FYC: Best Ensemble

by Nathaniel R

SAG has a lot of choices for "Outstanding Cast" but will they choose well?

SAG and GLOBE and BFCA members are all voting right now or very soon for their nominations for the 2020 film year. This is as good a time as any then, to do FYCs that also serve as my own ballot in the first wave of the annual Film Bitch Awards. SAG and I don't often see eye to eye in terms of "Outstanding Cast". For my own "Ensemble" Award I tend to think of it as interplay and chemistry between actors. A  perfect ensemble has all performers operating on a high level and doing so together, so group scenes are far more important than a series of one-on-one encounters.

For instance, I wouldn't nominate Promising Young Woman for an Ensemble award even though it has a large talented cast because there's almost no group acting. Each scene is essentially Carey Mulligan versus  _____...

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"French Exit" News and Enthusiasm

by Nathaniel R

In case you haven't yet heard the New York Film Festival has selected French Exit, starring Michelle Pfeiffer, as its closing night film this October. Key positioning at film festivals is generally a sign of confidence by movie studios though it naturally doesn't always mean anything. But we're very excited nonetheless.

Since four and half months of quarantine or social distancing has us exhausted of streaming movies and television we've thankfully branched out for entertainment. We've read a few books during this COVID summer, too. One was French Exit which we read in anticipation of the film.

La Pfeiffer has appeared in a number of adaptations but only two novels before French Exit had us screaming 'MICHELLE PFEIFFER WAS BORN TO PLAY THIS ROLE. MICHELLE PFEIFFER WILL SLAY THIS!'...

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Familiar Faces: The P.T. Anderson Players

We're celebrating PTA this week for his 50th birthday!

by Nathaniel R

Famed auteur Paul Thomas Anderson is not, perhaps, the creature of habit we expected him to be after his first three films made him a legend-to-be and suggested a steady stable of actors shifting guises with each film like a Scorsese or an Altman or an Allen. Since that magnum ensemble opus Magnolia (1999) his films have shifted closer to the traditional one or two man focal point employed by most auteurs even as they've gotten more experimental in other ways. It's as if he was purposefully shaking off the Altman-progeny tag.

That's a wee bit disappointing since auteurs who are particularly genius at assembling a whole mess of actors and watching the idiosyncratic group dymanic spark are few and far between. With PTA's next project set to be a drama about a famous child actor in high school, it's unlikely we'll see many repeats from his troupe, though there's always a possibility one or two of them show up as a teacher or parent or co-star on set.  Let's look at the actors he's used the most in his filmography thus far...

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Early Blanchett in "Paradise Road"

For this week's episode of Murtada's new podcast "Sundays with Cate," I've finally joined in as a special guest. I told him I wanted one of her obscure movies and though my preference was the total oddity The Man Who Cried (2000) which no one ever discusses and which is quite discussable (trust) it is hard to find these days. So we did Paradise Road (1997) instead. This is the movie Dame Blanchett made right before Elizabeth which would of course change everything. 

In the mid 90s she was but one of many rising actresses Hollywood was curious about but not yet besotted with... would this young Aussie deliver? The answer was "and how!" but time hadn't yet provided that spoiler alert. 

Listen in!

Beauty Break: Breakthrough Performers of the Year

by Nathaniel R

Getting to the fun stuff now in the Film Bitch Awards. New categories are up including Best Juvenile Performances (which gives us the chance to rave about the best working child actor in Hollywood again -- that'd be Noah Jupe), Best Casting (the only time you'll hear Nathaniel praise Uncut Gems), and Best Ensemble acting. Also on that awards page are the nominees for Breakthrough Perfomer of the Year including both of stars of Waves, Taylor Russell and Kelvin Harrison Jr. The basic criteria of that category is that it has to be early in their film career and we ask ourselves the question: how badly do we want to see them again in something else?

After the jump beautiful photographs of this year's nominees as well as a history of who came before them this past decade...

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