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Entries in Jean Dujardin (18)

Tuesday
Nov112014

Stockholm Film Festival: French Films Lack Luster with Big Stars

Glenn has been attending the 25th Stockholm Film Festival as a member of the FIPRESCI jury. Here he shares thoughts on three French films starring big names Catherine Deneuve, Jean Dujardin, and Gemma Arterton.

In the Name of My Daughter

As is common during a film festival, I had taken a seat in a cinema and completely forgotten what I was set to see. When the title card came up announcing ‘French Riviera’, I thought they were playing the wrong film as we had no such film on our schedule. Me in my festival state, stupidly didn't realise this was merely a location card. It wasn't until I checked the guide that I actually realised its name was In the Name of My Daughter. That title, far more verbose and clunky than is befitting André Téchiné’s movie, rather uncomfortably links the film to Jim Sheridan’s famous 1993 IRA drama despite not sharing anything in common. And, in further contemplation, actually comes off as rather offensive when comparing this trifle’s rich, white characters of privilege with those played by Daniel Day-Lewis and Pete Posthlethwaite.

Catherine Deneuve and Adéle Haenel star as Renée and Agnés Le Roux, mother and daughter. Renée manages the floor of a casino on the southern coast of France and Agnés has just divorced and returns to the French Riviera to open a book and ethnic trinket and knick-knack shop on her mother’s dime. With the assistance of her mother’s smooth operator assistant, Maurice, a ridiculously handsome and suited-up Guillaume Canet, she seeks to separate herself from the downward spiral of her mother’s business that could see her inheritance reduced to a pittance.

And therein lies the biggest problem with Téchiné’s film. Unlike before in films like Wild Reeds or The Witnesses (and perhaps the six other collaborations between Deneuve and Téchiné, none of which I have seen) his characters are horrifically hard to care about. Haenel and Deneuve, puffing on cigarettes at every turn, aren’t given enough material to make their characters identifiable as human beings worth empathizing over; their bourgeois, petty squabbles over money increasingly difficult to care about. A third-act turn into mystery territory at least gives audiences something to latch on to, that of a mother’s devotion to discovering the truth about her missing daughter, but it’s far too little too late and the lack of genuine development in their characters makes the stakes significently dim. A brief moment featuring the predominantly non-white employees of the mother’s casino being told they no longer have jobs threatens the prospect of Téchiné navigating something interesting in looking at the population for whom the French Riviera doesn’t mean easy-living, but it’s short-lived and cannot save this bland affair. C-

More films after the jump...

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Tuesday
Dec242013

Reviews: Walter Mitty & The Wolf of Wall Street

'Who can keep up during Christmas?' I asked in my column over at Towleroad yesterday and after some mumbling about mystifying release strategies for platforming properties (read it if you can't get enough of me) I got to the heart of the matter with two wide releases.  They are reprinted here with a bit of embroidery to fill out my thoughts...

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Thursday
Aug082013

Yes, No, Maybe So: "Monuments Men"

Weep not for the embedded trailer I was going to use to discuss Monuments Men which vanished moments before I hit "publish". Trailers are not works of art we must protect from the Nazis so it's okay if they regularly get yanked or are seen in non-embeddable ways. They are but commercials for movies that we hope are works of art themselves. If you'd like to see the trailer to George Clooney's latest Oscar missile, click here.

I keep meaning to read the bestseller this film is based on but it basically about a group of older men on a special war time mission. They make like thieving soldiers to steal art from the Nazis before its destroyed.

YES

  • Run, Jean Dujardin, run!
  • Shoot Nazis, Bob Balaban, shoot 'em! [more...]

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Tuesday
Feb192013

"Oh putain!" It's Jean Dujardin

This just in from our friend Julien in Paris... Jean Dujardin, interviewed on Europe1 this week to promote his new movie Mobius, was asked about his acceptance speech at last year's Oscars and Emmanuelle Riva's nomination in Best Actress this year, the award he'll be presenting on Oscar night.

The actor famously proclaimed "Oh putain!" before launching into his acceptance speech which sort of translates to "Fuck!".  In fact, some people believe that it's the only word you need to know to speak French.  

Dujardin goes on to confess that he didn't vote (!?!) and congratulates Emmanuelle Riva on her BAFTA win. He promises the interviewer that if Emmanuelle Riva wins on Oscar night he'll shout "Oh, putain - It's Emmanuelle Riva!" when he opens the envelope.

Do you think he'll get the chance?

P.S. While you're here why not like the Film Experience on Facebook?

Tuesday
Feb282012

The Best Oscar Press Room Photo


Jean Dujardin (aping his already famous George Clooney photo op at the Oscar luncheon) with Movie Queen Meryl.

Thursday
Feb092012

12 Linkeys

Brad to the Bone
Yahoo Movies
Another Oscar roundtable I participated in. This time I'm talking Best Actor with Thelma Adams, Sasha Stone and others. I kick it off with more Brad love.
Serious Film on Brad Pitt's winning streak. It's not just 2011.
Press Play stumps for Brad Pitt (Moneyball) for Best Actor. It's weird all the excitement seemed to be in Best Actress until just recently and then Best Actor was all anyone could talk about. Maybe because it still feels like a race? 

Links
Flavorwire
Ridley Scott and Michael Fassbender for a new Cormac McCarthy penned movie?
Guardian Naomi Watts signs to play Princess Diana in a bio directed by Oliver Hirschbiegel (Downfall) called Caught in Flight on the last two years of her life. I guess we need to start thinking about all the 2012 2013 Best Actress contenders.
NY Post Daniel Radcliffe not happy that Harry Potter 7.2 was not Best Picture nominated. And here I thought people had stopped thinking about that.
In Contention Happy 80th birthday for John Williams
Funny Or Die Jean Dujardin auditions for every villain role
Carpetbagger has been doing a series where they invite celebrities to fill out fake Oscar ballots (i.e. non AMPAS members. Today Tabatha Coffey. I always wanted to do this random celeb Oscar chat thing but alas, The Film Experience doesn't have the clout of The New York Times. Someday ;)
Boy Culture excavates an old Madonna interview from when she was only 34 wherein she talks about aging and knows that people will want to put her out to pasture soon. We love that she's living her ideals 19 years later and not allowing that. Given that life expectancy keeps moving up in years, you'd think civilians (who age faster than celebrities!) would stop groaning about celebrities that are "too old" to be entertaining us. I'm pretty sure in 20 years times I'll still rather see Meryl at 83 than, you know, some random 20 year old Hollywood is trying to shove down my throat. May all the talented ones keep working until they croak! This goes for the fresh ones too who are just starting out. Jessica Chastain, pace yourself. We hope to enjoy you when you're 71... if we're still alive!

Finally... the Berlinale Film Festival kicked off today with Opening Ceremonies. Here are the jurors arriving and lining up... which I snapped from the live feed.

From left to right: Director Asghar Farhadi (last year's Berlinale winner for A Separation), Actress Charlotte Gainsbourg, Director Mike Leigh, Actress Barbara Sukowa,  Director Francois Ozon, Director Anton Corbijn, Writer Boualem Sansai, and Actor Jake Gyllenhaal ("Jakey!!!") who the crowd and photographers went wild for the second he stepped out of the car and onto the red.

Sundance is the first major festival of each new film year but Berlinale is always hot on its heels. Will anything as great as A Separation debut there this year? We'll soon hear.