Contemporary Costume Design - an FYC overview

by Nathaniel R

We don't get "finalist" lists for half of the craft categories so theoretically everything is still in the running for the visual categories of Cinematography, Editing, Costume, and Production Design. Today let's focus on Best Costume Design options for awards voters. While two-time winner Jeanny Beavan's work on Cruella has been looking like a potential Oscar-winner since way back in May, plenty of competition has arrived since. Our first clue as to what the industry might go for here will be on January 26th with the CDGA (Costume Designers Guild Awards) nominations which divide movies up into period, sci-fi/fantasy, and contemporary. That's a handy way to do it, since it's too easy to fall into "Most Costuming" otherwise and entirely ignore the breadth of what is possible in this field. 

What follows are NOT predictions as to what the Guild or the Oscars might choose (craft predictions are here) but FYCs if you will, highlighting six options we think are interesting in the realm of "contemporary" (mostly)...

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Yes No Maybe So: The Eyes of Tammy Faye

by Nathaniel R

The Eyes of Tammy Faye was once the title of a popular 2000 documentary and now it's the title of a biopic about the rise and fall of televangelists Jim and Tammy Faye Bakker, with the emphasis being on the more sympathetic Tammy (who is no longer with us, having died of cancer in the Aughts). For you youngsters out there they were VERY famous in the 1980s with their scandal and downfall happening in 1989. The movie is directed by Michael Showalter (The Big Sick, Hello My Name is Doris) and gives plum roles to Oscar nominees Andrew Garfield and Jessica Chastain as the famous fallen couple. Will it be great, terrible, a mix of both simultaneously or (most dangerously) blandly mediocre? Will it be up for all the Oscars or none of them? Let's give this the full Yes No Maybe So™ treatment after the jump...

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Year in Review: Style Icons of the Big Screen

by Cláudio Alves

As an obsessive list-maker, to write a top ten for The Film Experience's Year in Review was more of a dream come true than a challenge. As we're in festive times, I decided to give myself a gift, by fusing one obsession with another. Cinema, costume design and list-making all consumed my Christmas Eve afternoon in a haze of sartorial glory. Looking back at the movies of 2019, from opulent period pieces to humble contemporary dramas, I went in search of the year's greatest style icons. Not those of real life, obviously, but the ones who graced the silver screen.

In decades to come, we may look at them as we now look at Darth Vader's sinister countenance or Holly Golightly's Givenchy clad figure. Who knows? More than predicting future icon-status, this is a list of personal favorites, though.

Without further ado, let's celebrate 2019's style icons, but first, some honorary mentions…

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FYC: "Hustlers" for Best Costume Design

By Cláudio Alves

The Academy rarely recognizes the greatness of contemporary costume design. They're caught in an endless love affair with period pieces and fantasy extravaganzas. I Am Love is the last true contemporary-set film (give or take La La Land’s dreamy vision of Los Angeles) to receive such an honor without any fantastical element and that was almost a decade ago. 

This year would be a great time to break with tradition. In fact, no snub in the upcoming Best Costume Design category will hurt as much as Hustlers'. Lorene Scafaria’s electrifying drama is a luxurious feast of late aughts fashion and purposeful ostentatiousness... 

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