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Entries in strippers (26)

Sunday
Jul042021

"Zola" is a must-see

Spend some time in batshit insane Florida this weekend. Writer/Director Janicza Bravo's stripper comedy Zola (co-written by Tony-nominated playwright Jeremy O. Harris) which was a major Sundance hit way back in January 2020 before the pandemic, is finally in theaters. It was worth the wait. Murtada raved about it last year...

Zola is the first film to get how social media interactions have shaped the way people talk to each other IRL. How many times have you said "LOL" to someone’s face? Admit it, many times. Bravo and Harris manage the find the right speech cadences for that sort of phone jargon. Then, Bravo masterfully realizes them visually so that they are seamless. [Read the full review

It's a great and wild time at the movies headlined by fast-rising wonder Taylour Paige (so fun as Viola's girl in Ma Rainey last season) in a nimble deadpan funny star turn. She had me in stitches with a one word line reading "...word" early on in this weekend misadventure before the gallows-humor comedy rubbernecks around its rather serious and frightening sex-trafficking elements. She and the underappreciated Riley Keough are both expert at keeping their performances both real and "in quotes" for the different points of view and emotional facades the women wear to survive. 

Friday
Oct042019

FYC: "Hustlers" for Best Costume Design

By Cláudio Alves

The Academy rarely recognizes the greatness of contemporary costume design. They're caught in an endless love affair with period pieces and fantasy extravaganzas. I Am Love is the last true contemporary-set film (give or take La La Land’s dreamy vision of Los Angeles) to receive such an honor without any fantastical element and that was almost a decade ago. 

This year would be a great time to break with tradition. In fact, no snub in the upcoming Best Costume Design category will hurt as much as Hustlers'. Lorene Scafaria’s electrifying drama is a luxurious feast of late aughts fashion and purposeful ostentatiousness... 

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Friday
Jan112019

Showbiz History: Hitchcockian Cop, Blige Strippers, and Keanu Replicas

Today in showbiz history. Happy January 11th!

1914 Dorothy Jeakins, one of the most celebrated costume designers of all time in Hollywood (12 nominations and 3 Oscar wins) who designed classics like The Ten Commandments, The Sound of Music, and The Way We Were was born in San Diego

1919 One hundred years ago today Mort Mills, was born. He's the highway patrolman in Psycho that freaks Janet Leigh out with those black hole sunglasses -- it's like looking at a skull...

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Monday
Jul162018

Stage Door: "Teenage Dick" and "Boylesque Bullfight"

Stage Door is our intermittent theater column because there is more to live than cinema and also because cinema and the stage frequently interact...

Teenage Dick (Public Theater)
This very cheekily titled show -- so embarrassing to say or type! -- is actually Shakespearean. (What isn't when it comes to theater? We'd love playwrights and directors to leave Shakespeare behind for a few years and discover vast untapped realms, but they're all Bard addicts who perpetually need a fix.) If you're going to riff on the Bard, please have as much fun with it as Teenage Dick does! This comic interpretation of Richard III recast the disabled king as a teenager in hate with his boring high school and the jock star and Christian activist classmates he aims to take down via an upcoming student election...

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Tuesday
Jun122018

1994 Revisits: "True Lies"

by Ben Miller

 

Arnold Schwarzenegger has never been much of an actor.  Instead he's a presence, an ideal; square-jawed, charismatic, with muscles on top of muscles.  But, his biggest advantage is how aware he is of his own ridiculousness. His job is to do competent action and spout a cheesy one-liner with the bravado necessary to sell it.  His greatest critical successes have leaned into these innate strengths. When paired with a good director and solid co-stars, his films work.

Everything came together with True Lies in 1994.  Director James Cameron was riding high after T2: Judgment Day made all the money a movie could make in 1991.  He originally entertained the idea of a Spider-Man movie starring Michael Biehn, but couldn’t make it work with 1994 technology.  Instead, he went with True Lies...

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