Oscar History
Film Bitch History
Welcome

The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)

Follow TFE on Substackd

Powered by Squarespace
Keep TFE Strong

We're looking for 500... no 390 SubscribersIf you read us daily, please be one.  

I ♥ The Film Experience

THANKS IN ADVANCE

What'cha Looking For?
Subscribe

Entries in Duplicity (2)

Saturday
Mar202021

Showbiz History: Duplicity, The King and I, and the 1951 Oscars

5 random things that happened on this day, March 20th, in showbiz history...

1949 The 20th Academy Awards are held honoring the films of 1947. The anti-semitism journalism drama Gentleman's Agreement takes Best Picture with Miracle on 34th Street probably a distant second. We had so much fun discussing this year last summer and we highly recommend you watch Crossfire (which lost all five of its nominations) because it's excellent...

Click to read more ...

Thursday
Feb262015

'Duplicity' or Con Artists in Love

Tim here. Tomorrow sees the release of Focus, a romantic drama about two con artists, played by Will Smith and Margot Robbie. Time will tell if it finds its audience – the critics are steadfastly ambivalent – but I would at least argue on its behalf, sight-unseen, that it's already gotten at least one thing right. There's a slick likeability to any generally good con artist picture, which openly confess to the thing that most movies try to hide at least somewhat: the reason we watch them is to be told enthralling lies. We go to the movies in the specific hope of being conned, and never more so than in the case of romances, which in Hollywood's view are games of people trying to trick other people into falling in love with them, while tricking us into believing that all these contrivances are true and meaningful instead of just skilled craftsmanship. I'm hoping against hope that Focus ends up being really great.

While we wait to find out, I'd like to take you back in time to the last great con artist love story (if we skip over American Hustle, which has other goals in mind), the wantonly under-appreciated Duplicity from 2009. It was writer-director Tony Gilroy's follow-up to his Oscar-nominated Michael Clayton, transposing that film's world of corporate espionage and skullduggery into the frame of a fizzy romantic comedy. It was also the second film to pair Julia Roberts and Clive Owen as a pair of sniping lovers after the acidic "everybody hates everybody" drama Closer. And Duplicity tanked, and was widely unloved, and even six years later, those facts still break my heart a little bit. 

More...

Click to read more ...