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The Film Experience™ was created by Nathaniel R

Gemini, Cinephile, Actressexual. Also loves cats. All material herein is written and copyrighted by him, unless otherwise noted. twitter | facebook | pinterest | tumblr | letterboxd

 

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Top Ten Cate Blanchett


Remember when George Clooney swore she was going to win an Oscar for The Good German?
-Joey 

Elizabeth Debicki in Gatsby reminded me of Cate in Ripley. That same haughty confidence, although Debicki galloped across the screen while Cate glided.
-Murtada 

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Entries in Psycho (21)

Friday
Mar222013

Two TV Takes: "Southland" & "Bates Motel"

As I wait anxiously for the next great TV series to arrive -- where are you? -- I thought we should talk a little about two very different shows and the axis of Concept and Execution. Mad Men gets "A"s in both but most TV shows have to struggle through by leaning on one or the other. Having a good and/or original concept can win you a lot of leeway if your execution is problematic (see: Smash) but what of the inverse? Enter... Southland now in its 4th season. On the surface and at its core Southland is just another police procedural. You've seen it before and you will see it again.

So why the hell is Southland so damn good?

"How to Be Awesome"
The answer is all in the Execution. more...

Click to read more ...

Monday
Mar182013

Visual Index ~ Psycho's (Best) Shots

With Bates Motel premiering tonight on A&E starring Vera Farmiga as the infamous Norma Bates, let's look back at your choices (and mine) for Psycho's Best Shots. Alfred Hitchcock's masterpiece made for one of the most popular editions ever of Hit Me With Your Best Shot (this Wednesday's film is 1952's foreign Oscar winner Forbidden Games so don't miss out)... so let's revisit.

We all go a little mad sometimes. If you feel like escaping click on any of the images, presented in chronological form, play the shrieking violins in your head, and be transported to the article on that shot...


Please to note: I cheated a little since we lost some articles (why do people shut down their free blogs/tumblrs?) and put in all three of my favorite shots in this visual breakdown. 14 more shots after the jump...

Click to read more ...

Tuesday
Mar052013

Curio: The Exiled Elite

Alexa here. After posting the gorgeous pencil drawings of Marie Harnett, the work of another artist out of the UK who takes pencil to paper was brought to my attention. Matthew Warren has a passion for film that was nurtured when he worked on film sets during art school.  After a viewing of Drive inspired Matthew to seek out alternative poster designs for the film, he discovered the rich online world of fan art, discussed here at The Film Experience (he's a reader) and elsewhere on the web. Soon his project, under the name The Exiled Elite, was born. 

Matthew mixes his pencil sketches with marker-drawn text to create his wholly handmade designs; I love how you can see each marker stroke.

I've posted more of his posters after the jump.  You can see all his designs on his website, and you can buy prints at his shop.

Click to read more ...

Monday
Nov262012

Review: "Hitchcock" 

This review was originally published in my column at Towleroad

The first thing HITCHCOCK gets right about Hitchcock is the humor. Director Sacha Gervasi's serio-comic adaptation of the book "Alfred Hitchcock and the Making of Psycho" starts with a playful dodge, beginning not with a shot of that infamous house on the hill or the Bates Motel or even a Hollywood soundstage but in the rather humble yard of a Wisconsin farm. It's home to Ed Gein, the gruesome 1950s killer who inspired Psycho. The camera pans away from Gein's (fictional) murder to reveal the iconic plump suited figure of The Master of Suspense cooly observing him (Sir Anthony Hopkins in Sir Alfred Hitchcock drag).

Hopkins addresses the camera directly as if he's welcoming you to a very special edition of television's "Alfred Hitchcock Presents" or recording a promo for his latest cinematic thrill ride. He'll break the fourth wall again to bookend this film with an even better visual joke that's absurdly hokey.

More...

Click to read more ...

Friday
Nov232012

Are You Excited For "Bates Motel" or "Hannibal"?

Alfred Hitchcock is getting as much attention this year as 007, what with Vertigo topping the Sight & Sound poll and the new Hitchcock biopic that references Hitchcockian mythology from 1958 through 1962 but focuses mostly on Psycho (1960). All that plus a new TV show that will look at the life of Young Norman (Freddie Highmore) and the infamous Mrs. Bates (Vera Farmiga) long before she was a dead woman rotting away in the fruit cellar. 

The first official image released inspires hope. It didn't go for something obviously CREEPY. Instead, counterintuitively, it's calm and painterly ...very Wyeth... and if you knew nothing of Psycho you might not even think of blood...blood... oh god mother the blood!

As a general rule I hate Hollywood's fascination with prequels, an obvious example of their creative bankruptcy but also, more dangerously, a key contributor to the dearth of imagination in audiences. It trains people to be passive viewers as if it's anathema to participate in what you're watching and create your own narratives to align with particularly gripping stories you're told. This is a strange dichotomous development considering that the easy access to art and technology these days seems to have actually inspired more participation... so why do people still want inspiration-killing backstories... the worst examples ever being the Star Wars prequels which just robbed the originals of their mythological potency. THIS IS WHAT CAUSED THAT. THIS BECAME THAT. REMEMBER THAT BIT? IT'S BECAUSE OF THIS. LET ME HOLD YOUR HAND AND OVER EXPLAIN EVERYTHING.

So I'm confused that I'm so excited for this. It must be the resilience of Psycho. It's already withstood several sequels, countless ripoffs and parodies and one recreation, and the kind of marrow deep cultural impact that you'd think would make it feel redundant to watch. Nope. It still terrifies and intrigues. The casting of the prequel series is also compelling. Freddie seems ideal, right? And Farmiga is one of the big screen's most compelling actresses, even if Hollywood isn't really helping her deliver on her potential -- even after her Departed / Up in the Air hit Oscar films breakthrough. What gives?

Hannibal Lecter (Mads Mikkelsen) enjoys his meal. Not vegeratian.

Still, with Dexter long overstaying his welcome on Showtime (this season started strong but quickly devolved and last season was just bad bad television... and there's still one more to go!) and Hannibal (yes, The Silence of the Lambs' Hannibal) about to get his own prequel series, doesn't TV already have enough 'life inside the head of a serial killer' drama? Serial killers are to television now what they were to the movies in the mid to late 90s.

Have you had enough or do you still enjoy the genre?