26th Annual SAG Awards

by Nathaniel R

It's SAG night. Let's jump right in...

Christina Applegate got here SAG card in the 70s on an indie film. She doesn't remember what it was (yeah, right) but everyone was "really really high". Cynthia Erivo played a shepherd -- "Everyone lauded my performance." she was hooked at five years old. Eugene Levy dreamed of being the next Mr Whipple but goes on and on in a funny bit. They are actors! (We always love that corny intro.)

Levy and (hot/gay) Son present Male Actor, Comedy Series for which, inexplicably, neither of them is nominatd. The statue goes to awards magnet Tony Shalhoub in Marvelous Mrs Maisel

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Golden Globes Night: 11 Moments. 27 Winners. 3 Takeways.

by Nathaniel R

How was Globe night for you? We don't plan to rain on your parade if you loved it as we'll focus on the positive herein. That said a dark storm threatened to dampen the jolly proceedings from Ricky Gervais opening monologue. The joke gathering the cloud "I don't care anymore. Kidding, I never did." We have personally never seen an awards show host phone it in as much as Gervais did on the big night -- even James Franco tried harder at his famously disastrous Oscar co-host gig -- so good riddance to Gervais forever and ever. There's insult humor and then there's being a walking insult to anyone who deigns to watch you. BUT ON TO HAPPIER THINGS.

After the jump we'll share the key moments, winners, and takeaways...

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Soundtracking: Blue Valentine

by Chris Feil

“You and me, you and me. Nobody baby but you and me...”

Ryan Gosling’s Dean breaks a makeout session and produces the romantic gesture lost to our time: a playlist burnt to a cd. It’s the ultimate young love gesture and met in kind with wide-eyed affection by the young woman its meant for, Michelle Williams’ Cindy. He’s chosen a song for them, in the tradition of all romances, one that will belong just to them. Before the soulful murmur of “You and Me” by Penny and the Quarters, Dean acknowledges the cliche of it as quickly as he shrugs it off. They will be different from all those other couples going honoring the ritual, he promises her. They will be special.

Blue Valentine charts the degradation of such romantic fantasies, showing us how painfully average their broken love will become, with music the embodiment of that fading vision of romance...

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The New Classics - Meek's Cutoff

The New Classics is a weekly series by Michael Cusumano, looking at great films of the 21st century through the lens of a single selected scene. 

Scene: Emily takes charge
The lost pioneers in Kelly Reichardt’s Meek’s Cutoff travel with a bird in a cage dangling from the back of a covered wagon. It is a token of happier days, when nature was an ornament that decorated your home, not a force that drained the life from you with its punishing distances and barren terrain.

More than a sad joke, the little yellow parakeet also functions as a poignant symbol for the codes of society the pioneers carry with them into the wilderness, codes which become increasingly absurd in the context of their predicament. Lost, dying from thirst, and led by a guide who is either a charlatan or a mad man, the wagon train’s men still make sure to isolate themselves from their wives when discussing strategy.

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Fosse/Verdon - Finale!

by Eric Blume

Michelle & Sam as Gwen & Bobby

Fosse/Verdon wrapped its 8-episode run this Tuesday, and here’s a quick recap on the final three episodes, and some overall thoughts on this captivating mini-series.

Episode Six, “All I Care About is Love” 
Episode six concerned Fosse’s heart attack during the editing of Lenny (1974) editing and rehearsals for Chicago on Broadway.  It was one of the weaker episodes of the series, especially coming off the previous episode, the almost-staged-play episode with the characters locked in a Hamptons house, arguably the show’s high-water mark.  That episode gave director Thomas Kail (who went from Hamilton to TV with graceful ease) the opportunity to put in the nails early on and keep screwing tightly, with all the actors laser-focused on their objectives and obstacles.  Episode Six, on the other hand, contained some material handled directly in All That Jazz, and it felt more like a transitional episode for the final narrative haul of the show...

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