Best Actress and the end of the Great Depression: An Alternative Oscar History

by Cláudio Alves

Miriam Hopkins in BECKY SHARP (1935), Janet Gaynor in A STAR IS BORN (1937), and Vivien Leigh in GONE WITH THE WIND (1939) were the first 3 Best Actress nominees from full-color movies.

The woes of the Great Depression demanded escapism from Hollywood. Such spectacle came in a myriad of forms, including some technical advancements.

By 1935, the three-strip Technicolor process was ready for features, blessing the silver screen with hues that called themselves natural while shining bright like something out of a dream. New genres came into being, too, sometimes as an echo of the dark times – think gangster pictures and their basis in social realism turned pulp or the rise of horror at Universal – and sometimes as an antidote. The screwball comedy was a child of the Great Depression, alright, with some of its greatest hits holding a blissfully distorted mirror to off-screen miseries, distracting from them and offering some magical impossibility as succor for the soul. In other areas, movies kept getting bigger, upping the ante in ways that recalled the great epics of silent cinema, those endeavors that moved armies and mountains for the camera’s gaze and the audience’s pleasure.

Obviously, this all reverberated through the Oscars, including and especially the Best Actress race. But will my personal ballots reflect it in the same fashion? Well…

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Best Actress in the 1920s: An Alternative Oscar History

by Cláudio Alves

Janet Gaynor won the first ever Best Actress Oscar with her performances in Borzage's 7TH HEAVEN and STREET ANGEL, as well as Murnau's SUNRISE. Does she also win here?

To misquote Mark Twain, reports of my death have been greatly exaggerated. Or maybe I should go with Dr. Frankenstein by way of James Whale and scream to the high heavens: It’s ALIVE! Now, dear readers, as I try to return to writing regularly for The Film Experience, I feel like I owe you an explanation for my prolonged absence, not to mention an apology.

I’ve suffered from migraines since I was four, but around the middle of July, a crisis like none other began. Unparalleled in intensity and duration – still going, though not as strong as before - it took me to the ER, a CT scan, a cardiologist’s office, a bunch of new medication, and, soon, a wisdom tooth extraction and an appointment with a neurologist. In other words, it’s been hell, endless pain for over a month that mostly left me useless as far as writing articles or anything longform is concerned. Still, movies have been a refuge, as they’ve always been, and social media has allowed me to keep writing in short spurts whenever the pain medication kicked in, mostly about what I’ve been watching. Specifically, I’ve been emboldened by Twitter user HungryBear’s Oscar retrospectives to revisit my Best Actress picks from the very beginning of the Academy Awards, way back in 1928.

What better way to mark my comeback than to share these with you, too? TFE readers seemed to like reading – or enjoyed arguing over and against – my picks from the 80s, when I shared them two years ago, after all. That’s most of what I’ll be doing as I prepare myself for another TIFF coverage in September, with maybe a couple of other things thrown in if my ever-evolving torment nexus of pain permits it. Anyway, to start things off, we have the first three Oscar editions, when the twenties were honored and, with them, the twilight of the silent era…

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A History of Sex Workers and Oscar Wins

by Nathaniel R

Mikey Madison, Best Actress winner for "ANORA"With Mikey Madison's much buzzed about semi-surprising Best Actress win for Anora (2024) and Madison and her writer/director Sean Baker both paying tribute to sex workers in their speeches, let's talk sexworkers and the Oscars. It is a myth that playing a sex worker will get you an Oscar but it is also not wholly false that these roles are of great interest to Hollywood. Many actresses have been celebrated for playing women of ill repute whether they're traditional prostitutes, strippers, sex therapists, or it happens to be a character detail that they used to trade sex for money, or whatnot. What this says about Hollywood and the public's taste in entertainment is... well, it says many things... but they do call it 'the oldest profession' for a reason.

Male actors are not nominated for this sort of role (which also says a lot about society and Hollywood) even when they deserve to be...

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Oscar History: The Very First Ceremony!

by Nathaniel R

THE FIRST OSCAR CEREMONY (photo from the Academy)

94 years ago today (May 16th, 1929) the very first Oscars were held in Hollywood. The newly formed Academy of Motion Picture Arts and Sciences was honoring the films released in the summer of 1927 through the summer of 1928 (a full year prior!). The ceremony, held at the Roosevelt Hotel (which was then about to turn two years old and is now the oldest continually operating hotel in Los Angeles) lasted just 15 minutes.  It would be the first and only fully “private” ceremony with the Oscars broadcasting by radio the following year. It would also be the first and only ceremony ever held in May with the Oscars moving to November the next season. Unusual yes. But only to these modern eyes. It would take the Academy a decade plus to settle into many of the traditions and categories that now seem to have always existed and even longer before the television-specific rituals began (in the early 50’s.)

Let’s look at what they chose in their inaugural year and where you can now screen those films...

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Revisiting the original "A Star Is Born"

by Cláudio Alves

As the next Supporting Actress Smackdown approaches, The Film Experience is celebrating the cinematic year of 1937. It was then that Hollywood consolidated its favorite myth about itself. While the story model had been making the rounds for ages, both in gossip and on-screen (check out What Price Hollywood?), William A. Wellman's A Star Is Born is the first movie of its name. The tale of Norman Maine and Vicky Lester, his downfall and her rise to fame, would be told three more times to great effect, but one should never forget the original. Not when the movie is this pristine, written to formidable effect by a team that included the legendary Dorothy Parker and performed with utmost conviction by Fredric March and Janet Gaynor…

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