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Entries in Official Competition (4)

Thursday
Dec292022

30 Biggest Subtitled Hits (and where to watch them) 

Our daily "Year in Review" lists have begun!

Even before the pandemic, box office reporting was becoming more secretive. Netflix was the chief disruptor since their Oscar hopefuls got theatrical releases but numbers were never reported. Other streaming distributors followed and once you added in the increasing regularity of movies simultaneously doing theatrical (generally reported) and VOD (generally not reported) it was chaos. The COVID-19 pandemic was the ultimate disruptor of course, changing global viewing habits, by virtue of Father Time. International cinema in the US has been increasingly demoted to streaming-only since adult audiences have been the toughest to lure back to the theaters. That said there are subtitled pictures that played theatrically this year and we wanted to honor them by noting the success stories...

Curiously the only foreign country that habitually reports big box office numbers in the US is India but those numbers are often reported as "estimates" in the way, say, European titles didn't tend to be. Furthermore Indian pictures, RRR being an obvious exception, don't tend to get much US media coverage even though they sell tickets, at least in specific areas of the country which makes it all kind of confusing in terms of "what is a success?".  But here are the numbers that were reported, some surely more accurately than others. The numbers are primarily drawn from two sites (box office mojo and the numbers). Titles with up arrows are still in theaters 

TOP 33 SUBTITLED HITS OF 2022 AT THE US BOX OFFICE
Rank for the calendar year / Movie Title / $ Estimate Domestic Gross / $ Global Gross
Figures updated as of 01/15/23

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Sunday
Jun192022

Weekend Watch: Lightyear is "soft" in theaters while Staircase still intrigues on HBO

by Nathaniel R

You didn't comment on the new format of listing both box office and tops in streaming from a few services but we're trying it again (Let us know what you think). There's a lot to discuss this week...

Weekend Box Office
June 17th-19th
🔺 = new or expanding /  ★ = Recommended
links if we've written about it
WIDE (OVER 800 SCREENS) PLATFORM RELEASES
PIXAR'S LIGHTYEAR BRIAN AND CHARLES
 

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Tuesday
Sep072021

Nathaniel in Venice: "Official Competition" and "107 Mothers" surprise

Nathaniel reporting from Venice, a smorgasbord of days 3 through ??? ... I've lost track of days. What is time?


107 Mothers (Péter Kerekes)
A ‘tough' movie doesn’t have to be hard to watch. 107 Mothers isn’t ‘easy’ in its characters or themes, but it’s a surprisingly gripping watch, even entertaining. For a few scenes in the beginning of 107 Mothers, a new film from a Slovakian director Peter Kerekes, it feels like you’ve stumbled into an unfeeling doc about a women’s prison for violent offenders. And, indeed, this narrative feature is based on real stories about a specific prison in Odessa, Ukraine and Kerekes usually does documentaries. The establishing scenes interview several of the inmates, all pregnant, about their crimes which usually involve murdering their boyfriend/husband or his lover. It’s a curiously incongruous feeling that settles in: how could such hard-eyed numb women muster enough passion to commit a “crime of passion"?

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Monday
Sep062021

Venice Diary #04 - "Sundown" and "Last Night in Soho" disappoint, a Spanish comedy made my night

by Elisa Giudici

Penelope Cruz and cast in "Official Competition"

One of the things I like the most about the Venice Film Festival is how audience-friendly it is (aside from the maddening ticket system for this pandemic edition). It is remarkably easy and not that pricey to enjoy the most exciting movies of the competition in screenings devoted to the general audience, a lot easier and less expensive than Cannes for example. Tourists can walk by the red carpet and see major movie stars from Hollywood.

Lido (where most of the screenings take place) is a long, narrow island in front of Venice. It's a microcosm in which one might see Marco Bellocchio carrying his wife's luggage, Paolo Sorrentino eating breakfast in the cafè next to the red carpet, Luca Guadagnino riding his bike to return to Hotel Excelsior, or wind up in a queue with behind Jane Campion, who wants to see Isabelle Huppert's latest performance -- all of the above are little, precious moments I actually experienced here...

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