Entries in Jennifer Lawrence (99)
W Magazine Taraji P. Henson, always fun, talks about getting the acting bug, auditioning for Precious and falling in love with "Cookie" on Empire even though she didn't want to do TV again
AV Club Taraji also has a new leading film role as civil rights activist Ann Atwater who in 1971 had meetings with the Klu Klux Klan leader on reducing violence.
IndieWire a fun interview with the always amusing Jennifer Coolidge, who hopes to get a wider range of roles. "maybe I should write something"
BBC RIP "Avengers" star Patrick Macnee
Variety John Cameron Mitchell (Hedwig, Rabbit Hole) will be honored at OutFest this year. He needs to stop being honored and start making another movie.
Empire Aaron Eckhart to star in new thriller shot in real time. It's called Live! Eckhart's one of those actors I root for even though he keeps making movies I don't want to see. (sigh)
Vanity Fair is always trying to make Jennifer Lawrence happen. She already happened of course ;) but they just don't quit with the love fest -- they're already pushing for Oscar #2
New Yorker for any of you rebels who haven't been feeling Inside Out here's a negative review from the always interesting Richard Brody on "the curse of the Pixar universe"
/Film a new Star Trek started filming. Rumored title is Star Trek Beyond
Emmy Voting Ends Today
I know you diehard cinephiles are probably relieved that we won't be talking about TV so much next week but we hope you cinephiles who don't differentiate between screen sizes anymore (there seem to be more and more of you) have enjoyed this experiment. We have to keep experimenting to keep the site alive you know. In case you missed any of our FYCs here's an index of the acting writeups -- we tried to cover as many different series as possible during those -- our final ballots for drama and comedy, as well as guest blogs from Cara Seymour (The Knick) and Ann Dowd (The Leftovers) which we were super proud to host. It was fascinating to hear some of what went in to creating those memorable and surprising religious figures.
Happy Pride Month
THR on today's young male movie stars courting gay audiences. They're trying to make "Stromo!" happen. But isn't it already called "Hetemo"?
MoMA acquires the original rainbow flag which is now 37 years old. Happy birthday flag.
Showtune to Go!
And let's combine "Pride" with "Emmy Voting" for the finale. Since neither Jonathan Groff nor Sutton Foster are likely to receive Emmy nods for their terrific work in Looking and Younger respectively, we want them to know that they are loved. And obsessed over. In many places if not on Emmy voter ballots. So here's Jonathan's tribute to Sutton Foster in Anything Goes. It has 283,000+ views on YouTube so at least 190,000 other people besides me have watched it! And yes I've probably shared it before but it bears watching again.
It's time to answer a dozen reader questions pulled from the last two "Ask Nathaniel" suggestion-box posts. Please to note that in the podcast this weekend, we answered a few already that were Ex Machina related and last night we teased you with an appetizer about the emotions of Inside Out and actors who best embody them.
Jumping right in...
BVR: Do you think audiences will ever flock to dramas again the way they used to years ago?
I hope so, all things being cyclical. It happens once in a while still. The Blind Side (2009) and American Sniper (2014) were both supersized hits in the way movie star dramas of the past have been when they've hit big. Unfortunately they both felt like anomalies and only that successful because they managed to get people who don't go to the movies into the movie theater. The problem today is obviously at least four-fold: TVs got larger, the amount of content exploded, theatrical windows shrunk, and the theaters, rather than stepping up their game to compete, actually made themselves less hospitable with smaller screens and tons of commercials.
Movie theater chains seem to be trying again but once you've lost a regular moviegoer, it's hard to restore their habit. What is next in terms of technological advances? Will we ever get fully three dimensional hologram-like movies you can walk around inside? And if we do, won't dramas be the favorite, rather than special effects pictures, for the 'choose your own proximity adventure' in terms of closeups of the actors? I imagine they'll be performed very much like straight plays for multiple cameras and since you're the one doing the editing, theater training will be important and superb acting could rise again to "favorite visual effect" dominance.
Or did our recent sci-fi week warp my brain too much? This wasn't the answer you were looking for.
BROOKESBOY: Who will be the next winner of a second Best Actress prize?
More Questions and Answers -- a lot more -- after the jump
Deadline RIP character actress Elizabeth Wilson from stage, tv, and film (Roz in Nine to Five & Mrs Braddock inThe Graduate!) passed away at 94
Bryan Singer James McAvoy as Professor X finally going bald of X-Men: Apocalypse
Towleroad Natalie Portman as Ruth Baader Ginsburg?!
CHUD the ongoing drama of Jennifer Lawrence's paycheck for the upcoming Passengers, a sci-fi drama with Chris Pratt. She's not budging on her 20 million,which is double Pratt's salary though he's the lead. Will Sony cave to save face from all those wage disparity complaints after leaked emails?
Boy Culture tells us about a new LGBT movie That's Not Us about three couples on a weekend getaway. Sounds good
Empire Charlize Theron to star as a spy in The Coldest City, based on a graphic novel
Pajiba highlights from the Alex Garland's Ex Machina AMA
Antagony & Ecstasy another fine take on Ex Machina
Coming Soon NBC picked up a series based on Steven Spielberg's Minority Report. I know it was probably impossible to top Samantha Morton's precog but the series will focus on a precog only a male precog zzzz. No offense Stark Sands who I've enjoyed in other things!
/Film ... and that's not the only movie becoming a TV series. Next season will also give us serialized versions ofUncle Buck and Limitless
Cannes Mother of the French New Wave Agnès Varda (Cleo from 5 to 7, Vagabond, The Gleaners and I) to receive an Honorary Palme D'Or. Yaaas.
Film Doctor UK advice for filmmakers attending Cannes -- this is from last year but there are lots of practical thoughts that apply to any year, non filmmakers and other smaller festivals, too
Guardian with Gaspar Noé's Love on the way a look back at the festival's history of erotic cinema
Awards Daily Sasha geers up for Cannes but still seems hung up on last year's awards race dramas
Playbill looks back at very tight Best Musical races from the past (West Side Story vs. The Music Man, etcetera) with Fun Home, Something Rotten, and An American in Paris battling it out on Tony supremacy this season
Gold Derby Outer Critics Circle Awards. With Fun Home ineligible American in Paris snatches up trophies. Kristin Chenoweth prevails in the very tight Best Actress race (will Tony go for Chita, Cheno or Kelli O'Hara?)
Showtune to Go
With American in Paris celebrating its Tony nominations, why not a little Gene Kelly to brighten your Monday? Here's Kelly doing "Tra La La." Hollywood never had a more cheekily charming male movie star, give or take Cary Grant.
This is your daily reminder that Julianne Moore is now an Oscar winner!
I thought it might be fun to revise the Oscar Acting Hierarchy which I did once very long ago, I believe in connection with the rapid rise of Kate Winslet through the ranks.
What follows is a List of 33 34 All Time Favorite Actresses of Oscar... restricted to women with 5 or more nominations. Only the acting statistics are accounted for so Emma Thompson, for example, is not ranked. If you included her screenplay win or had she been nominated for Saving Mr Banks last year than she would have been on the list. If you counted non-acting nominations, you'd also see Shirley Maclaine jump a rank as she was nominated for documentary once. Now that virtually every major star is a producer these types of extra nominations stats are going to get progressively murkier in Oscar lists of the future so we're opting not to include them.
How the ranks were determined. Number of nominations determines general placement. Once that's established wins are most important. In the event that someone has the same exact stats in nominations and wins, the tiebreaker factor in rank is that lead counts more than supporting. If the tie stubbornly remains the tie is broken by endurance (thus Vanessa Redgrave beats Kate Winslet though they have the exact same stats because her nominations are spread across 26 years instead of 13). Further mitigating factors: Three statues is so uncommon that it gives the actress a phantom extra nomination in terms of ranking (thus Ingrid Bergman trumps Geraldine Page). Honorary statues (Oscar or Jean Hersholt) give the actress a phantom extra boost with the same affect as an additional nomination and win (thus Liz Taylor jumps Jessica Lange)... unless she never won a competitive Oscar in which case it only counts as a phantom win or nomination (thus Kerr cannot pole vault up to do battle with Lange or Blanchett) which of those to be determined by the gatekeeper (yours truly). In the event that someone has multiple wins they may vault over the next immediate rivals if said rivals have never won a competitive Oscar and/or half or more of their nominations are in supporting (thus de Havilland trumps Glenn Close & Thelma Ritter despite having less nominations but can't displace Kate Winslet. This also accounts for two women with only 4 nominations entering the 5 nomination only "Most Beloved" ranks.)
OSCAR'S HOLY TRINITY
And Thirty More Royals
after the jump
Michael C here with what I suppose is part one of my review of Mockingjay.
“I wish she were dead,” says Finnick Odair at the start of the third entry in the Hunger Games series. “I wish they were all dead and we were too,” he adds to include himself, Katniss, and all the tributes that remain in the clutches of the Capitol after the events of Catching Fire.
If that seem like a dispiriting way to start an action blockbuster rest assured it perfectly establishes the tone of The Hunger Games: Mockingjay – Part 1, a grim, disjointed film that is short on thrills and long on misery. Francis Lawrence’s sequel progresses from torture to bombs dropped on hospitals to the wreckage of towns strewn with skulls, all of it scrubbed down to a bloodless PG-13. Our big reward for wading through this suffering is to see our beloved Katniss strangled within an inch of her life.
I expect fans of the series will like it a lot...