Sundance Review: “Middletown” Celebrates Student Journalism

by Abe Friedtanzer

Married filmmakers Jesse Moss and Amanda McBaine are no strangers to the Sundance Film Festival, premiering both Boys State and Girls State in Park City. They also made the documentary The Mission, about missionary John Allen Chau, who is the subject of a narrative film, Last Days, screening this year at Sundance. Moss and McBaine return to a field they know well - education - with a look back at a group of trailblazing student journalists and environmental advocates prepared to take on government systems and the mafia before they even graduated high school...

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The first Guild Nominations are here!

by Cláudio Alves

THE SUBSTANCE continues to be a hit with precursors. A rare feat for horror cinema.

So far, the season has been dominated by critics' awards, which, while worthy of attention, don't offer great help when it comes to predicting the Oscars. After all, AMPAS is formed by industry people rather than critics. So, the guilds are a better indicator of what might be a hit with the Academy and, at long last, we're starting to see the first guild nominations. These past few days, the American Cinema Editors (ACE) and the Makeup Artist & Hair Stylist Guild (MUHS) announced their yearly honors. The Producers Guild of America (PGA) also announced their documentary contenders. Let's see what we can deduce from the results so far…

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The First Oscar Eligibility Lists are Here!

by Cláudio Alves

PIECE BY PIECE is the only film competing in both the ANIMATED and DOCUMENTARY Oscar races.

At long last, AMPAS has started divulging its eligibility lists for the 97th Academy Awards. As is usual, the first categories to be announced are the special feature races – Animated, Documentary, and International Film (click on each category to see their prediction pages). This year, 31 cartoons vie for the Oscar, while 167 docs form the non-fiction race. In Best International Feature Film, this year has 85 official submissions. This state of affairs differs from some of the earlier reports that pointed toward 89 films contending, but we're used to many disqualifications. It's a steep decline from the past few years, and it's the first time since 2018 that the number of total submissions is below 90. We have to go back to 2015, with 82 nations competing, to find a year with even fewer films in contention.

You can read more about such trivia in Nathaniel's extensive two-part overview of the Best International Film race. Still, I added some additional trivia for all three categories in this write-up. Find out more after the jump…

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Review: "Soundtrack to a Coup d'Etat" is Essential Viewing

by Cláudio Alves

One of the year's best and most essential documentaries is finally in theaters! Johan Grimonprez's Soundtrack to a Coup d'Etat is 50% history lesson, 50% jazz concerto, and 100% political essay if you can believe it, a mad dash rollercoaster of a documentary that brings together a litany of ideas under the same cinematic roof, illuminating their connective tissue like few films before it. The entire thing might run for two and a half hours, but you'll hardly notice the time passing since there's no opportunity for passive, apathetic spectatorship. Instead, the filmmakers demand full attention and a modicum of curiosity, trusting the viewer to keep up with Rik Chaubet's miraculous cutting as Soundtrack to a Coup d'Etat approaches midcentury decolonization movements through a musical prism…

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"Anora" leads the Gotham Nominations

by Cláudio Alves

ANORA seems poised to dominate the awards season.

Another year, another awards season. And, like it happens every fall, the Gotham Awards have the privilege of kicking the race into high gear. Unsurprisingly, Anora leads with four nominations, followed by Nickel Boys and I Saw the TV Glow with three nods a piece, though the latter failed to get a spot in the Best Feature category. Then again, it's worth remembering that the Gothams' nine categories are divided into five distinct committees with no overlap between them. The same people (critics, curators, editors, and programmers) who decide the Director and Screenplay nominees have no say in who makes it into the acting races, for example.

So, expect idiosyncrasies and don't put much stock in how some films appear in a couple of major categories but not others. More than a precursor for Oscar gold, these prizes often feel like an opportunity to highlight the richness of the cinematic year before the viable contenders get reduced to a limited lot. So, let's take a look at their selection…

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