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Silence of the Lambs Retrospective

"Don't help the man with the broken arm! Don't get in his van! Too late... She does it every time. Which is why this is such a good movie: it really makes us care, and even when we know what's going to happen, we hope it won't."- Edward

"Such a great BP winner. I remember seeing it when I was a teenager and even then I noticed the eyelines being so close to the camera, and the way Clarice was framed in a male-dominated world as though she was being watched and judged." - MSD

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Entries in animated films (292)

Saturday
Sep122015

TIFF: "Phantom Boy" is a Delight

Our TIFF dispatches are off to a very slow start but it's only because both Amir and myself, Nathaniel, have been cramming so many screenings in on the first few days. For now, a brief animated diversion.

PHANTOM BOY 
French directors Jean-Loup Felicioli and Alain Gagnol were surprise Oscar-nominees just four years ago for A Cat in Paris and they're back with their second full-length feature. You could call this one A Cancer Patient in New York to mentally connect them but that doesn't have a catchy ring to it and wouldn't sell tickets to families.

The subject this time is a remarkable little boy in New York City who leaves his afflicted body in the hospital each night to regularly float above the city. He's become so adept at the astral projection that he helps other patients in the hospital when their spirits start wandering away. 

When his parents leave the hospital each night it's clear that this is now familiar routine as he follows them home where he sees more private moments. When they cry he tenderly averts his gaze from respect at their stiff-upper-lip efforts of composure in the hospital. 

If that makes Phantom Boy sound unusually dour for a cartoon, fear not. It's emotions may spring from its matter of factness about life and death and danger (such a welcome change of pace for a kid's movie) but, as befits a cartoon about a high spirited (sorry) young boy who wants to grow up to be a cop, it's also an funny adventure story. Consider the tagline.

He's eleven, he's invisible, he can fly, and he's got 24 hours to save New York.

Through a series of dastardly crimes and comic misshaps outside the hospital the boy becomes involved in the story of a policemen, also hospitalized, and a His Girl Friday type alpha reporter who are both out to stop a "disfigured" villain (his face is amusingly cubist as opposed to disfigured). The villain is threatening to wipe out New York City with a computer virus.

Though the story begins to feel a touch repetitive towards its derring-do finale, it is never less than pleasant with an engaging story and memorably odd beats. Sometimes the film straight up soars, particularly in its quieter moments when we go flying with the boy, reading a story to his baby sister, or marvelling at the way he slips in and out of his body, sometimes like it's as natural as stretching and other times like he's slipping on clothes that no longer fit as well. Running through the pleasantry and peaks is the always expressive traditional animation, sophisticated sight gags, endearing broadly sketched characters, and a really top-notch long-running joke that keeps threatening to abandon its punchline. Highly recommended.

Grade: B+
Oscar Chances: I wouldn't be at all surprised to see it among the nominees this year if it qualifies. But it's worth noting that their last film A Cat in Paris (2010) didn't show up in the Oscar race until a year after its premiere so this one may float towards the gold in 2016.

Friday
Sep112015

Tim's Toons: Corpse Bride, ten years later

Tim here. This past week marked the tenth anniversary of the festival premieres of two very different stop-motion animated features. We've recently chatted a bit about Wallace & Gromit: The Curse of the Were-Rabbit, so other than reminding you that it exists, and it's still delightful a decade on, I will pass it by in silence. Instead, I want turn everybody's attention to Corpse Bride, or if you prefer - the boys in marketing clearly did - Tim Burton's Corpse Bride. The second movie's reputation has gone off in a very different direction over the last ten years: while Were-Rabbit remains a touchstone of sorts thanks to its iconic stars, I'll bet that a good number of you just thought, "Huh, Corpse Bride, I forgot all about that".

That’s not unfair. Revisiting it for the first time in most of that same decade, I found it to be visually inventive, and dangerously rushed as a narrative: based on a Russian folk tale of a young man who accidentally weds a beautiful dead woman, the films never quite shakes the sketchy structure of a fable.

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Thursday
Sep032015

Tim's Toons: Norway (and TFE) salutes Torill Kove

Tim here. It's a good time  to be Torill Kove: the Norwegian-born animator/director, who has spent virtually her entire career working in Canada, received the Anders Jahre Prize in Oslo today (or yesterday, if you want to be strict about time zones). This award is given to artists at home and abroad who have enriched the cultural life of Norway, and while most of Kove's work has been funded by the invaluable National Film Board of Canada, there's no denying the national pride of her delicate, highly personal fables of life in Norway.

The easiest proof of Kove's prominence is to note that all three of the short films she has directed in her career were nominated for the Best Animated Short Oscar, and one won. Since the NFB, in its generosity and wisdom, has made two of those available online, there could be no better opportunity or excuse to wander through the imagination of one of contemporary animation's most vivid creators. [More...]

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Friday
Aug282015

Tim's Toons: Three Animated Oddities of 1954

Tim returning to duty.

August has been 1954 Month here at the Film Experience, and it now falls upon me to share with you the animation of that year. And man, it was a weird 'un. The important place to start is noting that in '54, Walt Disney - the man, not the multinational entertainment corporation - was massively obsessed with the creation of his brand-new theme park out in California, and the brand-new television show on ABC that shared its name and served as the new funnel for all his creative and commercial instincts.

With Disney - the multinational entertainment corporation, not the man - thus a bit rudderless, there was a void in American animation like there hadn't been since Mickey Mouse's 1928 debut, basically. Disney itself was beginning to experiment with form in ways that Walt did not approve of, since Walt wasn't paying attention anymore, and the result was things like the Oscar-nominated short Pigs Is Pigs, one of the very weirdest shorts in the studio's history.

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Wednesday
Aug122015

Hit Me With Your Best Shot: "Chicken Run" 

With Shaun the Sheep currenty struggling at the box office, it's an ideal time to give a round of thanks to Aardman animation for all their wonderfully specific aesthetic and the painstaking stop motion or stop-motion-like CGI shorts and features they've made over the years. This week's Hit Me With Your Best Shot travels back to 2000, the year before Oscar added a Best Animated Feature category, to the film that surely would have won it had they started just a year earlier: Chicken Run.

This delightfully British comedy is about a tenacious 'hard boiled' leader Ginger who wants to rescue her fellow hens from their egg-making enslavery at the farm before they become roasts. Mrs Tweedy (perfectly voiced by Miranda Richardson), tired of the farm's low profits, decides to make them pies instead. Cue slapstick action, a sly morbidity, repetitive but highly effective sight gags and lots of jokes about prisoner of war films, organized labor, groupthink, and, you know, chickens.

Here are the Best Shots chosen by our informal club. Click on any of the images to read the accompanying article. My choice is at the end of the post.

CHICKEN RUN (2000)
8 shots chosen by 10 participating blogs 

I’m impressed with their smart set and costume designs that imitate the war time, including concentration camp (the chicken farm), clothing and even the gas chamber (the pie machine)...
-Chirapat

My favorite moments are the slightly darker and somber ones that really give this film its depth...
-Sorta That Guy

I always say when I judge a comedy the number one factor is- Did it make me laugh?  The answer for Chicken Run is Yes!  I laughed back in 2000 and I laughed today watching it. 
-54 Disney Reviews 

 There's a great mastery of visual grammar at work here, and directors Park and Peter Lord show a strong hand in their feature debuts.
-The Entertainment Junkie

The mixture of round, soft and mostly appealing character designs with its detailed and bleak world is jarring at first, but the mixture of the two give the film quite a striking look...." 
-Magnificent Obsession, um blog de cinema 

A very traditional movie in terms of plot mechanics, but it becomes something much more sentimental and endearing by telling this story from the perspective of a group of claymation chickens..." 
-Coco Hits NY 

The shot above is one of the many great sight gags in the film..."
-Film Actually 


More like people than the absolute dread of the Tweedies in their midst, the chickens quite quickly caught me off-guard with their stock yet recognizable personalities...
-Movie Motorbreath

The content and framing of this shot being rather conventional, save for the chickenification of it. Which is no sin, of course..."
Antagony & Ecstasy

As for my shot...

This is not it, but I have to share it because it was my heartiest laugh in 2015 (and I didn't remember it at all from 2000). A throwaway reaction shot during Ginger's planning meeting...

Now, i know our last escape attempt was a bit of a fiasco… 

The "acting" in this super brief cutaway is nothing less than perfection.

I normally select my shot before I've seen any from the contributors but I was late this week and of all the images I saved, two of the three I was struggling to choose between were Babs with her knitted noose, a great morbid sight gag, and that beautifully eery overhead shot in the oven, which is so bold design wise and unlike much else in the movie. Amusingly they happen to be the two shots that were both chosen more than once! Or perhaps it's telling considering that the film relies heavily on highly conventional, even cliché, shot types -- see Tim's article for a good description of why this is

The best shot in Chicken Run is not a single shot but the repeated motif of entire groups of chickens staring directly at the camera, blinking round eyes, dimbulb groupthink, and unified emotions, whether its awe, hope, or hysteria. But it's so much funnier in motion, so here is my choice.

Also funnier in motion, as the farmer does a double take with his flashlight, and the real chicken, hiding under the bed making awkward chicken noises. It's a great meta joke about this entire movie; a movie painstakingly crafted by humans with anthropomorphic clay chickens as their stand-ins, with the chickens themselves play-acting animal behavior for "humans" inside of it, with their own crafted objects. It's smart but, even better, it's sublimely silly.

NEXT WEEK: ANGELS IN AMERICA (2003) - Here are the details

Thursday
Aug062015

Tim's Toons: The wonderful world of Aardman Animations

Tim here. This week sees the release in the US of Shaun the Sheep Movie, a film whose nightmarishly anti-grammatical title hides the sweetest soul of any family movie of 2015. And this is no less than we'd expect, given that it is the newest film from the ever-reliable Aardman Animations of Bristol, England.

We're going to be taking a look at Aardman's first feature, 2000's Chicken Run, as next week's subject in Hit Me with Your Best Shot, but that's just a tiny slice of the studio's generally terrific output. If you'll permit me to go full fanboy - for y'see, people who love Aardman really love Aardman at an almost primal level - I'd like to sing the praises of the studio's other full-length films. Most of them, at least. Even fanboyism has its limits.

Wallace & Gromit: The Curse of the Were-Rabbit (2005)
Undoubtedly the most familiar title on this list, having won the 2005 Best Animated Feature Oscar, among other accolades. And because Wallace and Gromit themselves have become such iconic characters, arguably the most successful stars of a short cartoon series since the 1950s. [More...]

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