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Entries in animated films (532)

Saturday
Sep092023

TIFF '23: "The Boy and the Heron" goes into the unknown

by Cláudio Alves

Miyazaki's "The Boy and the Heron"

Hayao Miyazaki's last last picture before his latest last picture – already being discredited as such by Studio Ghibli VP Junichi Nishioka – saw him take on the model of a relatively conventional biopic. Despite its wavering between reality and dream, the now and the before, The Wind Rises represented one of the director's most straightforward efforts, doing away with the fantasy elements that defined most of his career. Had it stayed his swan song, it would have made for a career's closing chapter shaped like an intersection of culminating obsessions and stylistic disruption. The Boy and the Heron, previously known as How Do You Live?, posits a inversion of those paradigms. Oft-repeated ideas are invoked only to be collapsed, while tone and style return to the land of fantasy and dream logic.

Before reading ahead, A WARNING. This film will probably be best enjoyed by those who go into it blind, similarly to how Japanese audiences received it. If you want that experience, be satiated in the knowledge this is another masterpiece by Miyazaki. If you yearn for more, come with me down to a place that's no place within a time without time…

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Friday
Jun022023

Review: “Across the Spider-Verse” is a Pinnacle of Animation

By Ben Miller

I am not prone to hyperbole but I'm having a difficult time not calling Spider-Man: Across the Spider-Verse the greatest animated film ever made. Maybe some time and distance will back that up. For now, let's call it a monumental feat of both animation and entertainment.

Following the events of Into the Spider-Verse, Miles Morales (again voiced by Shameik Moore) is now protecting his city and universe as its Spider-Man. He encounters a new and inexperienced villain named The Spot (Jason Schwartzman), which attracts the attention of multiversal Spider-Men...

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Sunday
Apr302023

Oscar Predictions, 1st Round: Best Animated Feature

by Nathaniel R

It's time to begin the annual April Foolish Predictions debacle. We say debacle and we call them "Foolish" not just as a pun on April Fools (even though yes, the bulk of these will be in May - shut up!) but because we know so little about the year's contenders this early in the year. After the jump the list of animated pictures that might be in play and the possibility that the two female breakouts from 2021's West Side Story may go head-to-head in this category as musical protagonists... 

THE CHART IF YOU WANNA SEE IT. BUT HERE IS MORE INFO...

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Saturday
Apr222023

"Elemental" to close Cannes

by Nathaniel R

Pixar's Elemental will close the Cannes Film Festival this year (Out of Competition) on May 27th before hitting theaters on June 16th. If you missed the original Cannes lineup post, that's here. The only other Pixar features to premiere at Cannes were Up, Soul, and Inside Out. Elemental is directed by Peter Sohn (The Good Dinosaur

In other TFE-specific Cannes news, our favourite Italian Elisa Giudici will be covering the festival again for us this year and we couldn't be happier about that. Stay tuned for more on Cannes.

Thursday
Apr062023

Review: "The Super Mario Bros" is a Fun, Candy-Colored Confection

By Christopher James

Is the Nintendo world the most untapped piece of IP? Mario, Luigi and the rest of the crew have dominated video game culture for over 40 years. Yet, a theatrical feature film has not been attempted since the ill-fated 1993 campfest starring Bob Hoskins, John Leguizamo and Dennis Hopper. Gone are the steampunk influences and live action hamminess. Universal’s new foray into the mushroom kingdom is a bright, glossy and impressive animated tale that bears appropriate semblance to the game, while also having the zany plushness of an Illumination tale...

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