Oscar History

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Entries in Riley Keough (9)


Review: "Logan Lucky"

by Chris Feil

Steven Soderbergh’s cinematic return begins with an apt statement that reflects the experience of his most entertaining films: Channing Tatum’s Jimmy Logan tinkers away at his truck as he tells his daughter Sadie a fantastical tale about the John Denver tune on the radio. When she asks what makes the song so special to him, his matter-of-fact response is that sometimes you just “like the song because of the song.” For all of Soderbergh’s conceptual refinement and polemical subtlety buried within his most mainstream features, sometime you can’t just help love the song.

Logan Lucky is another one of those films for the director, and another of his spectacular ensembles. Tatum is one of three protective Logan siblings along with Adam Driver’s amputee Clyde and Riley Keough’s no-bullshit hairdresser Mellie.  In order to stay a part of his daughter’s life after losing his construction job, Jimmy hatches a plan to rob a NASCAR motorway of its subterranean cash stash. For added muscle the Logans recruit the mischievous Bang brothers, led by current convict and hard-boiled egg enthusiast Joe, played by an inspired and loose Daniel Craig.

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Review: "It Comes at Night"

by Chris Feil

After last year’s Krisha, Trey Edward Shults returns to the horror of family dynamics with post-apocalyptic nightmare It Comes At Night. This time he’s equipped with higher production value and more familiar faces than that astute micro-budgeted debut, though Night is just as personal. His resulting sophomore feature is part Greek tragedy, part vague social polemic, and one of the most terrifying films in several years.

Set in a remote, wooded mini-mansion, a family has made their home a fortress from some unspecified apocalypse. The elderly father of Sarah (Carmen Ejogo) has fallen “sick”, leaving her husband Paul (Joel Edgerton) and son Travis (Kelvin Harrison Jr.) to dispatch of him for their own safety. The desperate invasion of another family (led by Christopher Abbott and Riley Keough) tests both the reclusive family’s empathy and rigorously protected lifestyle. Meanwhile, Travis is having increasingly vivid visions of the encroaching malignant threat that test his (and our) sense of reality.

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YNMS: "Logan Lucky"

Chris here. Tucked away in late summer is Steven Soderbergh's Soderbergh's official return from cinematic retirement Logan Lucky. Why is this return so quiet with little fanfare? Well, probably because we always knew that retirement wasn't going to last long anyway - and maybe if Soderbergh is back, he'll stay low-key.

However, from the looks of the first trailer, Logan Lucky will be anything but a low-key romp. Soderbergh is back to the ensemble heist capers he turned into big hits with the Ocean's films, this time even more broadly idiosyncratic and silly. This film's heist seeks to pull one over on NASCAR, with the lovable thieves a set of goofy oddballs that sound more at home in the land of Coens than Soderbergh. Take a look at the first trailer, and we'll discuss the Yes No Maybe So after the jump...

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"It Comes At Night" is Coming to Scare You

Chris here. While yesterday’s trailer for Sofia Coppola’s The Beguiled certainly rattled us, here’s another first look to give you the more terrified kind of chills: Trey Edward Shults’ Krisha follow-up, It Comes At Night.

Shults’ first film was a decidedly homegrown effort, but this looks to be a spooky step up in scale and ambition if no less psychologically taxing. The director has also assembled an intriguing cast with Joel Edgerton, Carmen Ejogo, Riley Keough, and Christopher Abbott. The trailer keeps the specifics of this post-apocalyptic vision under wraps, but hints at some kind of malevolent force at play while Shults continues to mine tense family dynamics. From the opening shot of the trailer alone, we can probably bet this will be one of the year's most formiddable horror films.

Krisha was one of last year’s many promising directorial debuts (even if it had been kicking around for a while). Considering it played the Critics’ Week sidebar at Cannes, might Night be heading to the Croisette in some form as well? It Comes At Night opens on August 25.


Actress in a Supporting Role, Personal Ballot

Oscar predictions are already up for Best Supporting Actress.

Will Greta Gerwig read good news or bad next week?

It's looking like the most settled of the acting categories with Viola Davis, Michelle Williams, Naomie Harris, Nicole Kidman, and Octavia Spencer all widely expected to place.

If there's a sudden shift look for either Greta Gerwig or Janelle Monae to spoil... or enliven the party, depending on your preferences. "Spoiler" is such a weird word in this context, no? Regardless, it will be a good year for the Academy in Supporting Actress with all seven of those performances that ranging from quite good to phenomenal; we'll take it!

But it's not my personal ballot and that's not only because I consider Viola Davis a lead in Fences (I realize others feel differently). Three of those names above, however, do make my personal list. The two I'd like to add to the mix are Riley Keough, so mesmerizingly trashy/real as a entrepeneur (of sorts) toying with her underlings in American Honey and Elle Fanning doing the best work of her already lauded teenage career (thus far) in 20th Century Women. Read the writeups here at the Film Bitch Awards.


Review: American Honey

By Steven Fenton

The song “American Honey” is about a woman aching for the free spirit she was in her youth, wishing she’d had the courage to flee her circumstances. Andrea Arnold’s American Honey considers what that woman’s life might have been had she left. The sensational Sasha Lane plays Star, a young woman who steps out of her life and into a tribe of disenfranchised, disenchanted, lost youth on an odyssey across the American South.

Star is struggling. She’s living with her boyfriend and raising his children, with no help or money. Then one day at Wal-Mart she watches a troop of wild teens turn the store into their own raucous dance party...

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Red Carpet: TIFF Finally Does Couture

Jose here. Color me impressed with all the couture at Toronto this year! Congrats to stylists for bringing it, and when there are so many great looks to discuss, let's get to it. Amy Adams is the epitome of "if it ain't broke", she has rarely looked sexier than she does in this simple Tom Ford design. Her Rita Hayworth-esque locks and the perfect earrings might just make this her best look in years. No one can pull off as many shades of yellow as Emma Stone as proved by this textured Chanel minidress, which sees her at her most playful. Rooney Mara wearing color warms my heart, especially when it's such bold pieces as this Aouadi bolero dress, knowing the unique design was more than enough, her makeup and accessories are minimal, love that the strappy sandals make it look as if she's floating. Lupita Nyong'o in Carolina Herrera is the thing fashion photographers dream about, gotta love her red lipstick too. Can she do any wrong? The answer is no.

More looks after the jump. 

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YNMS: American Honey

Murtada here. The best thing about this lackluster summer movie season, might be the trailers for fall movies. This week sees one of our most anticipated, Andrea Arnold’s American Honey starring Shia LaBeouf, Riley Keough and introducing Sasha Lane in the lead role. The film is about a young woman who joins a travelling magazine sales crew, and their adventures as they travel the midwest, party and maybe fall in love. There’s also some law-breaking.

Let’s deep dive with a Yes, No, Maybe so after the jump..... 

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