NOW PLAYING

new in theaters

new on DVD/BluRay

review index

HOT TOPICS



CLASSIC OF THE MOMENT

 

Welcome

The Film Experience™ was created by Nathaniel R


 Gemini, Cinephile, Actressexual. Also loves cats. All material herein is written and copyrighted by him, unless otherwise noted. twitter | facebook | pinterest | tumblr | letterboxd

 

Powered by Squarespace
Beauty vs. Beast

Mermaid or Sea Witch? 
your last day to vote! 

Comment Fun

COMMENT(s) DU JOUR
SMACKDOWN 89
Julia vs. Anjelica vs Dianne vs. Brenda vs. Lena

"all i can remember of julia roberts in steel magnolias is her playing her diabetic meltdown like she was linda blair in the exorcist- Par

""Don't talk about me like I'm not here!" Don't worry Julia, I mostly have nice things to say...- Tom

"wish Wiest would come back to claim her stature as the Walter Brennan of Supporting Actress Oscar winners -- she's one shy of three." - /3rtful

who gets your vote?

 

Keep TFE Strong

Your suscription dimes make an enormous difference to The Film Experience in terms of stability and budget to dream bigger. Consider...

I ♥ The Film Experience

THANKS IN ADVANCE

For those who can't commit to a dime a day, consider a one time donation for an article or a series you are glad you didn't have to live without.

What'cha Looking For?
Subscribe

Entries in LA Confidential (3)

Tuesday
Mar252014

Visual Index ~ L.A. Confidential's Best Shot(s)

It's Tuesday night, time for another Hit Me With Your Best Shot. This week we're looking at Curtis Hanson's 1997 Best Picture nominee L.A. Confidential, which was nominated for 9 Oscars including Best Picture and Best Cinematography (Dante Spinotti) both of which it lost to the 52,000 ton Titanic. But it's a lot of people's idea of a modern masterpiece so I was fascinated to read what others had to say about the movie.

See it through multiple sets of eyeballs, in this case 17 of them by clicking on any of the thirteen shots selected ... and please do comment if you like something you read. The series only works properly when people participate. 

BEST SHOT(s)
Arranged in rough chronological order

Making news just like they make movies...
-Coco Hits NY 

Opened up and unnervingly close at one and the same time...
-Timothy Brayton, Antagony & Ecstasy

At its heart, Curtis Hanson's stylish exercise in film noir tropes is a reflection on manhood and masculinity...
-RJ, Home Film Schooled 

A clever tip of the hand, although not an overly obvious one...
-Allison Tooey 


A turning point for the character...
- Andy Hall, Three Pounds Lost 


The birth of Shotgun Ed reveals a confident directorial eye...
-CineMunch 

Just as I became disillusioned, my shot would reflect the disillusionment of Ed Exley...
-abstew, The Film's The Thing 

Is it possible to pinpoint the exact moment when a performance wins an Oscar?...
-Michael Cusumano, Serious Film 


Despite the cool dusky warmth, Bud still walks in haunted noir shadows... 
-Nathaniel R, The Film Experience


One of my favorite moments in Kevin Spacey’s career...
 - Robert Hamer, Awards Circuit 


The rain pours as Bud’s hard-boiled mask crumbles... 
-Derreck Johnson 

That's how you die when you're in close-up...
-Cal Roth 


I'm just the guy they bring in..."
-Intifada 


A live wire, always ready to brawl when necessary...
-Shane Slater, Film Actually 


At any given point, any of them could be on either side...
-Jason Henson, The Entertainment Junkie

After all his moralizing, Exley has rolled in the dirt...
-Margaret, We Recycle Movies 


One of the reasons I love this shot is that it really fleshes out the character of Bud White...
-A Fistful of Films 

 

 

NEXT THREE FILMS - THE SCHEDULE

Tuesday
Mar252014

Hit Me With Your Best Shot: "L.A. Confidential"

When L.A. Confidential premiered in 1997 I was one of the few cinephiles that wasn't overcome with passion for it. I thought it too warm, actually. The happy(ish) ending threw me since most of the noir I was familiar with (not a wide sample I'm afraid) was much more nihilistic, rarely leaving the compromised heroes alive or free. It was the clear critical favorite in its year, though, so I've long wanted to reassess it and spend more time with it. I'm happy to report that I underestimated it the first time around. The screenplay with its hardboiled broad strokes dialogue and characterizations made more sense now that I'm more familiar with its tropes. But above all else it's a "wow" in execution from every department (but yes we're here to talk cinematography).

My clearest memories of the film were three: the smarmy gossip opening "on the QT and very hush hush", that I was enamored of both Russell Crowe and Kevin Spacey's performances, and the (literal) head-turning introduction of Lynn Bracken (Kim Basinger in her Oscar winning role) though it should surprise virtually no one who reads the Film Experience that the subplot of the Fleur de Lis girls "whores cut to look like movie stars" was the storyline I was initially most drawn to.  

Whatever you desire.

More after the jump...

Click to read more ...

Monday
Jan212013

Gangster Squad: Bullets and Boredom

Michael C here to kick off the movie year with my first review of 2013 for a movie I noticed had slipped through the cracks here at the Film Experience in the rush of Oscar Nomination Fever. But surely 2013 will get better than this! 

Gangster Squad is a film haunted by the ghosts of its superior cinematic ancestors. Some films do gain resonance from evoking earlier titles in their genre but Ruben Fleischer’s crime saga is such a creative void that it can’t wrestle the audience’s attention away from the specters of film noir past. So much more rewarding to occupy one’s mind with fond memories of Chinatown, than to watch characters we don’t care about exchange gunfire in action scenes we can’t follow for reasons not worth understanding. 

Penn vs. Brolin in "Gangster Squad"

The most obvious film intruding on Gangster Squad (2013) is The Untouchables (1987) - at times the new film borders on a beat-for-beat retelling of the earlier story with Al Copen switched out for Mickey Cohen... [more]

Click to read more ...