Oscar History

The Film Experience™ was created by Nathaniel R. Gemini, Cinephile, Actressexual. All material herein is written and copyrighted by Nathaniel or a member of our team as noted.

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More Poirot
Kenneth Branagh may get those sequels he wants

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Comment(s) Du Jour
Spirit Nominations
Call Me By Your Name leads with 6

"I think Good Time is going to do better this award season then people realize. It's slowly developing a cult following similar to Drive. " - Mike

"Really happy to see Harris Dickinson in male lead. That's a great category." - Joseph

Ugh Armie Hammer in Call Me By Your Name reeks of Rooney Mara in Carol all over again. LGBTQ film with two obvious co-leads where one is relegated to supporting and pushes out a fantastic, legit supporting player (Sarah Paulson/Michael Stuhlbarg)." - Aaron

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Entries in Being There (2)


"Being There" -- Essential Viewing For the Right Now

by Nathaniel R

Hal Ashby’s Being There (1979) is a fortune teller. And the future it foretells isn’t rosy. The classic film about a TV-loving cypher who Forrest Gumps his way into history is approaching its 40th anniversary, but its essential viewing for the right now.  Don't wait until 2019 to see it.

Among the film’s many queasy previews of life in the early 21st century is the proliferation of screens. Here that takes the shape of television, with Ashby frequent crosscutting to whatever is on the TV in a given scene. Though the content we see is recognizably dated, its intrusion is evergreen. 

Hidden within the prophecy of multiple screens replacing actual experience, is an even sharper notion of the screen as a mirror...

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Distant Relatives: Dr. Strangelove and In the Loop

Robert here, with my series Distant Relatives, where we look at two films, (one classic, one modern) related through theme and ask what their similarities/differences can tell us about the evolution of cinema.


Great and powerful leaders

The world is run by idiots. Here’s an observation that is not at all new in the history of comedy or for that matter, humanity. Political satire is more often than not based on the assumption that the people at the top are at best incompetent to enact the right priorities, at worst adamant in their pursuit of the wrong ones. There’s a line of thinking that suggests anyone with the desire to become a politician is, by that virtue alone, unfit to be one. Never is this assertion more comically rife than in times of war, when we’re all scared and confused and asking our leaders to help us through the fog of conflict.

Dr. Strangelove: or How I Learned to Stop Worrying and (cue the teasing female voice) Love the Bomb and In the Loop are two films during two times of war, one Cold the other Middle-Eastern, that aren’t exactly overt anti-war political statements. That is to say the films could, I suppose, get behind a war if the people promoting and running it were ever even slightly better than horrible human beings. But in their realities that could never be the case.

Fingers on the big red button

In case you’ve never seen it, Dr. Strangelove starts off with mad General Jack D. Ripper (Sterling Hayden) giving an unauthorized go code to go nuclear (literally) on the Soviet Union.

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