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Entries in 107 Mothers (3)

Friday
Oct152021

International Feature: Indonesia, Malawi, Malta, and Slovakia submit

More entries announced!

INDONESIA
Indonesia will send Kamila Andini's Yuni a drama about a teenage girl who rejects a marriage proposal. But the proposals keep coming and culturally she's supposed to accept...

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Monday
Sep132021

Nathaniel's Venice Wrap-Up: Jury of One Awards

by Nathaniel R

The Venice jury and I agree on a Screenplay prize for THE LOST DAUGHTER

Elisa's already shared the official winners of Venice (and her take on those choices since she saw the whole competition slate). I admire her completism at festivals but my habit is instead to sample a bit from each program. I saw twenty-one films which is a very low number to see over eight days at a major fest — blame Venice’s absurd ticketing system this year which encouraged people to be on their phones securing tickets WHILE watching movies -- i met several people who had set timers for themselves! -- since they sold out in seconds after becoming available every few hours. Since I refused to play on my phone during movies I missed two crucial movies (Spencer and Dune) but here are my favorite achievements from the films I did catch from all programs (Competition, Out of Competitions, Orizzonti, Biennale Collage Cinema, and Critics Week)

RULES: In true festival jury fashion (even though it’s just myself) I’m only allowing one prize per film. And rather than giving out a Best Actress and Best Actor prize (don't make me decide this early!) I’m listing my 15 favorite performances after the jump. What, too much? Acting is magic so I shan't apologize…. 

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Tuesday
Sep072021

Nathaniel in Venice: "Official Competition" and "107 Mothers" surprise

Nathaniel reporting from Venice, a smorgasbord of days 3 through ??? ... I've lost track of days. What is time?


107 Mothers (Péter Kerekes)
A ‘tough' movie doesn’t have to be hard to watch. 107 Mothers isn’t ‘easy’ in its characters or themes, but it’s a surprisingly gripping watch, even entertaining. For a few scenes in the beginning of 107 Mothers, a new film from a Slovakian director Peter Kerekes, it feels like you’ve stumbled into an unfeeling doc about a women’s prison for violent offenders. And, indeed, this narrative feature is based on real stories about a specific prison in Odessa, Ukraine and Kerekes usually does documentaries. The establishing scenes interview several of the inmates, all pregnant, about their crimes which usually involve murdering their boyfriend/husband or his lover. It’s a curiously incongruous feeling that settles in: how could such hard-eyed numb women muster enough passion to commit a “crime of passion"?

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