Jolly, the image was in reference to and reverence of a painting. But it was no piece of Catholic iconography, rather The Feast of the Gods by Jan van Bijlert, a depiction of the Olympians with Bacchus in the front.

Still, even if Jolly had re-imagined the Last Supper with queer performers, why would that be an insult instead of a celebration? Appeals to religious decorum are mere smokescreens, hiding hatred and trying to give it a justification. In response to such culture war odiousness, I can think of no better response than a provocation in the form of a list – here at TFE, we are known list-o-maniacs, after all. If you yearn to be offended by blasphemous media, satanic sensations, and some glorious filth, here are thirteen flicks to scratch that itch…

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More news about Mohammad Rasoulof

by Cláudio Alves

THE SEED OF THE SACRED FIG (2024)

Last Friday, among a torrent of festival-related news, the fate of Mohammad Rasoulof was a topic of discussion. The Iranian filmmaker has found himself in trouble with his country's law for many years now, primarily because of political outspokenness and a cinematic output that dares to question the status quo. His latest work, The Seed of the Sacred Fig, is scheduled for a Cannes premiere next week, as part of the Main Competition. Though details are scant, it's been reported as the story of a paranoid judge of the Revolutionary Court. When, in a setting of civic unrest, his gun vanishes, the man imposes oppressive rules on his family, turning the domestic space into a tyranny, his wife and daughters into quasi-prisoners…

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Celebrate Dev Patel with "Monkey Man"

by Cláudio Alves

Happy birthday, Dev Patel!

The erstwhile Skins actor turned hottest living Oscar nominee is 34 years old today and, as if to commemorate the occasion, Monkey Man just became available on PVOD. The India-set action movie is Patel's feature directorial debut, though he's more than just the guy calling the shots from the director's chair. The multi-hyphenated artist also produced and wrote the revenge flick. Oh, and he stars in it, too, doing most of his stunts, which resulted in a broken hand on the first days of shooting. Overall, it was a challenging project to bring to fruition, made more so when Netflix dropped Monkey Man in response to its political content. Thankfully, Jordan Peele came to the rescue, guaranteeing the film a theatrical release that, if nothing else, confirmed Dev Patel's promise as a bonafide movie star…

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Drag Race RuCap: “Werq the World”

Nick Taylor and Cláudio Alves are following and recapping RuPaul’s Drag Race season sixteen. This week, it’s time for episode ten…

Sapphira is our Lisan al Gaib. All others are false prophets.

CLÁUDIO: It’s been quite the week to grumble about robbed queens, but enough about the Oscars. In RuPaul’s Prison Experiment, there were no such robberies. Indeed, there isn’t even an elimination to discuss since Mother Reverend Charles blessed us with a non-elimination episode. I’m not sure how I feel about that last bit, but I can’t help but cheer as Sapphira cements her claim on the crown. As we’ve discussed off-record, this chapter feels like the moment when a winner comes into their own, the place where, in retrospect, the narrative solidified and their Golden Path came to be. God Empress Cristál has risen, while both the Banana Queen and the bitchy aircraft fumble - false Kwisatz Haderachs, the two of them. Now, will you indulge my Oscar/Dune nonsense, or is it time to get serious? 

NICK: Listen, I’m used to just nodding along while people say things I can barely grasp in context, so go off diva...

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