The Best Costumes of 2000

by Cláudio Alves

Before we say goodbye to 2000 and move forward to the next Smackdown year, 1946, I'd like to take a look at the Best Costume Design Oscar race. Take it as a digestif to our coverage. In any case, this specific lineup offers a remarkably comprehensive overview of some of the category's favorite elements and most glaring blind spots. As always, period work dominates, though there's also space for fantasy and contemporary narratives, intersections of fashion and costume, as well as a non-English-language movie. The nominees were… 

• Anthony Powell, 102 Dalmatians
• Rita Ryack, How the Grinch Stole Christmas
• Jacqueline West, Quills
• Janty Yates, Gladiator ★
• Tim Yip, Crouching Tiger, Hidden Dragon

First up, let's look at the period films and, more specifically, our victor.

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Smackdown '00: Chocolat, Billy Elliott, Pollock, and Almost Famous

Welcome back to the Supporting Actress Smackdown. Each month we pick an Oscar vintage to explore through the lens of actressing at the edges. This episode goes back to the turn of the millenium, when Almost Famous, Pollock, Billy Elliot, and Chocolat were new in theaters and the following actresses were having a moment...

THE NOMINEES 2000 provided a bevy of possibilities in the supporting actress category but Oscar ignored the gifted comediennes (Parker Posey in Best in Show and  Elaine May in Smalltime Crooks), the foreign divas (Catherine Deneuve in Dancer in the Dark and Zhang Ziyi in Crouching Tiger), indie darlings (Lupe Ontiveros in Chuck & Buck) and even women in Best Picture contenders (Catherine Zeta-Jones in Traffic, Connie Nielsen in Gladiator). What they came up with instead was an almost eerily archetypical shortlist which included five different kinds of traditional Oscar-friendly roles: long-suffering wife, feisty grandmother, manic pixie dream girl, mama bear, and the tough mentor. The mix of actors was also super traditional: Oscar voters invited back two recent previous winners (Judi Dench and Frances McDormand), one returning nominee (Julie Walters), and welcomed to the club one rising character actress (Marcia Gay Harden) and a golden child of Hollywood (Kate Hudson). 

THE PANELISTS Here to talk about their performances and films are (from left to right) actor Nicholas D'Agosto (Trial & Error, Masters of Sex), journalist Kyle Buchanan (New York Times), actress Vella Lovell (Mr Mayor, Crazy Ex-Girlfriend), and from The Film Experience, Eric Blume and your host Nathaniel R. Let's begin...

 SUPPORTING ACTRESS SMACKDOWN + PODCAST  
The companion podcast can be downloaded at the bottom of this article or by visiting the iTunes page... 

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A Love Letter to Cameron Crowe's "Almost Famous"

In preparation for the next Smackdown Team Experience is traveling back to 2000.

This photo is an instant serotonin hit.

By: Christopher James

Almost Famous is a love story. That’s not as a reference to teenage journalist wunderkind William (Patrick Fugit) and his love for legendary “band-aide” Penny Lane (Kate Hudson). It’s also not a reference to William’s adoration for the band Stillwater, which sets off the chain of events. Writer-director Cameron Crowe made Almost Famous as a love letter to professional passion. William loves music and just wants outlets to profess his feelings on the subject. Can a journalist be a fan? This is a question asked multiple times throughout the movie. In the end, the answer is yes and no. You have to love something enough to devote your life to it, but not so much that you get swallowed up by it...

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Once Upon a Link

• Variety Lee Pace talks about his new projects and a possible Pushing Daisies reunion
• IndieWire wait, what? Is this the 1990s again? Adriane Lyne (Fatal Attraction, Unfaithful) is making a new erotic thriller. It's called Deep Water and Ben Affleck and Ana de Armas are set to co-star
•  /Film Disney animators have "huge resentment" of the new Lion King... and with good reason, too

After the jump an Academy election, Kelvin Harrison Jr, Meryl Streep screaming, and lots of fascinating thoughts on Once Upon a Time in Hollywood...

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Soundtracking: "Almost Famous"

Chris Feil's weekly series looks back at Cameron Crowe's rock opus...

Of everything that Almost Famous gets right about our relationship with music, its richest insights come from how it explores the importance of music in adolescence. Cameron Crowe is telling his own story of his teenage music journalism days in the film, but that’s not solely why the film feels so personal. It’s personal because it’s about that time in our life when music is never more personal.

When Crowe stand-in William Miller is gifted a treasure chest of vinyl from his sister Anita she isn’t just handing over the greats, she’s tasking him to find himself. At that age our musical taste is a vessel to both define ourselves and connect to others, to develop some kind of community or shared experience. It’s in the background of every heartbreak and happy memory, even if it just played in our heads. Through music, Crowe makes the intensely personal into something universal. Just like a song.

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