Meryl Streep is... Iron Lady

The first picture of Meryl Streep as Margaret Thatcher is out. Courtesy of the BBC.

Meryl Streep and Margaret Thatcher, The Iron Lady

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I worry about this biopic given that the director of Mamma Mia! is helming. Hopefully she learned what a camera was and what editors do and somesuch on that practice run. I'm also curious about what drew Streep to the project. I don't know a lot about British politics but I know enough to know that Margaret Thatcher, former Prime Minister, was no friend to the liberal artsy set (i.e. Meryl's people) and I've heard Thatcher vilified in films like Hunger (2008) and in various songs from the likes of  Sinéad O'Connor. Anyone remember that kick off to Boy George's "No Clause 28" which was fighting against anti-gay legislation at the time?

[Thatcher impersonator] "The aim of this government is to make everyone as miserable as possible!" ♫

I'm sure there are more examples of famous progressives publicly hating on her or at least the politics she embodied as Conservative Leader.

But back to Streep. What I really want to know is why Meryl so rarely works with the great auteurs? Imagine the potent combo. I mean think of Daniel Day-Lewis paired with P.T. Anderson or Emily Watson with Lars Von Trier. If Meryl ever faced a director on her level the earth might spontaneously combust from the artistic fire.

Remember that awesome speech Nora Ephron gave about Meryl Streep playing you? So so funny. Here it is again just for kicks. The best comedy bit that Nora Ephron ever wrote?

"It's Showtime" Bob Fosse

I have to ask: Wouldn't a Bob Fosse biopic be better suited to ShowTime  than HBO -- just on account of that catchphrase? Think of the cynergy of marketing. Somehow I'd missed (or had forgotten, more likely) the news that HBO was planning a Bob Fosse biopic and now it's been announced that Bryan Singer will direct.

Haven't any of these people seen All That Jazz (1979)?

See, Fosse already made his own (auto)biopic albeit with silly winking name-changes to protect the guilty. All That Jazz was brilliant (still is), one of the best films of a very amazing decade, and there will be no topping it ever. Face facts: he got there first. Fosse was so committed he even planned ahead by staging his own death scene for film while he still had all his chain-smoking, pill popping, eye-dropping visionary musical wits about him. Another thing that makes All That Jazz untoppable is its distinct lack of hagiography. Or sure you come away from it knowing that Bob Fosse is a genius but he doesn't dwell on this, he just is it, and there's no efforts to soften himself for mass consumption. There's lots of singing but there's not heavenly choruses declaring him Worthy of This.

Despite my reservations I would totally watch this. But it may be a long time off. The project has no writer yet and the producers Craig Zadan and Neil Meron are not exactly unbusy.

What'cha think about that?