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Being sick would be awesome if one didn't feel like crap whilst staying in bed all day watching movies,  reading blogs, playing iPhone games, and snuggling with the cat. 

IndieWire has an interesting chart of which Toronto People's Choice Winners scored big at the box office after the fest. Adjusted for inflation American Beauty (1999) is still the champ. Or Slumdog Millionaire (2008) without any fancy maths. But those People's Choice winners sure do have a good track record at winning Oscar attention.
Parade has an interview excerpts piece up about Brad Pitt. I don't want to get too sentimental about it but I consider it a huge blessing when very famous and very rich celebrities actually reveals themselves to be good souls, too. The things he has to say about religion and federal government and affordable housing and adoption and all of these things... they are so spot on. I really don't get the bad rap that charitable celebrities often get -- is it just self-loathing turned outward when people realize they wouldn't be even a tenth as altruistic if they were wealthy? Is it jealousy of good fortune? I don't know. But my point is Brad & Angie: love 'em. 
Just Jared Bizarre contest alert. Seems you can enter/audition to be a voice in the animated musical Dorothy of Oz starring Lea Michele (first photos of characters are also present). The closer all these Oz movies get to theaters (I keep losing track of how many there are), the more naive the producers of the celluloid transfer of Broadway's Wicked look. How on earth do you sit on that golden goose property (which has already outgrossed most of the biggest blockbuster films ever) long enough to let an animated film --they take forever!-- beat you to theaters and live off, profit from and burn out the renewed Wizard of Oz fever that you yourselves stoked? Sometimes the Hare and not the Tortoise wins.

Speaking of Brad Pitt, somewhere in this past week I missed the Oscar Fever rise of his candidacy for Moneyball. It would be so weird if the Best Actor race was all hunky across the board: DiCaprio, Gosling, Fassbender, Pitt, DuJardin, and Clooney? 

Awards Daily snapped photos of Julianne Moore and Ed Harris in a Game Change preview. Disturbing it was (I saw the same one) with Julianne being so spitting image of that one celebritician
Ultra Culture opens the PR package for The Change-Up. Big LOLS ensue.
Nicks Flick Picks starts his beloved "Fifties" column, i.e. best of the year thus far. As always his choices and writeups make you rethink the work... which is what great critics do.
Empire Colin Firth, whose career is still giant-sized post A Single King Man's Speech, will next star in The Railway Man, a POW drama. That is after Tinker Tailor. 
Towleroad my latest movie column in which I order people around. Go see Drive.
Stale Popcorn remembers the character actress Frances Bay (RIP) from The Golden Girls to Twin Peaks

October News and Request For Reader Input
When I was reading this article on Everything I Know...  in which Mr. Caggiano who teaches courses in musical theater history and the neuropsychology of music (?!?) asks his incoming students to name the best musical of all time, I remembered that next month marks the 50th anniversary of my personal favorite (WEST SIDE STORY). The film version of West Side Story, which first hit the big screen on October 18th, 1961 went on to become a huge hit and one of the biggest Oscar champs of all time (11 noms, 10 wins losing only its screenplay nomination as musicals tend to.). On the classic movies note, I wondered, for younger readers especially (and please do speak up if you have feelings about this), if I use too much of a shotgun approach when discussing old movies here? I sometimes suspect you have too many titles flying at you all the time to really decide what to get familiar with (like in those huge "all time" lists). So perhaps we should focus more going forward? Maybe we should try Classic of the Month style loose themes? It would be boring to talk about the same movie -- any movie -- for an entire month but perhaps a loose theme could include all sorts of detours that tie in but aren't too much of the same thing (Oscar competitions, influences, actor careers.

Sound off in the comments... I guess I'm interested to know if you liked the previous theme weeks like Aliens or the films of Tennessee Williams or Moulin Rouge! this summer or if you had to already know and love the movies to enjoy those?

Pontiac... The Emerald City

Hey people!  I'm popping in very briefly from Michigan as I vacation. How about this for my timing:No sooner did I arrive (Saturday) than James Franco, Mila Kunis, Michelle Williams and Rachel Weisz showed up to start shooting Oz, The Great and Powerful (Monday). Okay okay technically maybe they aren't all here yet -- I haven't seen the call sheets -- but production began at the new Raleigh Studios in Pontiac. The whole movie will be shot there in what used to be an old truck manufacturing plant or somesuch.

Pontiac is where we used to go to concerts as a kid... the ones that weren't in Detroit that is. Here's a handy map to show where we're all located. I'm only like an hour away from the stars.

[Note: Madonna is not in Oz The Great and Powerful but I include her on the map because every time I visit Michigan, I pretend she also just happens to be visiting, as we are (pretend) psychically bound!]

If I wasn't visiting family and friends. If I wasn't sane. If I wasn't poor. If I had all the time in the world. If I were a stalker. If I owned a paparazzi telephoto lensed camera... I would stake out the studios and share photos. Too many "if"s so I'll just keep on with the visiting.

If you haven't been following the film, it concerns the Wizard as a younger man (Franco) who is whisked away from Kansas to the magical land (people come and go so quickly there) where he attempts to establish his wizardly rep while dealing with Oz's many political problems and three doubtful witches: Theodora (Kunis) and Evanora (Weisz) who are sisters (West and East, don'cha know) and Glinda the Good (Williams). I'm actually most curious about what they'll do with Glinda. After so many gloomy indies and depressed characters, isn't this a major "against type" role for Michelle Williams? As you surmise it's a prequel to Dorothy's legendary trip and sounds as if bears at least a passing resemblance to Gregory Maguire's "Wicked: The Life and Times of the Wicked Witch of the West" albeit with the focus shifted away from the green skinned broom flying baddie and over to the man behind the curtain.

Glinda in 1920, 1939, 2003, and 2012

Maguire's rather R rated "Wicked" was adapted into a kid friendly behemoth musical in 2003. It's so popular that it's long since outgrossed most films in existence. That's not something you hear every day, huh, theater outgrossing the cinema? But with a billion dollars and counting, it's beyond huge. The original books by L. Frank Baum -- all dozenplus of them -- are in the public domain meaning that any writer who wants to can riff on the world and characters free of licensing fees and rights options. But this has been true since the late 1950s so the plethora of Oz pictures in the works, are obviously due to Wicked's popularity, and Wicked's popularity alone. In a weird twist of fate by the time Wicked gets to the screen (distant future? never? they've been dragging their heels for years) the public may be too exhausted by Oz to care. 

But back to Oz the Great and Powerful. Remember when Franco & Kunis played those crazy marrieds in Date Night? 

Follow the Red Carpet Road

Just for kicks -- synchronized kicks while singing "We're Off to See The Wizard" -- I've been casting some of this year's behind the scenes Oscar hopefuls as denizens of the that magical land Over the Rainbow. It's less gay than it sounds, I promise. I blame Hailee Steinfeld's pigtails for the inspiration. It's all her fault.

Find out which character each Best Director candidate plays and help me cast the other players. Read the article at Tribeca Film