TIFF 50: "Sentimental Value" falls victim to high expectations

by Cláudio Alves

To be loved so intensely, showered in adoration by a captive captivated crowd and the world beyond, can be as much of a curse as it is a blessing. Those who follow film festivals and the awards that come after are very familiar with such pitfalls. After all, who among us hasn't gone to the theater, hyped on months of exhaustive praise for a title that, when all is said and done, isn't as special as you thought it would be? Last year at TIFF, I wrote about my disappointment with Anora and loathing of Emilia Pérez, which was made worse by the reputation both films had accrued at Cannes and the palpable affection you could feel emanating from the Toronto crowd. 

This year, I come to you with a similar experience, another Cannes darling that failed to meet the high expectations placed upon it. Sorry, folks, but Joachim Trier's Sentimental Value left me cold…

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Intl' Oscar Updates: Austria, Ireland, Thailand, Etc...

by Nathaniel R

It's your weekly Monday dose of Oscar news, subtitled division. Our official submission list is now 9 pictures long, 6 of which we've already discussed in previous posts. In regards to the "already featured" we now know that Germany decided among their finalists and went with Cannes hit Sound of Falling (reviewed by Elisa). We've also taken this opportunity to update the submission charts so they're now in full swing:

• Chart 1 Afghanistan to Guatemala -4 submissions and 2 in-process decisions
• Chart 2 Haiti to Nortway  -1 submission and 3 in-process decisions
• Chart 3 Palestine to Yemen -4 submissions and 4 in-process decisions
• Predictions - top 20 possibilities (official & otherwise)

 After the jump the latest official submissions and more conjecture...

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Amanda Nominations: The Ugly Stepsister, Armand, and more...

by Nathaniel R

The Ugly Stepsister -- now streaming on AMC+ and Shudder

Norway's annual Amanda Awards take place in August each year in beautiful Haugesund on the west coast. I lived there briefly a million years ago. Their eligibility is not by calendar year but for Norwegian release dates between July 1 through June 30. This often means that you'll see last year's Oscar submission in the mix along with newer titles. You'll recognize some of the titles this year and a few of them are even available to see in the US by streaming or at the theater.

Nominations and thoughts after the jump...

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New Oscar Charts: Can Norway finally win "Best International Feature Film"?

by Nathaniel R

possible submissions from Japan & Norway

Counterintuitively, we begin this year's April Foolish Predictions (two months late --- woot!) with a category for which we currently have no proof of eligibility for. No country that competes in Oscar's annual Best International Feature Film category has (yet) announced their submission. But we do know, from past experiences, that many of the submissions each year will have premiered at film festivals ranging from last fall in 2024 through the fall of 2025. So we looked at recent editions of Sundance, Berlinale, and Cannes for clues. This is great fun to do as anything is possible this early; you don't even need a US distributor to compete (though of course it doesn't hurt)...

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Berlinale 75: On the Golden Bear-winning "Dreams"

by Elisa Giudici

First love is by definition all-consuming, reshaping one’s world with overwhelming intensity. In Dreams (Sex Love), a multi-generational reflection on first love from Norwegian director Dag Johan Haugerud, captures this transformative experience, The movie tells the story of Johanne, a high school student who falls deeply for her French teacher. While the premise may seem familiar, the film’s execution is anything but. With remarkable authenticity, Dreams conveys the raw, feverish energy of youthful desire—both in mind and body—while weaving in a broader meditation on love across different stages of life...

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