Curio: Glinda the Good Witch

Alexa here.  Today is Billie Burke's birthday.  Billie was a Broadway star, a Ziegfeld girl (literally: she was married to Florenz Ziegfeld, Jr. until his death), and a silent movie actress who made a successful move to the talkies.  But she is most remembered for her embodiment of Glinda the Good Witch in The Wizard of Oz. I was thrilled at the casting of Michelle Williams as the prequel version of the sorceress; of anyone out there I think she would project the same angelic charm Billie did. (That trailer was great, but where was Glinda's bubble? She'd better have a bubble.)

Here are some artsy creations to celebrate Billie's canonic version of Glinda.

Diorama of Dorothy and Glinda in Munchkinland, by Natasha Burns.

Typographical illustration of Glinda's words by ChattyNora.

cookies & dolls & artwork oh my... after the jump

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Yes, No, Maybe So: "Oz, the Great and Powerful" (Plus "Wicked")

Technically we should resist going all Yes No Maybe So on teasers. When we have in the past everyone expected it all over again with the subsequent full trailer... and I can't do redundancy like that. I don't have it in me like all those heavy traffic movie blogs that will post at least five identical posts on everything "rumor. denial of rumor. updates of rumor. facts concerning rumor. rumor becoming fact." or slight variations thereof and a post for each and every minor iteration of a trailer and each batch of stills and each poster that appears for a grand total of about 250 posts about each film before the readers have even seen it. The studios know how to play the internet these days. But that's why we see too much of movies now before we even see them if you know what I mean. Nobody has any self control and we're all starting to ruin our virgin experiences with new movies. 

But I'm a Friend of Dorothy so I can't resist Oz. I'm whisked up in that tornado every time.

yes no maybe so breakdown if you click your mouse three times...

there's no place like blog. there's no place like blog.

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12 Days Till Oscar. What Happened to the Juvenile Oscars?

Remember when... Okay, scratch the "remember when?" question this time. Unless there are some really really ancient AMPAS members reading. The Oscars weren't televised yet so nobody could remember this one unless they were there.

What was Judy Garland so happy about at the 1939 Oscars? (circa February 1940)

I mean besides sitting with 'The First Lady of MGM' Norma Shearer which would obviously make anyone euphoric.

Judy G was having a good night because The Wizard of Oz was up for six Oscars including Best Picture. It won two music prizes (Best Score and Best Original Song to the very nearly cut "Over the Rainbow"). Judy also won a special juvenile Oscar, presented to her by her frequent co-star Mickey Rooney who had won the year before.

One wonders why they don't still award those. They weren't annual so it took a special performances for the Academy to go there. They only did so 11 times in their first 33 years ending with Hayley Mills for Polyanna (1960)

I can think of several people through the years who would have been relieved if they passed those out instead of letting the kids compete with the grownups. Every time a child is nominated an adult gets bumped out of the shortlist. I mean would Winona Ryder be an Oscar winner today if Anna Paquin had been given a miniature Oscar instead? Would Madeline Kahn have been an Oscar winner for Paper Moon (1973) if Tatum O'Neal hadn't committed category fraud and won doing so for the same film?

Do you think child acting should be judged separately?

If they were still handing them out do you think Thomas Horn would've been the recipient this year since they obviously liked Extremely Loud and Incredibly Close more than critics did?

Perhaps I should have a child acting category at the Film Bitch Awards. I never know who to nominate at the BFCA "Critics Choice" award in their "young actor" category because I always forget to think about child performances.

Get Swept Away With Mr Lessmore's "Flying Books"

Have you had a chance to see any of Oscar's short film nominees yet? The Fantastic Flying Books of Mr Morris Lessmore is available for the iPad in interactive format but it's also viewable in its original form here as an animated short. It's a beauty. 

The fifteen minute short, well worth a quarter hour of your time, starts with a hurricane and Mr Morris Lessmore is yanked up into it along with his stack of reading. The words are literally blown off the page. Not that the short is literal. (More after the jump including the full short)

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Get Link Soon

Being sick would be awesome if one didn't feel like crap whilst staying in bed all day watching movies,  reading blogs, playing iPhone games, and snuggling with the cat. 

IndieWire has an interesting chart of which Toronto People's Choice Winners scored big at the box office after the fest. Adjusted for inflation American Beauty (1999) is still the champ. Or Slumdog Millionaire (2008) without any fancy maths. But those People's Choice winners sure do have a good track record at winning Oscar attention.
Parade has an interview excerpts piece up about Brad Pitt. I don't want to get too sentimental about it but I consider it a huge blessing when very famous and very rich celebrities actually reveals themselves to be good souls, too. The things he has to say about religion and federal government and affordable housing and adoption and all of these things... they are so spot on. I really don't get the bad rap that charitable celebrities often get -- is it just self-loathing turned outward when people realize they wouldn't be even a tenth as altruistic if they were wealthy? Is it jealousy of good fortune? I don't know. But my point is Brad & Angie: love 'em. 
Just Jared Bizarre contest alert. Seems you can enter/audition to be a voice in the animated musical Dorothy of Oz starring Lea Michele (first photos of characters are also present). The closer all these Oz movies get to theaters (I keep losing track of how many there are), the more naive the producers of the celluloid transfer of Broadway's Wicked look. How on earth do you sit on that golden goose property (which has already outgrossed most of the biggest blockbuster films ever) long enough to let an animated film --they take forever!-- beat you to theaters and live off, profit from and burn out the renewed Wizard of Oz fever that you yourselves stoked? Sometimes the Hare and not the Tortoise wins.

Speaking of Brad Pitt, somewhere in this past week I missed the Oscar Fever rise of his candidacy for Moneyball. It would be so weird if the Best Actor race was all hunky across the board: DiCaprio, Gosling, Fassbender, Pitt, DuJardin, and Clooney? 

Awards Daily snapped photos of Julianne Moore and Ed Harris in a Game Change preview. Disturbing it was (I saw the same one) with Julianne being so spitting image of that one celebritician
Ultra Culture opens the PR package for The Change-Up. Big LOLS ensue.
Nicks Flick Picks starts his beloved "Fifties" column, i.e. best of the year thus far. As always his choices and writeups make you rethink the work... which is what great critics do.
Empire Colin Firth, whose career is still giant-sized post A Single King Man's Speech, will next star in The Railway Man, a POW drama. That is after Tinker Tailor. 
Towleroad my latest movie column in which I order people around. Go see Drive.
Stale Popcorn remembers the character actress Frances Bay (RIP) from The Golden Girls to Twin Peaks

October News and Request For Reader Input
When I was reading this article on Everything I Know...  in which Mr. Caggiano who teaches courses in musical theater history and the neuropsychology of music (?!?) asks his incoming students to name the best musical of all time, I remembered that next month marks the 50th anniversary of my personal favorite (WEST SIDE STORY). The film version of West Side Story, which first hit the big screen on October 18th, 1961 went on to become a huge hit and one of the biggest Oscar champs of all time (11 noms, 10 wins losing only its screenplay nomination as musicals tend to.). On the classic movies note, I wondered, for younger readers especially (and please do speak up if you have feelings about this), if I use too much of a shotgun approach when discussing old movies here? I sometimes suspect you have too many titles flying at you all the time to really decide what to get familiar with (like in those huge "all time" lists). So perhaps we should focus more going forward? Maybe we should try Classic of the Month style loose themes? It would be boring to talk about the same movie -- any movie -- for an entire month but perhaps a loose theme could include all sorts of detours that tie in but aren't too much of the same thing (Oscar competitions, influences, actor careers.

Sound off in the comments... I guess I'm interested to know if you liked the previous theme weeks like Aliens or the films of Tennessee Williams or Moulin Rouge! this summer or if you had to already know and love the movies to enjoy those?