The Film Experience™ was created by Nathaniel R. All material herein is written by our team.
This site is not for profit but for an expression of love for cinema & adjacent artforms.
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Friday, October 15, 2021 at 10:51AM More entries announced!
INDONESIA
Indonesia will send Kamila Andini's Yuni a drama about a teenage girl who rejects a marriage proposal. But the proposals keep coming and culturally she's supposed to accept...
Monday, September 13, 2021 at 12:23PM by Nathaniel R
The Venice jury and I agree on a Screenplay prize for THE LOST DAUGHTER
Elisa's already shared the official winners of Venice (and her take on those choices since she saw the whole competition slate). I admire her completism at festivals but my habit is instead to sample a bit from each program. I saw twenty-one films which is a very low number to see over eight days at a major fest — blame Venice’s absurd ticketing system this year which encouraged people to be on their phones securing tickets WHILE watching movies -- i met several people who had set timers for themselves! -- since they sold out in seconds after becoming available every few hours. Since I refused to play on my phone during movies I missed two crucial movies (Spencer and Dune) but here are my favorite achievements from the films I did catch from all programs (Competition, Out of Competitions, Orizzonti, Biennale Collage Cinema, and Critics Week)
RULES: In true festival jury fashion (even though it’s just myself) I’m only allowing one prize per film. And rather than giving out a Best Actress and Best Actor prize (don't make me decide this early!) I’m listing my 15 favorite performances after the jump. What, too much? Acting is magic so I shan't apologize….
Tuesday, September 7, 2021 at 11:00AM Nathaniel reporting from Venice, a smorgasbord of days 3 through ??? ... I've lost track of days. What is time?
107 Mothers (Péter Kerekes)
A ‘tough' movie doesn’t have to be hard to watch. 107 Mothers isn’t ‘easy’ in its characters or themes, but it’s a surprisingly gripping watch, even entertaining. For a few scenes in the beginning of 107 Mothers, a new film from a Slovakian director Peter Kerekes, it feels like you’ve stumbled into an unfeeling doc about a women’s prison for violent offenders. And, indeed, this narrative feature is based on real stories about a specific prison in Odessa, Ukraine and Kerekes usually does documentaries. The establishing scenes interview several of the inmates, all pregnant, about their crimes which usually involve murdering their boyfriend/husband or his lover. It’s a curiously incongruous feeling that settles in: how could such hard-eyed numb women muster enough passion to commit a “crime of passion"?
