Oscar History
Film Bitch History
Welcome

The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)

Follow TFE on Substackd

Powered by Squarespace
Keep TFE Strong

We're looking for 500... no 390 SubscribersIf you read us daily, please be one.  

I ♥ The Film Experience

THANKS IN ADVANCE

What'cha Looking For?
Subscribe

Entries in Best Picture (416)

Saturday
Mar022024

Split Decision: "The Zone of Interest"

No two people feels the exact same way about any film. Thus, Team Experience is pairing up to debate the merits of this year’s Oscar movies. Here's Ben Miller and Nick Taylor on The Zone of Interest...

BEN: Hey Nick!  I will freely admit that The Zone of Interest haunted me in a way that I won't soon forget.  I consider it among the absolute best of the year and one of the most impactful Holocaust films to come out in some time.  The praise for the film is near universal, so I know that you thought it was just as exceptional as I did. We can be in agreement, and then call it a day.  Quick and painless...you thoughts?

NICK: I am definitely haunted by it! There’s plenty to admire in Jonathan Glazer’s direction, and I can’t deny I was taken aback by its provocations when I watched it. But even without the comparison to Glazer’s previous stone-cold masterpieces, I felt myself disengaging from the movie’s rhythms as it went on. Intellectually, I get why we’re kept at such a remove from the Höss family, and what the oppressive sound design and spycam cinematography are meant to convey about these people. I swear I do. But this did not connect with me the way it clearly has with you, and I would love to hear more about why this is one of the best movies of the year for you . . . .

Click to read more ...

Friday
Mar012024

Split Decision: “American Fiction”

No two people feels the exact same way about any film. Thus, Team Experience is pairing up to debate the merits of this year’s Oscar movies. Here’s Lynn Lee and Cláudio Alves on American Fiction...

LYNN LEE: Hi Cláudio - looking forward to a friendly fisticuffs (is there such a thing? at TFE, yes!) on American Fiction, one of my favorite movies of 2023. 

I have to admit I'm a little self-conscious about ranking it so high in a year filled with noteworthy films.  It wasn't a cultural behemoth à la Barbenheimer.  It's not the work of a known auteur or a rising one; it doesn't have the weird-cool vibe of a Poor Things or the wistful-cool cachet of a Past Lives.  Visually, it's not particularly interesting.  Thematically, it follows in the footsteps of other, similarly themed movies about Black artists confronting racial pigeonholing and stereotypes - from The 40-Year-Old Version to Bamboozled all the way back to Hollywood Shuffle - but made significantly more palatable (I won't say diluted) for mainstream audiences...

Click to read more ...

Friday
Feb022024

One Week Later - Nomination Joys

by Nathaniel R

Mark Ruffalo in "Poor Things"

You've had time to thoroughly process the Oscar nominations and time to finish the quick grief cycle around "snubs". It's time to look on the bright side. We polled our team on which nominations, above and below the line, gave them the most joy. Here are their answers. We hope to hear yours, too, in the comments...

BIGGEST JOY (Above the Line)

Comedic performances rarely get any sort of recognition, and we had THREE in the same category! 

Click to read more ...

Sunday
Jan212024

Nathaniel's Final Oscar Nomination Predictions

by Nathaniel R

It's that time to finally stop over-analyzing and just share it! Long time readers might say "what over-analyzing? you've barely spoken!" but please know that I've still been over-analyzing in my head if not out loud. But let's do this quickly and move on that strange long deadspace between nominations and Hollywood's High Holy Night, the time period in which we hope to be more active and really dive into the Oscar contenders and our own personal awards. But before we get there: FINAL OSCAR NOMINATION PREDICTIONS...

Click to read more ...

Monday
Jan082024

321 Features vie for Oscars, but only 266 for Best Picture

by Cláudio Alves

Though a likely Best Visual Effects nominee, THE CREATOR is ineligible in the Best Picture race.

While we're still recovering from last night's Golden Globes (yay, Lily Gladstone!), the Academy has released its final eligibility lists pertaining to most categories outside the music, shorts, and specialized feature ones. Overall, 321 films will vie for Hollywood's little golden men. However, only 266 can compete for the Best Picture honor, a first in Oscar history. Such productions as Godland, Mami WataThe Creator, The Marvels, and the new Ant-Man movie are out of the running. This year marks the start of RAISE - Academy Representation and Inclusion Standards – to whom films must submit a confidential form to guarantee Best Picture eligibility…

Click to read more ...

Page 1 ... 4 5 6 7 8 ... 84 Next 5 Entries »