Is 2021 the year of Adam Driver?

by Cláudio Alves

Leos Carax's Annette hits streaming today. You can watch this year's Cannes Best Director prize-winning feature on Amazon Prime Video and bask in all its insanity. The picture has proven pretty divisive, which is no surprise. Many of the director's anti-naturalistic choices and the Sparks' off-kilter music have been at the center of praise and pans. But, along with them, the most contested element of Annette seems to be its leading man, Adam Driver, whose performance goes to extremes of operatic grandeur intersected by American realism, aggressive anti-comedy, a guttural plunge into the depths of self-hatred. It's a big performance, maybe the biggest in the actor's career, so vast in risks and pitfalls, one can't help but admire the ambition. Annette also represents the first of three major projects the actor has coming out in 2021, marking this year as one of the potential high points in Driver's ever-growing career…

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Yes No Maybe So: "House of Gucci"

by Nathaniel R

"Father... Son.... and House of Gucci" If the trailer is any indication, people are going to be obsessing on or quoting House of Gucci frequently in the coming months. So let's go immediately to our Yes No Maybe So™ routine, but in the more expansive second-by-second way we do occassionally when we're really excited...

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Cannes Diary #1: Adam Driver singing, journalists spitting, and other minor inconveniences

TFE is thrilled to have a correspondent on the ground in Cannes this year. Please welcome back Elisa Giudici.

by Elisa Guidici

It's my first day of my first year as a press pass holder at Cannes Film Festival. Let me tell you that as an Italian, I am so proud of how Venice Mostra handled their Covid-19 edition last season. Cannes had an extra year to plan how to be efficient, safe and as Covid-free as possible. How did the organisation spent these months?.The ticketing system to avoid long queues before screenings? A hot mess. The website? Almost always down. Covid tests? Bizzarre, but at least free for pass holders...

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Cannes Review: The unsteady but miraculous "Annette"

by Cláudio Alves

It all starts in the recording studio, as Leos Carax and his daughter - to whom this achingly personal film is dedicated - observe the Sparks working their magic. The reference to supernatural powers when writing on artistic marvel is overused, but it does seem fitting for Annette. Here, performance can invoke a new reality, singing it into existence. That's what the film's team does in this metatextual prologue. As the Sparks exit the recording booth, the camera and the Carax duo follow, with the movie stars joining along for good measure. As they ask "May We Start," they also admonish the audience, heed them, warn them, and set the stage for what's to come. Adam Driver and Marion Cotillard depart in separate vehicles at the end of the song, no longer themselves. The ritual of performance has begun – they're now Henry and Ann…

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Emmy Category Review: Guest Actor in a Comedy

By Juan Carlos Ojano

Three men from Saturday Night Live, a “regular” guest actor in a Comedy Series frontrunner, a lead in an anthology series episode, and a comedy veteran receiving a posthumous nomination. These are the men nominated in this category. SNL has had at least two nominees in this category since 2013, peaking last year with four of the seven slots. Their last winner was in 2017. Meanwhile, performances from Comedy Series have bagged the last two wins. 

Let’s consider each nominee...

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