Film Bitch History
Oscar History
Welcome

The Film Experience™ was created by Nathaniel R. Gemini, Cinephile, Actressexual. All material herein is written and copyrighted by Nathaniel or a member of our team as noted.

 

Powered by Squarespace
Don't Miss This!

Review: Ready or Not

Comment Fun

Yes Not Maybe So: Bombshell

" I am not liking this trend of portraits of terrible women, like Meghan and Phyliss Schafly, unless it's camp." - Jane

"Miss Charlize is like, "Do I need to remind you guys again who is the baddest bitch around here?." I just can'ttttt! She looks like Megan Kelly's twin -- that makeup work is insanity!!!" - Jono

"if Nicole doesn't wear a bad wig in a movie.....is it really a must see event?" -Chris

Keep TFE Strong

We're looking for 500... no 461 Patron SaintsIf you read us daily, please be one.  Your suscription dimes make an enormous difference. Consider...

I ♥ The Film Experience

THANKS IN ADVANCE

Interviews

Directors of For Sama


recent
Lulu Wang (The Farewell)
Ritesh Batra (Photograph)
Schmidt & Abrantes (Diamantino)
Wanuri Kahiu (Rafiki)
Jia Zhang-ke (Ash is Purest White)

What'cha Looking For?
Subscribe

Entries in Kim Basinger (10)

Wednesday
Sep212016

Curtis Hanson (1945-2016)

Director Curtis Hanson passed away yesterday at the age of 71. Word is that Alzheimer had forced a retirement five years ago.

Eminem won a Song Oscar for his collaboration with Curtis Hanson in "8 Mile"

Hanson's brush with A list "prestige" was brief (3 Oscar nominations for producing, co-writing, and directing the much-admired LA Confidential) but his career was a fine example of versatile craftsmanship. He served as an important reminder that there's more to directing than auteurial stamps...

Click to read more ...

Monday
Mar282016

The Furniture: Batman's Nightmare at the Museum

New Series. Daniel Walber talks production design in "The Furniture". Previously we looked at The Exorcist, and Carol and Brooklyn. And now...

In the Oscar battle between Batman and Superman, there is no real contest. Superman’s three nominations, zero wins and one special achievement award have nothing on Batman’s fifteen nominations and three wins. And it doesn’t look as if we have to worry about the tally getting complicated by any nominations for Batman v Superman: Dawn of Justice.

However, the arrival of the newest Batman movie is an excellent excuse to discuss the oldest. Tim Burton’s 1989 Batman remains the only superhero movie to ever win the Best Production Design Oscar, an honor it certainly deserves to keep...

Click to read more ...

Wednesday
Oct222014

Meryl Streep's Set to Sing Off-Key (& Other News)

Manuel here with some Streeptastic news.

Meryl Streep has just signed on to play Florence Foster Jenkins in an upcoming Stephen Frears film. Florence will follow the eponymous protagonist, a New York heiress whose lack of musical talent didn’t stop her from pursuing a career in opera in the early twentieth century. This should be good news for us Streep fans because it means we may get three back-to-back-to-back musically-centered Meryl films in a row. Remember she’s set to play Maria Callas for Mike Nichols’ HBO adaptation of Terence McNally’s Master Class while she’s currently filming Ricky and the Flash, the Diablo Cody-penned Jonathan Demme film about an aging rock-star. More thrillingly, the Frears/Demme/Nichols triple punch is the closest we’ve gotten in a while to Streep committing to working with top-tier directing talent (no offense to David Frankel, Philippa Lloyd and Philip Noyce).

It’s as if she’s been secretly reading TFE where Nat has constantly pointed out Streep’s aversion to working with high calibre directors (give or take a Jonze or an Anderson detour). It’s thrilling stuff even if it’ll continue the “Meryl gets all the roles” narrative that’s both inescapable and inevitable; she is a bankable actress after all.

I didn’t want to just share Meryl’s news (lest we faulted for playing favorites), so let’s play a game of Six Degrees and offer some more news tidbits in the process:

Frears directed Mrs Henderson Presents which is being turned into a musical at the Theatre Royal Bath next summer. That film starred Judi Dench, who is currently filming the Sam Mendes produced The Hollow Crown, a BBC drama that’s been adapting Shakespeare’s history plays. Her co-stars for this concluding entry include Benedict Cumberbatch, Sophie Okonedo (!!) and Sally Hawkins.

Dench starred in another Shakespeare property back in 1968 (A Midsummer Night’s Dream) with the Queen herself, Helen Mirren. It has just been announced that Mirren's Stephen Daldry-directed play The Audience, a sequel of sorts to her Oscar-winning role, is making its way to Broadway next Spring.

Daldry directed not only Streep but Julianne Moore in The Hours; Moore is currently filming Freeheld alongside Ellen Page. The film, focused as it is on a lesbian couple's struggle to apply for domestic partnership, just found itself frozen out of a filming location (a Catholic school), presumably because of its subject matter.

Moore starred with in Crazy, Stupid, Love with Ryan Gosling, whose new 1970s thriller, The Nice Guys, directed by Shane Black, just added Kim Basinger to its cast. Basinger, who we haven’t seen a while, starred in Robert Altman’s Prêt-à-Porter in 1994 with none other than Julia Roberts. Once the reigning queen of romantic comedies, Roberts famously starred in Notting Hill opposite Hugh Grant... who’ll be Meryl’s co-star in Florence.

Phew! That was slightly harder than I thought.

What other renowned film directors would you like to see Streep work with? What other connections between Streep, Mirren, Dench, Moore and Basinger did I miss as I attempted to thread them all together? Are you hoping that in a couple of month’s time we’ll be able to group these women together because they’re all Oscar winners?

Tuesday
Aug192014

Tues Top Ten: Hottest Hotties of 1989

Here's abstew to continue our celebration of 1989 as the 'year of the month'. Happy 25th, 1989!

As we look back at 1989 in preparation for the Smackdown, it's important not to forget what the movies have always been about: really attractive people. The Me Decade of the 80's, perhaps the greatest/craziest time in regards to fashion and hairstyles, if they taught us anything at all, it isn't that less is more. Oh, no. More is MORE! More shoulder pads, more eye shadow, more crunchy perms with mall bangs. So let's celebrate the 80's excess with these cinematic hotties of 1989. 

Honorable Mention: Julia Roberts "Blush and Bashful Hottie", Daniel Day-Lewis "Method Actor Hottie", Meg Ryan "I'll Have What She's Having Hottie", Kenneth Branagh "New Shakespearian Hottie", Nicole Kidman "Just An Ozzie Girl On a Boat With Billy Zane Hottie"

10. Sean Connery

You Call This Archeology Hottie

Why Him: The once and eternally forever Bond star proved that even at the age of 59, he could still make the ladies swoon when he played Indiana Jones' father in the number one box office hit of 1989, Indiana Jones and the Last Crusade. Romancing women half his age, and even managing to make a tweed travel suit and bow tie as sexy as one of Bond's tuxes, Connery like a fine aged wine, just got better with age.

Sexiest 1989 Moment: People magazine named the Scot The Sexiest Man Alive for its 1989 cover story. The headline hilariously reads, "Older, balder...and better! Here's one leading man who doesn't need to fake it." No word on exactly what other leading men were faking at the time. And apparently John Goodman was up for the title that year, so...yeah. People magazine - the nation's leading authority of unconventional sex appeal.

9. Rosie Perez
(and 8 more sexpots after the jump)

Click to read more ...

Thursday
Jun262014

Throwback Thursday FYC: Do The Right Thing (1989)

Could you imagine if this had actually happened in multiple categories including Best Picture, instead of Oscar embracing Driving Miss Daisy's retrograde race relations?

Imagine the 1989 Oscars with 'Spike Lee Joint' fever instead of a just two nominations (Supporting Actor and Screenplay) because they had to give it up somewhere for the critical darling. 

Imagine Rosie Perez dancing furiously to all the Best Original Song nominees !!! Fight the power, Rosie.

Think of the after-effects with Hollywood's most coveted prize going to a black film twenty-four years before 12 Years a Slave (2013).

See Malcolm X ride high in 1992 due to Spike Lee momentum and Denzel Washington clearing Oscar #2 long before Training Day and blocking Al Pacino's "hoo-ah"! (Pfeiffer would also have an Oscar, come to think of it)

Kim Basinger wouldn't have had any snub to get all righteously indignant about as she introduced one of the Best Picture nominees. Or would she have bitched about something else being all feisty that year.

The whole arc of history might have been changed*

*While I am not wholly serious, it's not like these things don't have after effects and during effects. Each Oscar decision affects future Oscar decisions and also the way people think of the movies in the long arc of cinema history.

Tuesday
Mar252014

Hit Me With Your Best Shot: "L.A. Confidential"

When L.A. Confidential premiered in 1997 I was one of the few cinephiles that wasn't overcome with passion for it. I thought it too warm, actually. The happy(ish) ending threw me since most of the noir I was familiar with (not a wide sample I'm afraid) was much more nihilistic, rarely leaving the compromised heroes alive or free. It was the clear critical favorite in its year, though, so I've long wanted to reassess it and spend more time with it. I'm happy to report that I underestimated it the first time around. The screenplay with its hardboiled broad strokes dialogue and characterizations made more sense now that I'm more familiar with its tropes. But above all else it's a "wow" in execution from every department (but yes we're here to talk cinematography).

My clearest memories of the film were three: the smarmy gossip opening "on the QT and very hush hush", that I was enamored of both Russell Crowe and Kevin Spacey's performances, and the (literal) head-turning introduction of Lynn Bracken (Kim Basinger in her Oscar winning role) though it should surprise virtually no one who reads the Film Experience that the subplot of the Fleur de Lis girls "whores cut to look like movie stars" was the storyline I was initially most drawn to.  

Whatever you desire.

More after the jump...

Click to read more ...