Through Her Lens: 2017 (The 90th Oscars)

A series by Juan Carlos Ojano. Previous Episodes: 2018 | 2019 | 2020-21

The 2017 awards season was marred by the multiple accusations of sexual abuse and harrassment made towards several industry giants, mainly notorious film producer Harvey Weinstein. This catapulted the #MeToo and #TimesUp movement into the international spotlight, addressing women’s issues in a broader context, especially with a misogynistic president sitting at the White House.

At that year’s Oscars, Greta Gerwig became only the fifth woman to be nominated for Best Director in the awards’ ninety years of existence. A moment that must be celebrated, but also an embarrassing reminder of how Hollywood has failed women directors, whether in awards or in actual film production. Out of the 341 films included in the Reminder List of Eligible Films in 2017 (90th Academy Awards), 60 (17.6%) were directed/co-directed by women...

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Soundtracking: The Oscar Performances

by Chris Feil

Isn’t it lovely that full performances of the Original Song nominees are here to stay? Well, hopefully here to stay. We’re not far enough removed from the Oscar telecast cruelly jettisoning less known tracks from the evening’s performances to breathe easy when we get to delight in each of the nominees. Off years or no, past omissions have been a decidedly bad look.

And the performances largely kept their spectacle simple and straightforward, providing some nice grand emotion in an otherwise mostly even keel evening. In one of the few upset's of the night Kristen Anderson-Lopez and Robert Lopez got their second Oscar for Coco's "Remember Me" (my favorite of the nominees). Coco’s triumph was so richly deserved particularly for how inextricable it is from the film’s narrative, criteria that the songwriting branch has famously demanded of late. But the telecast allowed for some reassessment of the nominated lineup...

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Smackdown Companion - The Shape of Phantom Billboards

NEW PODCAST! *Updated with correct podcast file*

For this week's podcast Nathaniel R presents a companion conversation to our Supporting Actress Smackdown (which we'll presume you've read already!). Joining him to discuss the Best Picture race and more generalized discussion about supporting actressing in 2017 are: Andrew Carden (Awards Connection / Gold Derby) Chris Feil (The Film Experience), Candice Frederick (Reel Talker), Erica Mann (NYC Film Chick), and Kevin P O'Keeffe (Into). 

Index (42 minutes)
00:01 Intros & Rewatches
02:30 Favs That Weren't Nominated
13:00 Mary J Blige and Carey Mulligan and Mudbound
17:00 Shape of Water, Get Out, or Three Billboards to Win?
31:00 Switching Roles Around: Octavia Spencer
37:30 Allison Janney and Julianne Nicholson and I Tonya
40:00 Lesley Manville, Laurie Metcalf and Goodbyes

You can listen to the podcast here at the bottom of the post or download from iTunes. Continue the conversations in the comments, won't you? 

Smackdown Companion 17

Smackdown '17: Allison, Laurie, Lesley, Mary and Octavia

Presenting Oscar's Chosen Supporting Actresses of the Films of 2017. 

THE NOMINEES 

Two mothers with combative relationships with their daughters (Janney and Metcalf). One sister/business partner (Manville). One mother struggling with oppressive farm life (Blige). And one cleaning lady (Spencer) whose coworker/friend is mute and in love with a fish crea... listen, it's a long story!

But here's a beautiful thing that's too little remarked on this season: they're all actually supporting characters. No leads masquerading as support for once! 

THIS MONTH'S PANELISTS  

From top left: Andrew Carden, Chris Feil, Candice Frederick, Erica Mann, Kevin O'Keeffe, and Nathaniel R

Here to talk about these five nominated turns, are in alpha order: Andrew Carden (Awards Connection / Gold Derby) Chris Feil (The Film Experience), Candice Frederick (Reel Talker), Erica Mann (NYC Film Chick), Kevin P O'Keeffe (Into) and your host Nathaniel R (The Film Experience). And now it's time for the main event... 

2017
SUPPORTING ACTRESS SMACKDOWN 

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Blueprints: The Nominees for Best Adapted Screenplay

Jorge continues to dive into the Oscar writing nominees.

Last week we dove into the nominees for Original Screenplay, which was an incredibly crowded category from the start, and there’s not a real frontrunner at the moment; more than one candidate has strong chances. The race was always very different with Adapted Screenplays. From the very start, only Call Me by Your Name truly felt like lock, and the four other slots were anyone's guess for months. Let’s take a look at each of the scripts, and see what was it that got them here...

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