Review: The High Note

by Chris Feil

Are VH1 Movies That Rock still a thing? The kind of movie that the VH1 programming gods connected through the vague thematic tissue of music, casual comfort viewing meant to be consumed on repeated Sunday afternoons, structured flawlessly to pause for snack breaks? It’s as if those gods had carved The High Note from gold for how much the film embodies that vibe.

The film centers around a music icon Grace Davis (Tracee Ellis Ross) and her assistant Maggie (Dakota Johnson). As Grace attempts another relaunch of old music, Maggie’s music producer ambitions clash against Grace’s tried-and-true formula for success - and the star’s wariness that her assistant might be using her coattails. But Maggie begins to grow her producer chops (and a little romance) with a fledging singer songwriter (Kelvin Harrison Jr.), and struggles to balance her goals with her loyalty to her demanding boss within an uncrackable industry...

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Spirit Award nominations spread the wealth for 2019.

by Nathaniel R

Nominations for the 35th annual Independent Spirit Awards have been announced with the wealth really being spread. For example the 5 nominees for the top prize “Feature” only crossover with “Best Director” on a single film, the Safdie brothers Uncut Gem which co-led the nominations with 5 prizes though it’s yet to open in theaters. Tying that films lead for most nominations was The Lighthouse even though that black and white oddity did not score a nomination for Best Feature!

Interestingly enough, the just-opened indie Waves was (almost) entirely shut out even though it’s a Best Feature nominee at the often quite parallel Gotham Awards. On a similar note the acting nominations aren’t heavily dependent on Best Feature love, either. 

A complete list of nominations plus commentary after the jump...

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TIFF: "Waves" Crashes

by Chris Feil

Writer/Director Trey Edward Shults’ approaches his subjects with raw emotionality, with his first two features Krisha and It Comes At Night using visual acrobatics to reveal the tenser truths festering inside extreme family dynamics. His third feature Waves attempts this dynamic again while pushing the sensory experience extreme territories. Shults somersaults and twirls with florid visual vibrancy here, as aggressive a display of a director demanding we consider them with greater reverence as we have seen since Xavier Dolan. But despite its fevered sensory world and punishing human stakes, Waves struggles to align the two for the truly immersive experience of its ambitions.

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Once Upon a Link

• Variety Lee Pace talks about his new projects and a possible Pushing Daisies reunion
• IndieWire wait, what? Is this the 1990s again? Adriane Lyne (Fatal Attraction, Unfaithful) is making a new erotic thriller. It's called Deep Water and Ben Affleck and Ana de Armas are set to co-star
•  /Film Disney animators have "huge resentment" of the new Lion King... and with good reason, too

After the jump an Academy election, Kelvin Harrison Jr, Meryl Streep screaming, and lots of fascinating thoughts on Once Upon a Time in Hollywood...

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Sundance: Choose Your Own Interpretation of "Luce"

Abe Fried Tanzer reporting from Sundance

People walk through this world with different levels of privilege. It’s a concept that’s become more widely understood of late, and certainly featured prominently in numerous films in recent years. In fact, 24 year-old actor Kelvin Harrison Jr. has starred in a handful that have played at Sundance, including both Monster and Monsters and Men just last year. This year, he stars opposite Naomi Watts in two films. One is The Wolf Hour, a dreary tale of agoraphobia in 1970s New York City that mildly touches on race and class. The other, which tackles the notion of privilege and prejudice, is Luce.

Harrison Jr. stars as the title character, who was adopted from Eritrea at age 7 by Amy (Watts) and Peter (Tim Roth), and, with the help of considerable therapy to overcome his violent childhood, has excelled incredibly and become the class valedictorian...

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