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Entries in Quentin Dupieux (3)

Monday
May232022

Cannes Diary #6: Something weird this way comes

by Elisa Giudici

This (unconscious?) cosplay of Jesse Buckley doing Paul Verhoeven’s The 4th Man during the Q&A session for Men made my day!  After the jump some surreal comedy, a horror oddity, a terrifying thriller that might contend for awards, and a directorial debut... 

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Friday
Oct162020

Review: "Deerskin" on HBO

by Cláudio Alves

Fashion kills in one of Quentin Dupieux's latest absurdist comedies, the loony nightmare that is Deerskin. After blessing moviegoers with the nonsensical sight of a homicidal tire in Rubber, the French director has now imbued a fringed jacket with the power to unravel the human mind and precipitate its wearers into paroxysms of murderous madness. Jean Dujardin's Georges is the victim of such demonic influence, though, at the start, he, like all things in Deerskin, appears unnervingly mundane…

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Monday
Sep142020

On "Nomadland" and other Venice winners

Please welcome guest contributor Elisa Giudici. She saw all the Venice competition films and she brings us this special report!

By Elisa Giudici

The oldest Film Festival of the world was the first to roar back from the pandemic. Venice International Film Festival president Francesco Ciccutto and artistic director Alberto Barbera worked hard to organize this year's edition. At first, it played like a fever dream: an international film festival in one of the nations that lived through the most severe lockdowns and highest death count just a few months ago?

Hollywood majors and newer realities like Netflix, which in the recent past Venice would coddle with attention, betrayed the Venetian Mostra, and didn't send a single movie. Old friends rallied, though.  Pedro Almodóvar, Luca Guadagnino, Ann Hui, and Abel Ferrara wanted to be in Venice to help the Mostra. They were supported by European festivals early on in their filmmaking and didn't forget them in their time of need... 

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