Doc Corner: 'Scotty and the Secret History of Hollywood'

Amy Winehouse died seven years ago today and several years removed from its Oscar win and box office success, Asif Kapadia’s Amy lingers in the public consciousness. A popular work of non-fiction due to its remarkable access to the story of a spiralling genius. For me, however, Amy remains a personal bug bear; an unethical and cruel work of documentary filmmaking that uses the words of its dead subject against her.

It was purely coincidental then that I thought about Amy while watching Matt Tyrnauer’s Scotty and the Secret History of Hollywood. The two films definitely do not share the same world, but this revealing piece of Inside Hollywood muckraking does raise questions about ethics all its own. I admit I got a bit of a salacious thrill out of it, but that doesn’t stop me questioning whether I ought to have.

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The Furniture: Matte Paintings at the End of an Era

"The Furniture," by Daniel Walber, is our weekly series on Production Design. You can click on the images to see them in magnified detail.

Over the course of the past year, I’ve done an informal retrospective series on the Best Production Design nominees of 1967. It isn’t an especially “New Hollywood” lineup, despite being the year of “Pictures at a Revolution.” Four of the nominees are lush period pieces, three of them lengthy musicals. They often feel like extravagantly-designed chaos, whirlwinds of sets and props that spin out of control. This is true of both the hilarious brawls of The Taming of the Shrew and the dated, stereotype-laden adventures of Thoroughly Modern Millie. Camelot, the winner, manages to split the difference between Old Hollywood excess and New Hollywood sexuality.

The final two films, both Best Picture nominees, are a bit less of a thrill. Guess Who’s Coming to Dinner and Doctor Dolittle are, respectively, the most realistic and most fantastical of the five nominees. However, despite their differences, they both underline the inadequate end-point of old-school studio design.

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Letterman to Bring "In-Depth Conversations" to Netflix

By Seán McGovern

David Letterman has spent enough time growing his beard and is set to return to screens. Letterman is to host a six-show season on Netflix, which will be “in-depth conversations with extraordinary people, and in-the-field segments expressing his curiosity and humor.”

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You Need Serious Hair!

Kyle back in the house to address a very serious topic: Hair. Caution: Joy hairdo spoilers ahead.

The extent to which certain moments of David O. Russell’s Joy are deliberately soap opera-y is an open question. The movie’s latter scenes, in particular, draw on clichéd images of toughness: pleather jacket, sunglasses, and, of course, newly shorned hair. It seems that nothing says a woman is serious quite like taking matters, i.e., her hair, into her own hands.

I’ll happily debate the merits of having a narrative arc reveal a woman to be a badass—since most already are in my book—but I’d rather hear what some of your favorite DIY hair-cutting scenes are. Here are three of the most dramatic that leap to my mind after the jump...

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A Year with Kate: Epilogue

Epilogue - In which we rank films, learn Life Lessons, climb Mount Hepburn, and wrap this up with the party it deserves!

Happy New Year, everybody! Before 2014 and A Year With Kate officially end, I wanted to give us all a proper send off. If Kate got 9 more years after she retired in 1994, consider this our own ride into the sunset, complete with gifs, gifts, and thank yous.

At the beginning of A Year With Kate, I set some unofficial goals. The most obvious was to watch all 52 films chronologically. In order to do this, I started building a stack of research that I dubbed “Mount Hepburn.” It changed size and content a bit thanks to library deadlines and a lot of late nights on ebay. To the right is a picture of Mount Hepburn at present, having outgrown my table and moved to the floor. It stands just about 3 feet tall. (I actually bought another Katharine Hepburn biography after taking this picture because I do not know how to stop.)

My second goal was to better understand a movie star that I loved. This happened in a way I didn't expect. Week by week, we watched each of Katharine Hepburn’s films add to her star image like pieces in a puzzle. She developed from prickly unformed actress in the 1930s, to glamorous star in the 1940s, to "spinster" and great actress in the 1950s, to living legend in the 1960s. From the 1970s on, Katharine Hepburn the star slowly eclipsed Katharine Hepburn the woman. Watching and writing every week, I discovered that it was that myth of Hepburn that I'd initially fallen in love with, not the person. There's nothing wrong with that. We need myths to look up to. Even after Katharine Hepburn passed away in 2003, her myth lives on. It inspires actresses, audiences, and occasionally a series like this.

As for that Major Life Lesson I was supposed to learn should Hollywood ever decide to buy the movie rights: I actually did learn something life-changing this year. Watching Katharine Hepburn age like good wine over 62 years, I learned about time. Life is short, but life is very large, too. With help and determination, you have the potential to fill your life extraordinary things. You might make mistakes. You might make Spitfire. But think of how much more there still is for you to do. That’s a pretty incredible thing, the depth of a life. I don’t know about you, but I’m really looking forward to seeing what else I can do with mine.

Speaking of which, as a thank you to the amazing TFE community, and in answer to those of you who’ve asked: A YEAR WITH KATE IS BECOMING A BOOK!

 

A Year With Kate the book will expand on the series, with full entries on every film, updated Box Office charts, and even some fun trivia and lists. We're kicking around a few different ideas for how best to get A Year With Kate into your hands and onto your e-readers, but know that it will happen in 2015. For now, you can sign up for email updates using this form (Facebook account not required).

Last, but not least, here is my Top 10 List. Please note that this is a carefully thought through list based on months of research and personal bias. I tried to take into consideration career placement, iconic status, acting skill, and just plain fun. Post your list in the comments below!

Anne Marie’s Top 10 Katharine Hepburn Movies

1. Long Day’s Journey Into Night

2. The Philadelphia Story

3. The Lion in Winter

4. Bringing Up Baby

5. Suddenly, Last Summer

6. Woman of the Year

7. Little Women

8. Holiday

9. Alice Adams

10. Morning Glory & Stage Door

Thank all of you lovely readers for watching the movies when you could, commenting even when you couldn’t, and providing insight, humor, and conversation every week. You made 2014 a truly life-changing year. Here’s to 2015, and the possibilities ahead.