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Entries in Disney (233)

Tuesday
Mar082022

Pushing Linksies

The Reveal "The Gotham City liveability index" through Batman projects. Hee
Vulture interviews Lee Pace about Pushing Daisies for its 15th anniversary. Of all the shows being rebooted, shows that didn't get long runs should be at the top of the lists
AV Club gets righteously snarky about theater chains upping their prices for The Batman. Cosign
Letterboxd curating a fat girl cinematic canon
Dread Central "a timeline of women monsters in film"

More after the jump including Austin Stowell, Paul Dano, M Night Shyamalan casting news, and Disney's disgusting anti-gay politics...

Click to read more ...

Saturday
Mar052022

The long reach of 'Nosferatu,' now 100 years old

by Brent Calderwood

A century after its March 4th, 1922, premiere in Berlin, F.W. Murnau’s Nosferatu remains a truly chilling classic. It’s widely acknowledged that Nosferatu and other German Expressionist masterpieces were influential not only to the development of Hollywood horror, but also to film noir and other genres. Nothing demonstrates the shadowy reach of Expressionism quite so strikingly, though, as its prevalence in the first wave of Walt Disney’s full-length features, which quoted heavily from Murnau and his contemporaries...

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Sunday
Dec052021

What's Encanto's best song?

by Cláudio Alves

Just as they did with their last animated musical, Disney has decided to focus their campaigning on a single song from Encanto. In total, Lin-Manuel Miranda composed eight tunes for the feature, but only "Dos Oruguitas" will get a chance to compete for Oscar gold. Considering the risk of hypothetical vote-splitting, it's an understandable move though Disney hasn't always been the best judge of their songs' quality. So who's to say they know which song would make the best contender? With 2019's Frozen II, not everyone agreed with the spotlighting of "Into the Unknown" to the detriment of "Show Yourself." Does history repeat itself with Encanto? As with Frozen II, let's settle the matter through some list-making fun. In other words, a ranking… 

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Monday
Oct112021

Box Office: 007 Money and 2021's Highest Grossers

All you need to know about this very strange ecosystem shift in moviegoing is that an Icelandic language film (Lamb) made the overall top 10 despite having a per screen average of just $1,715. These are odd times we're living in when only blockbusters are making bank and even those aren't operating at close to full strength. There used to be 25-30 movies in wide release at any given time but there were literally only 8 in release this weekend here in the US. One wonders how the economics will all play in the future decade since streaming isn't as profitable as the traditional theatrical market and films have always been budgeted for pre-COVID realities. Will we see production values decrease in the next decade as Hollywood starts trying to make things on the cheap or just much higher subscription prices for streaming services?  What did you see this past week/weekend? More notes are after the jump.

Weekend Box Office
October 8th-10th
🔺 = new or expanding / ★ = recommended
WIDE RELEASE
PLATFORM TITLES
No Time To Die Lamb
1 NO TIME TO DIE 🔺  $56 Deborah's Review
1 LAMB 🔺 $1.0 in 583 theaters Cannes Capsule
2  VENOM LET THERE BE CARNAGE  $32 (cum. $141.6)  2 THE JESUS MUSIC [DOC] $150K in 270 theaters (cum. $857k)...

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Saturday
Oct022021

Links: Sally Sings, Scarlett Settles, and Sorkin Speaks

/Film If you're in Los Angeles, there's a live-to-film concert of Nightmare Before Christmas coming on October 29th and 31st. Billie Eilish will be doing "Sally's Song"
Vulture Best Actress will cause even bigger than usual stan-wars this season
• Vanity Fair Aaron Sorkin finally breaks his silence about his long working relationship with disgraced bully producer Scott Rudin

Letterboxd an interview with Melanie Lynskey for her new film Lady of the Manor
Tom & Lorenzo Maggie & Jake at the Lost Daughter premiere at NYFF
The Guardian why haven't there been more black queer love stories post Moonlight?
The Times Jake Gyllenhaal interview
Uproxx a really fun perceptive review of Venom: Let There Be Carnage
• Variety a report on the "Power of Women" dinner in Beverly Hills
FSR a brief history of Marcia Lucas and Star Wars

Finally... According to Variety Scarlett Johansson and Disney have settled their Black Widow dispute out of court AND Disney has added that Tower of Terror starring Scarjo is back on. This all obviously means that Scarlett was paid handsomely enough for everyone to make nice again. Deadline, in a follow-up piece, suggests she received an additional $40 million for Black Widow. Good for her again for reminding the mighty Mouse House that a contract is a contract and they can't treat people this way. Especially not people with the means to fight back so Scarlett did everyone in Hollywood a service. (The millions of obnoxious people calling her greedy online should burn their latest paycheck without cashing it -- just one to put their money where their mouth is -- and then clock how they feel about not being paid for their work as promised). The new streaming frontier has thrown Hollywood economics into disarray and that's particularly true for the talent. They used to make lots of money in residuals for example... sort of an accidental pension plan but streamers have not been structured to pay people more if their show happens to be a success (unless it's a long running tv series of course and they need to renew contracts). Eventually all this will be ironed out but until then its safe to assume that the corporations are not willingly sharing the new wealth since they're not yet expected to. Expect a lot more battles over paydays and, one assumes, the actors union getting a little more wise to the new streaming economy, contractually speaking.