Horror Costuming: The Cell (2000)

by Cláudio Alves

Last year, when exploring the wonders of horror costuming, I sang the praises of Eiko Ishioka's Oscar-winning Dracula designs, a heady mixture of Nipponic fantasy and Victorian fashion. While that's a cinematic wardrobe for the ages, it's fair to say Eiko's most crucial big-screen collaboration wasn't with Francis Ford Coppola. Instead, that would be her decades-long teaming with Tarsem Singh. Indeed, the Japanese artist's work with the Indian director became so intrinsic to his filmography that she could be considered a co-author of those movies. Her vision is vital to their final form. So much so that, after her death, Tarsem's cinema lost some of its spark. He's yet to return to the visual heights he had achieved with Eiko. Of the four features they did together, The Cell's the only adventure in the horror genre, a nightmarish plunge into a serial killer's psyche…

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Film Bitch Awards - Heroes, Villains, Action, and More...

by Nathaniel R

We promised to finish up the 2019 Film Bitch Awards so we're doing that. Who talked us into so many categories? Oh that's right, no one but our own movie-loving madness. There's probably a cure for it but we're happy to stay addicted. 

HEROES, VILLAINS, DIVAS, and SEXPOTS
The character awards are now complete with honors for titular characters from Harriet and Diamantino and Joker and Us (just making sure you're not skimming but titular works there, too, right?) among other films like Synonyms, Toy Story 4, and Hustlers. As to the latter we realize that Jennifer Lopez factors quite heavily into all six of Hustlers nominations thus far but sometimes you ARE the movie, even if the movie itself is quite good. And, because sometimes moviegoing pleasure is perverse, we even found a way to "honor" Cats...

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Almost There: Jennifer Lopez in "Hustlers"

"Almost There" is a new series about actors who were obviously close to an Oscar nomination but somehow missed. Here's Cláudio Alves...

Regarding this year's Oscar nominations, no snub hurt quite as much as Jennifer Lopez's absence in the Best Supporting Actress line-up. The long-time actress turned pop diva earned herself a small mountain of critic's honor for her performance in Hustlers, including the LAFCA trophy, as well as crucial precursor nominations like the Critics Choice Award, the Golden Globes, and the SAG. Still, when it was all said and done, the Academy preferred five other actresses over Lopez. If we consider Dern, Pugh, and Robbie as near locks, then her spot was either taken by Scarlett Johansson or Kathy Bates. While neither work is meritless, they've got nothing on JLo's sterling achievement.

Still, we're not here to lambast the Oscar's chosen nominees, but to celebrate one hell of an awards-worthy performance. So, join us as we explore the wonders and sing the praises of Jennifer Lopez's Ramona…

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Year in Review: Style Icons of the Big Screen

by Cláudio Alves

As an obsessive list-maker, to write a top ten for The Film Experience's Year in Review was more of a dream come true than a challenge. As we're in festive times, I decided to give myself a gift, by fusing one obsession with another. Cinema, costume design and list-making all consumed my Christmas Eve afternoon in a haze of sartorial glory. Looking back at the movies of 2019, from opulent period pieces to humble contemporary dramas, I went in search of the year's greatest style icons. Not those of real life, obviously, but the ones who graced the silver screen.

In decades to come, we may look at them as we now look at Darth Vader's sinister countenance or Holly Golightly's Givenchy clad figure. Who knows? More than predicting future icon-status, this is a list of personal favorites, though.

Without further ado, let's celebrate 2019's style icons, but first, some honorary mentions…

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FYC: "Hustlers" for Best Costume Design

By Cláudio Alves

The Academy rarely recognizes the greatness of contemporary costume design. They're caught in an endless love affair with period pieces and fantasy extravaganzas. I Am Love is the last true contemporary-set film (give or take La La Land’s dreamy vision of Los Angeles) to receive such an honor without any fantastical element and that was almost a decade ago. 

This year would be a great time to break with tradition. In fact, no snub in the upcoming Best Costume Design category will hurt as much as Hustlers'. Lorene Scafaria’s electrifying drama is a luxurious feast of late aughts fashion and purposeful ostentatiousness... 

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