Globe chaos: A deep dive into the Comedy or Musical nominees

By: Patrick Gratton

At long last, the second phase of the awards race is well underway. This past week we had Globe and SAG and Critics Choice nominations and then the Oscar shortlists. Normally all of this takes place earlier but this season is elongated and fragmented to. Originally, I though that the abnormality of this race would give way to industry groups following the critic’s leads and anoint, say, Riz Ahmed, Carey Mulligan, Paul Raci, and Youn Yuh-jung, as frontrunners following the critical tallies. Clearly I was wrong, The HFPA saw this possible route, and instead chose violence. 

First things first, let’s just contextualize the Comedy or Musical designation within the framework of the Golden Globes themselves. The drama/comedy division of Picture and Lead Acting awards by genre started in 1951, when the HFPA awarded both A Place In the Sun and An American In Paris as their "Motion Picture, Drama" and "Motion Picture, Comedy or Musical" winners. The HFPA would later divide Motion Picture Comedy and Musical into separate categories in 1958, only to reinstate the category as we know it in 1963...

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Review: Golden Globes surprise "Music"

By Abe Friedtanzer

Surely the biggest shock from any awards announcement last week was the inclusion of Music at the Golden Globes. I hadn’t heard of it at that point, and its unexpected appearance will definitely lead to far more people seeking it out than otherwise would have when it arrives on VOD this Friday after a one-night-only IMAX release today. What to make of Sia’s directorial debut? Well, that’s a complicated question.

Music (Maddie Ziegler) is the name of a teenage girl on the autism spectrum who is mostly nonverbal. The steady routines she has established are upended by the death of her caring grandmother (Mary Kay Place), which brings Music’s half-sister, Zu (Kate Hudson), back into the picture after considerable struggles with the law and addiction. Her kindly neighbor Ebo (Leslie Odom Jr.) and building super George (Hector Elizondo) look after Music as well as they can, but the premise here is clear: much as she seems unsuited for the task, Zu has no choice but to step up...

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Links in the Shell

Apartment Therapy Nancy Meyers movie kitchens ranked (somehow The Intern only makes it to 5th. I just saw that and it was surprisingly warm and adorable... and yes still filled with real estate porn)
The New Yorker looks back at the Cassavates classic Faces (1968)
/Film Ghost in the Shell producers are finally responding to whitewashing casting controversies. They promise they've been 'very very careful' with the beloved material even though they cast a white actress (Scarlett Johansson) in the iconic Japanese role. We love Scarlett so so much but this type of thing continues to be a huge problem.

 

/Film There's going to be an actual Captain America statue in Brooklyn's Prospect Park
Cinematic Corner celebrates Margot Robbie (there will be a lot of that going around soon)
Variety Animation Awards for Europe soon -- their version of the Annies
Screen Crush Thor: Ragnarok officially began production in Australia yesterday
Awards Daily Why not give Roger Deakins the Oscar he has long deserved this year for Hail Caesar! 

Off Cinema
Theater Mania Lin-Manuel Miranda and JLo are collaborating on a song to benefit the victims of the recent Orlando shooting
EW American Horror Story Season 6 has a new logo (which looks like a devilish 6) a premiere date (9/14) and most of the cast from Hotel will be back though Lady Gaga is rumored to have a supporting role this time around which begs the question of who the lead will be? Let's hope it's Sarah Paulson. Why keep searching for new leads when your MVP is right there all the time.
AV Club CW seasons will now be available  just 8 days after their season finale on Netflix
Towleroad new behind the scenes photos from season 2 of Sense8
MNPP on the broken promise of Rick Yune's nude scene in Marco Polo Season 2
Comics Alliance the Harvey Award nominees for comics in 2016.  Valiant Entertainment thoroughly dominated the nominations. Here's one category you can investigate if you're interested

• BEST ONLINE COMICS
• Albert the Alien Trevor Mueller & Gabriel Bautista
• Battlepug Mike Norton
• Bloom County 2015 Berkeley Breathed
• Oh Joy Sex Toy *NSFW* Erika Moen & Matthew Nolan
• Zombie Boy Mark Stokes

Two Controversial Pieces on Actresses
Variety's Owen Gleiberman is looking forward to Bridget Jones's baby, sort of, in the piece "Renée Zellweger: If She No Longer Looks Like Herself, Has She Become a Different Actress?." It's prompted lots of calls of sexism but it's an interesting article that wonders what we're supposed to do when actors who play characters we love who no longer look like the characters they created (not from aging... though people who are offended by the article keep saying that. Sorry people but Colin Firth still totally looks like D'Arcy. Just an older D'Arcy). I myself always wish actresses wouldn't mess with their faces (if they must, temporary measures are best since the effects wear off if they don't look right!). Their faces are their brand and actors are famous partially because they're so beautiful just as they are. Why mess with perfection? I don't think it's true -- and I keep reading it -- that if actresses don't mess with their faces they don't get work. From what I've seen actresses who mess with their faces in any noticeable permanent way actually STOP getting much work. It distracts audiences too much. Note how Kate Winslet, Annette Bening, Helen Mirren, Meryl Streep, and so on keep aging and keep working. 

Wesley Morris' piece for the New York Times "How I Learned to Tolerate Blake Lively" is ostensibly about her performance in The Shallows and Hollywood's ever rotating it girls. People are offended by this one too - partially due to the interchangeability notion of blonde actresses. But it's also interesting because it gets at something that I think anyone can relate to: the experience of loving an actor that Hollywood has moved on from. 'Wait, I wasn't done with _____! " that Wesley says this about Kate Hudson is bizarre but to each their own.

Red Carpet: Best Looks of 2014

Year in Review. Two yummy look backs each day!

Jose here. With awards season underway, and a whole new roster of red carpet superstars about to be born (Felicity Jones, we salute you), it's time to celebrate the absolute best red carpet looks of the year that was, which have us revisit a few familiar faces and welcome the return of old fashioned, ridiculously grand Hollywood glamour!

2014's Best Red Carpet Looks

10. Lupita Nyong'o in Ralph Lauren 
Nyong'o was the breakthrough star of 2013 with each of her looks besting whatever it is she had worn to the previous event and the celebration continuing on through Oscar night. The MVP was this red column gown with sewed in cape that she wore to the Golden Globes, which made her look like a true fashion superhero.

9. Emma Stone in Thakoon
While pink is usually a big no-no on the red carpet (only SJP and Gwynnie have succeeded in pulling it off in the last couple of decades) leave it to Emma Stone to not only wear two contrasting shades of pink, but also pull off a bare midriff, a side braid and silver accessories (!!!!) effortlessly. Kudos for sticking to a young brand and showing starlets that you can be sexy while remaining almost practically covered. 

Felicity Jones, Fan Bingbing, and perennial chart-topper Cate Blanchett come after the jump...

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Liza at the Oscars. Then, Then, Then, and Now

Liza Minnelli's appearance at the Oscars this past weekend was the subject of much discussion and typical ageist snark ("old people are so ridiculous!") online which was... disappointing. Not that Liza didn't bring some of it upon herself particularly with her slow on the uptake reactions to Ellen's drag queen joke* and the selfies. But before we get into this year's particulars, CONTEXT.

I think it's worth remembering that this was not Liza's first time at the rodeo. Liza has lived her entire life in the unreality of showbiz so if she wants to wear a braless blue pant suit with matching hair stripe, to Hollywood's High Holy Night, she damn well should! After all, few people attending this weekend's ceremony can rival her for true icon status (Meryl, Bette, Poitier... and very few others)

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