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Entries in biopics (304)

Thursday
Jul142022

'Don't tell me not to link, I've simply got to... 🎵 '

This Week's Must Read: Everyone has been talking about the cast changes at Funny Girl on Broadway and it's been very messy. Daily Beast has the gorey details in an inside scoop on how things have played out as Beanie Feldstein announced an early departure and Lea Michele prepares for the iconic titular role.

More after the jump including new projects for Jonathan Bailey, Chris Hemsworth, a second season for The Bear, an Amy Winehouse biopic, and appreciations of Nicole Kidman, the Three Colors trilogy, and the year's best action films...

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Friday
Jul082022

Bradley & Carey as Leonard Bernstein & Felicia Montealegre

Bradley Cooper & Carey Mulligan in character for "Maestro"

Thoughts? Here's how the real couple looked...

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Monday
Jun272022

Weekend Box Office: The popularity of 'Elvis' shouldn't have been a surprise

Two mavericks, one real (Rock star Elvis Presley) and one fictional (Pilot Pete "Maverick" Mitchell), battled it out for the #1 position at the box office and until the actuals come in its a draw. Let's discuss...

1. ELVIS $30.5 -NEW. 3,948 screens
It's always worth celebrating when a non-franchise film opens big. Good on Baz for pulling it off again. Box office pundits seem shocked at how well it did but why? Elvis Presley is the best selling solo act of all time and when it comes to the best-selling musicians, movies about them have built in audiences. Bohemian Rhapsody was a behemoth at the box office. Rocketman was a hit. If they ever make a crowd pleasing bio about Fleetwood Mac or Mariah Carey or The Beatles, those will probably be huge, too. Who knows... maybe even the upcoming Whitney Houston and Madonna biopics will be blockbusters.

1. TOP GUN MAVERICK $30.5 - 5th weekend. 3,906 screens
Tom Cruise's legacy sequel is the $1 film of the year (domestically) with  $521.7 in the US alone...

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Thursday
May262022

Cannes Diary #9: Rock n' Sex on the Croisette

by Elisa Giudici

Two disappointing movies for me today. But at least they're the kind of disappointments that spark intense discussion among cinephiles. I was not blown away either by Claire Denis Stars at Noon or Baz Luhrmann's Elvis, but there has been a wide range of interesting opinions on both in the press room today in Cannes; The audience will be the final judge...

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Saturday
Apr232022

The First Lady, Ep. 1 - 'That White House'

by Eric Blume

Showtime's limited series The First Lady kicked off its premiere episode last week. It's a bit of a mixed bag out of the gate. The episode consists of several 10-minute-ish scenes covering each of our protagonists:  Michelle Obama (Viola Davis); Betty Ford (Michelle Pfeiffer); and Eleanor Roosevelt (Gillian Anderson).  A ticker on the bottom of the screen whisks us backward and forward between these women whose stories are about forty years apart from each other. 

There's not a great deal of grace in this back-and-forth execution, feeding us small glimpses of each lady in semi-satisfying increments that don't seem to have a meaningful connection between them outside of generic "I'm my own person" theme.  It's probably easiest to tackle these three stories independently, because episode one doesn't give us much of a linking thread or powerful throughline yet, and because there are pleasures to be had within the confines of this awkward setup...

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