Team Experience is discussing each Oscar category in the lead up to the nominations. Here's Nathaniel Rogers, Cláudio Alves and Nick Taylor to talk Best Picture...
EDITORS - NOTE. THIS DISCUSSION WAS HELD OVER A TWO+ WEEK STRETCH WHERE A LOT OF THINGS HAPPENED. SO THINGS SHIFT WHILE WE'RE TALKING...
NATHANIEL: Hello teammates. I thought I'd throw you a little unexpected curveball in our last volley. Rather than starting with frontrunners or longshots, let's talk philosophies of selection for a brief moment. When the AFI selects their list annually (depressingly reading like Oscar predictions) the guiding principle is. film that are "culturally and artistically representative of this year’s most significant achievements in the art of the moving image. When the Library of Congress does their annual retroactive National Film Registry list they choose based on "cultural, historic or aesthetic importance to preserve the nation’s film heritage."
That cultural / aesthetic double-side strikes me a LOT like the very first year of the Oscars when there were two separate Best Picture categories " Outstanding Picture (which went to Wings) and Unique and Artistic Picture (which went to Sunrise) .If we want to get really reductive about it -- which we should so that this conversation doesn't go 10,000 words -- it also strikes me a lot like Commerce vs. ART which has always been the tension of Hollywood itself and by extension, the Oscars…
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