#TBT: The Imaginarium of Dr Parnassus

by new contributor Maggy Torres-Rodriguez

 

Today’s special #TBT goes to the magnificently odd Terry Gilliam picture The Imaginarium of Doctor Parnassus, which premiered at the Cannes Film Festival 10 years ago this week. Lush with extravagant dreamscape sets, innovations in CGI, and an all-star cast, it still holds its own today.

Minus that one scene with Verne Troyer in blackface that was meant as a joke, but generated more of an uneasy murmuring of “oh no, baby what is u doin?” from the audience. But... problematic decisions in Hollywood are made on the daily, so everyone kind of just ignored that and focused on the fact that it was Heath Ledger’s last film... 

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The Furniture: The Chicanery and Posterity of 'The Imaginarium of Doctor Parnassus'

"The Furniture," by Daniel Walber, is our weekly series on Production Design. You can click on the images to see them in magnified detail.

The Imaginarium of Doctor Parnassus will always be known, perhaps primarily, as the movie interrupted by the tragic and sudden death of Heath Ledger (10 years ago today). This part of its reputation precedes it, particularly given its relatively muted critical reception. The story of its making, and the enlisting of Johnny Depp, Jude Law and Colin Farrell to fill the void, is essential to its reputation. It’s become a marker in time, an unplanned moment in the history of celebrity culture.

It is also, interestingly, a fairly specific moment in the development of visual effects. It lost the Best Production Design Oscar to Avatar, after all. These films stand for two dramatically different ways of using design and CGI to create cinematic worlds, even if they are both fantasies on the surface. And, perhaps, The Imaginarium of Doctor Parnassus comes out ahead...

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The Furniture: Brazil's Pungent Pot of Duct Soup

"The Furniture," by Daniel Walber, is our weekly series on Production Design. You can click on the images to see them in magnified detail.

Hi there! I want to talk to you about ducts.

I mean that quite seriously, though I’m also quoting the opening lines of Terry Gilliam’s wacky and wonderful Brazil. It’s a film with a lot of unique production design, for which art director Norman Garwood and set decorator Maggie Gray received an Oscar nomination. They lost to Out of Africa, but I find it helpful to pretend that didn’t happen.

It’s nearly impossible to choose a single element to feature. I’ve half a mind to simply post all of the bleakly hilarious propaganda posters that clutter the walls of the film’s dystopian metropolis. Another option would be the design of the dream sequences, which become increasingly majestic as Sam Lowry (Jonathan Pryce) loses touch with reality.

But I still want to talk to you about ducts...

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Terry Gilliam's "Quixote" is Complete

Chris here, with some heartwarming news: a film nearly twenty years in the making has finally wrapped filming. You'll remember Terry Gilliam's ill-fated attempts to adapt Cervantes's legendary Don Quixote to the big screen as they were told in the documentary Lost in La Mancha - floods, lost funding, and casting woes made this film one of the most notorious productions of all time.

But now Terry Gilliam's The Man Who Killed Don Quixote will rise from the ashes of cinema history. Gilliam has completed filming - with a new cast that includes Adam Driver, Jonathan Price, and Stellan Skarsgård - and Amazon will bring the film to theatres sometime next year. Someone please protect the digital print (or film, if Gilliam went that route) from any mishandling so that Gilliam isn't put through the ringer again!

Gilliam's last film The Zero Theorem came and went quietly, but we suspect this one will get much attention on arrival given its unfortunate history. You can probably bank on a major film festival to debut the film as well. Regardless, it will be fantastic to see this story come to a happy ending for Gilliam! Do you have any troubled productions that fascinate you?

Curio: "we went skinny dipping and did things that frightened the fish!"

Yes. that's a quote from Steel Magnolias. I apologize as this is entirely unrelated. It happens.

Are you familiar with "Fish Love"? It's a not-for-profit company from Nicholas Röhl and the actress Greta Scacchi. The goal? I'll just quote them here:

to raise awareness of the unsustainable fishing practices that are destroying the the earth's marine ecosystem. Since then, the Fishlove images have succeeded in bringing the subject of over-fishing to the front covers and pages of the world's media many times over. 

This year's catch is the adorable Emma Thompson and Greg Wise shot by photographer Jillian Edelstein to promote the endangered. But there's more (slightly nsfw) after the jump...

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