When Oscar met Razzie

by Cláudio Alves

Founded by Mo Murphy and John J. B. Wilson, the Golden Raspberry Awards, more commonly known as Razzies, are the evil twin to the Academy Awards. Instead of celebrating the best achievements in world cinema, they award the worst, ridiculing them in the process and daring anyone to go accept their gold sprayed statuette in good humor. They've been handed out since 1981 when Xanadu and Can't Stop the Music battled out for the title of Worst Picture. Since then, the Razzies have made many controversial choices, showing an especially troubling fondness for lampooning female-centric stories or examples of campy entertainment.

Today we'll be talking about two instances when the Oscars and the Razzies tastes diverged so much they ended up nominating the same performances…

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We met Marsha Mason!

Last week we had the privilege of attending a live podcast recording of "Live at the Lortel" in the West Village where the guest was four-time Oscar nominee Marsha Mason. While a good portion of the interview focused on her new play "Little Gem" and her deep devotion to the stage, all of her Oscar nominated performances got at least some airtime. (She never intended to be a film actress but then Cinderella Liberty kind of fell into her lap). 

The piece of the interview we found most fascinating was hearing her talk about her work on Chapter Two...

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100 Oldest Living Oscar Nominees & Winners

This list is now updated and living here. 

Happy 75th to Four-Time Oscar Nominee Marsha Mason

by Eric Blume

Marsha Mason speaking at an event in 2015Today marks the 75th birthday of Marsha Mason, one of Hollywood’s leading ladies from the 1970s.  Celebrating her is easy because she brought a lot of light and joy to screens for a decade and a half with her toothy vibrance and warm energy.

It’s strange to think that contemporary young movie audiences don’t even know Mason, since she scored four Oscar nominations for Best Actress over nine years!  Her first nomination came in 1973 for Mark Rydell’s Cinderella Liberty, where she plays a prostitute with an 11-year-old mixed race son.  Her rapport with co-star James Caan and the young actor who plays her son has a scrappy grace to it, and it’s a winning performance. 

Mason’s other three Oscar nominations came from roles written or tailored expressly for her by her then-husband, Neil Simon...

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Podcast/Smackdown Pt 1: "Julia" & "The Goodbye Girl"

As a companion piece to yesterday's Smackdown, a two-part podcast. In the first installment Mark Harris, Guy Lodge, Nick Davis, Sara Black McCulloch, and Nathaniel R discuss 1977's Oscar race, Jane Fonda & Vanessa Redgrave's friendship, Neil Simon's quippy writing, and more...

Part One. Index (41 minutes)
00:01 Intros, 1977 Memories, Annie Hall vs Star Wars
05:55 "getting" movies and Oscar-watching before the internet
09:09 Julia and Jane Fonda's curious "supporting" lead
16:23 Gender in Julia, Vanessa Redgrave's politics, and queer subtext
29:45 Child acting and difficult language in The Goodbye Girl
35:45 The influx of divorce/single parenting movies in the 70s
39:14 Nick's family memory of The Goodbye Girl

You can listen to the podcast here or download from iTunes. Continue the conversations in the comments, won't you?  

Smackdown 77. Part One. Julia