Sundance: Family Drama ‘A Little Prayer’ Features a Standout Jane Levy

By Abe Friedtanzer

 

It’s common for films to explore parent-child relationships, but not as often are they about the dynamic between a parent and his child’s spouse, particularly if said child is still alive and around. In that way, A Little Prayer is an odd specimen, since its primary characters are Bill (David Stathairn), a veteran who runs a business with his son David (Will Pullen), and his daughter-in-law, David’s wife Tammy (Jane Levy), who may just be the most selfless, accommodating person in the world…

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Ranking the Men of "L.A. Confidential"

We're revisiting the 1997 film year in the lead up to the next Supporting Actress Smackdown.  Here's Ben Miller on L.A Confidential

For my money, Curtis Hanson's L.A. Confidential is a bonafide masterpiece. Despite nine Oscar nominations and a Best Supporting Actress victory for Kim Basinger, the ample group of fine male actors missed any sort of accolades. It doesn't mean some of them didn't deserve it.

Here are my picks for the 10 best male performances from that film...

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Review: "Nightmare Alley" only in theaters

by Matt St Clair

Nightmare Alley, Guillermo del Toro’s anticipated follow-up to The Shape of Water, is quite a risk for the Oscar-winning auteur. Del Toro ditches the phantasmic monsters he’s known for in favor of human monstrosity, the beasts within all of us that drive our carnal needs. As with the original 1947 noir, Nightmare Alley is an exemplary exercise on the folly of man and what happens when the line between man and beast becomes blurred. 

The main anti-hero who toes that line is Stan Carlisle (Bradley Cooper), a carny with a knack for manipulating people. His subjects include fellow carny and eventual love interest/accomplice Molly Cahill (Rooney Mara), Paul Krumbein (David Strathairn) and his fortune teller wife Zeena (Toni Collette), and a wealthy fearsome widower Ezra Grindle (Richard Jenkins). Cooper's piercing eyes and bewildering smile make him a perfect casting fit for the manipulative con man. He is a man of few words which is just as well; the words when they come are lies and deceit. It is in Cooper’s expressive face where we see Stan’s constant fear of his troubled past resurfacing...

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Showbiz History: "Blame It (on the Alcohol)" or Pazuzu

8 random things that happened on this day, January 26th, in showbiz history...

1931 Cimarron premieres in NYC. It becomes the first western to win Best Picture

1961 The Mark opens in theaters. You have to see the trailer to believe it (film distributors were so excited at the new raciness of the 1960s). Stuart Whitman, a rising star of the time and a last minute replacement for Richard Burton, received an Oscar nomination playing a ex-con child molester who is suspected of a new crime...

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NYFF Review: Chloe Zhao's "Nomadland"

by Murtada Elfadl

You know you are not watching just any old prestige drama when a film throws in a shot of its lead character - played by a 2-time Oscar winner - defecating a mere three minutes into its running time. Chloé Zhao’s Nomadland is a film concerned with the concrete realities of life. Things that might seem mundane or unmentionable but take up a big part of everyday life. How a woman carves a small place on earth to sleep, eat, work and yes defecate. 

Fern (Frances McDormand), having lost her work and home when the factory that employed her in a now-defunct company town closed, refurbishes her old van and sets out in the vastness of the American West to find seasonal work. She rests when she can, deals with the elements and makes tentative attempts to find a community among the older itinerant people she meets. They exchange DIY tips for survival, share stories and sometimes companionship. But mostly Fern is stubbornly on her own. She is grieving her husband, town and job. Combating her constant grief by constantly moving...

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