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FINAL OSCAR PREDIX - in podcast & written form

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ACCEPTANCE SPEECHES

"There is no acceptance speech that comes close to Louise Fletcher's." -Ken S

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Entries in Adam Driver (27)

Sunday
Feb032019

It's their 21st movie!

by Nathaniel R

(yes we'll get to the DGA awards in a minute. until then...)

Both Regina King (If Beale Street Could Talk) and Adam Driver (BlacKkKlansman) are nominated this year for their 21st feature film roles. So let's play a game.

With 21 days until the Oscars, we selected 21 screencaps  of 21 very randomly selected favourite actors of TFE from their 21st films. Guess what the movie is in the comments (please only 1 movie guess per comment to give multiple readers a chance to guess.). They won't all be as easy as #1 after the jump...

Click to read more ...

Tuesday
Jan292019

Sundance: Great acting in "Clemency," an education in "The Report"

Murtada Elfadl reporting from Sundance

Should we react to movies based on content or artistic merit? I struggled with two movies at Sundance this week which had incendiary, important content and tackled either a crucial part of history or provided necessary social commentary. Artistically, however, I found both Clemency and The Report lacking...

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Thursday
Jan242019

Supporting Actor Fun: How were they nominated? What do they have in common?

RANDOM TRIVIA: Sam Rockwell is the only member of this shortlist that isn't tall! Did you know that 80% of the supporting actor category this year are 6'1" or taller? Only Sam Rockwell isn't at 5'8".

Did you know that 80% of the supporting actor nominees this year were born in California?! Now you do. Mahershala Ali (Green Book) was born in Oakland, Adam Driver (BlacKkKlansman) in San Diego, Sam Elliott (A Star is Born) in Sacramento, and Sam Rockwell (Vice) in Daly City. The only non-Californian is Richard E Grant (Can You Ever Forgive Me?) and though you might have assumed he was born in London, you'd be wrong. He was born in Swaziland, in the late 50s when it was still a British protectorate. The country has been independent for 50 years now and last year rechristened itself The Kingdom of Eswatini. 

On the newly updated Best Supporting Actor chart you can read more trivia about the nominees, vote on who you think is best in the category every day, and share in our speculation about how they snagged those coveted nominations this year. 

ICYMI: Picture & Director charts are also robustly updated. All other charts are updated with the official nominees and preference polls if you'd like to start voting but are not fully filled in yet otherwise. 

Tuesday
Jan152019

Final Supporting Actor Predictions

by Nathaniel R

In a year of what appears to be abizarre cakewalk to an immediate second Oscar for leading man Mahershal Ali in Green Book, Best Supporting Actor is likely to be a bit dull this season. Nevertheless predict we must.

It's safe to say given the televised precursor wins and the strength of his film in the Best Picture race that Mahershala Ali is locked up for at least a nomination for his uneven leading performance despite this being a supporting category and despite his film being under constant attack. Adam Driver's film BlacKkKlansman has also been a consistent performer and Richard E Grant in Can You Ever Forgive Me? appears to be the only real threat to Mahershala Ali's Oscar at this point given widespread enthusiasm about his performance (that is IF his campaign can pick up any steam in the final stretch)...

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Saturday
Dec292018

Tweetweek

 After the jump the current state of the DC cinematic universe, good jokes about Us, A Star is Born, and recognizing Sandra Bullock and Adam Driver. Plus more Mary Poppins Returns fun...  

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Thursday
Aug092018

Review: BlacKkKlansman

by Murtada Elfadl

There’s a loaded line that Spike Lee has to navigate with BlacKkKlansman. The line is between entertaining the audience while being faithful to the crazy but true story of Ron Stallworth and making a credible and incendiary link between the bigotry and systematic oppression that has always existed and our current wretched circumstances in this country. For the most part he is successful.

The stranger than fiction story from the 1970s is about a rookie cop Ron Stallworth (John David Washington) in Colorado Springs, who pretended  to be white on a lark and called the local chapter of the Ku Klux Klan. He was so believable as a racist white man on the phone, that he convinced his superiors to let him lead a broader investigation to infiltrate the Klan. He was helped by his Jewish partner Flip Zimmerman (Adam Driver) who “played” him when meeting with the Klan...

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Wednesday
May162018

Soundtracking: "Inside Llewyn Davis"

by Chris Feil

"I don’t see a lot of money here."

With that cold, unfeeling line, F. Murray Abraham’s notorious club owner dismisses Oscar Isaac’s Llewyn Davis after a crucial impromptu audition. In so few words, he communicates that both Llewyn’s hard times and the commodification of his art form are here to stay.

After a taxing hitchhike from New York City on the promise of this gamechanger opportunity, the forever beleaguered Llewyn finagles his way into this audition and performs “The Death of Queen Jane”. The bitterness of Inside Llewyn Davis calms for Isaac’s crystalline vocals...

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