Almost There: Jean Gabin in "Grand Illusion"

by Cláudio Alves

The Almost There series continues its exploration of the Criterion Channel's May programming. It's time to shine a light on Jean Gabin, currently celebrated in a 10-film collection named "France's Everyman". From 1936's The Lower Depths to 1963's Any Number Can Win, this tenfold serves as a sample of the Gallic actor's extensive career, dramatic prowess, and on-screen persona. Gruff and disaffected, with a cynic's soul and a mischievous twinkle in the eye, Gabin came to embody the French working classes in a myriad of roles from romantic heroes through charismatic scoundrels. Even before the Nouvelle Vague rocked the foundations of France's film industry, the actor had already become something bigger than life. Gabin turned from man into symbol, the personification of his nation's cinema. No wonder he never found a home in Hollywood despite a 1940s detour. Maybe he was just too French! 

Still, American audiences embraced Gabin's movies. In 1938, Jean Renoir's Grand Illusion made Oscar history and brought the actor close to a nomination…

Click to read more ...

April Foolish Pt 7 - All Oscar Charts Are Complete!

by Nathaniel R

The annual 'April Foolish' Oscar speculation charts are up for the 95th Academy Awards. They'll be held next winter or spring in 2023 honoring the films of 2022. Normally by now we'd have a ceremony date but perhaps burnt by two years of COVID and media fallout from Oscar night, the Board of Governors is being coy about the dates for the new season.  Now about these predictions...

Click to read more ...

Oscar Volley: Best Picture in the final days...

Team Experience is discussing the various Oscar categories. Here's Baby Clyde, Elisa Giudici, Abe Friedtanzer and  Eric Blume to discuss Best Picture. We're not saving it for last. This conversation began BEFORE the PGA went to CODA but ends afterwards...

the five films with the most nominations this year.

ABE FRIEDTANZER: I'm thrilled to be talking the top Oscar prize with my esteemed colleagues Eric, Elisa, and Baby Clyde. I do think there's plenty to discuss here, but I believe that one film is very far out in front. That's The Power of the Dog, of course, which some may doubt after it missed out on an ensemble nomination from SAG. There is absolutely momentum for CODA after its win there and its triumph the night after that with the Hollywood Critics Association. But Dog also underperformed with nominations from the latter group, so the comparison isn't all that helpful. There just isn't enough going against Jane Campion's western for it to lose, in my opinion. But there are nine other nominees, and at least a few of those will siphon votes. Aside from CODA, King Richard gets a boost from its ACE Eddie win, and Drive My Car is worth considering since it hasn't been in competition with many other groups. What films do you think are still in the mix?

Click to read more ...

The PGA goes to 'CODA' but we still have a race and here's why...

by Nathaniel R

CODA is still riding high on that SAG wave but will cresting during Oscar voting give it the win? If it does a LOT of records will be broken. No film since the current slate of categories was in place (many decades now) has managed a Best Picture win with only 3 Oscar nominations. Most film with 12+ Oscar nominations (like The Power of the Dog has) have won more than three Oscars though sometimes they've lost Best Picture (examples include Mary Poppins, The Song of Bernadette, and La La Land) . No films without either a Directing or an Editing nomination (since all the current categories were in place), and CODA has neither has won Best Picture. Finally no film by a streaming company has won Best Picture though this last stat was bound to fall sooner or later and will next Sunday whether CODA or Power of the Dog wins. Unless of course something else entirely surprises. Winners are after the jump...

Click to read more ...

Best Picture, Black-and-White Edition

by Cláudio Alves

Ever since NEON released a black-and-white version of Parasite during the awards season's peak, we've begun a tradition here at The Film Experience of looking the Best Picture nominees each year, and trying to imagine what they'd look like devoid of color. Naturally, we'll never know that since making a black-and-white movie is much more complex than simply turning the saturation to zero. Matters of design and lighting are involved, as are other elements of pre and post-production. Still, it's fun to peruse movies in search of striking imagery. But of course, beyond personal amusement, there's another component to this exercise…

Click to read more ...