Oscar Volley - Adapted Screenplay

For today's Oscar Volley, Lynn and Elisa discuss the Oscar race for Adapted Screenplay.

LYNN LEE: Let’s start with the elephant giant doll not in the room: Barbie is out!  Assuming, that is, the Academy agrees it’s properly competing for Original rather than Adapted Screenplay.  Personally, I think Barbie does belong in Original even if it is technically based on an existing “property.”  And whatever the calculus behind the decision to compete in that category, I’m not convinced it has an easier path to victory than if it had opted for Adapted.  Be that as it may, its absence means that in stark contrast to last year, this year’s Adapted Screenplay slate may be composed entirely of adaptations of books, glorious books!

But which ones?  Oppenheimer and Killers of the Flower Moon are the two obvious frontrunners, and I’m bullish on American Fiction getting a nod based on how enthusiastically it’s been received by early audiences.  Poor Things is probably also in, even if the film proves too outré for the more conservative segment of the Academy. The last slot is hard to predict, but it’s still most likely to be something derived from a book – whether it’s The Zone of Interest, All of Us Strangers, or Priscilla. (Though I feel like Priscilla has faded from the conversation.)  Or The Color Purple, which is adapted from the musical but still derived from the Alice Walker novel...

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Remember when we loved Taika Waititi?

by Cláudio Alves

Oh, how the mighty have fallen. Once upon a time, the prospect of a new Taika Waititi movie was cause for celebration, with excitement erupting across cinephiles everywhere. Now, however, when his oft-delayed Next Goal Wins finally makes it to theaters, the occasion is met with general disinterest. Sure, some critics have praised the thing, but the excitement doesn't seem there. Not even the inspirational true story or the return of Michael Fassbender to big studio fare is enough to provoke more than a shrug. As far as awards go, Oscar hopes are nowhere to be found unless the season suffers some severe transformations. 

When did the consensus about the Kiwi director curdle into indifference on the verge of dislike? Well…

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The Beauty of Sarah Polley's Oscar Speech

by Juan Carlos Ojano

Women Talking has had a pretty rocky road to the Oscars. From being anointed as one of the early frontrunners to possibly win Best Picture to barely squeaking into the actual nominations - only getting nods for Picture and Adapted Screenplay, the film struggled to find footing during the awards race as more vocal support went towards other films. Believe me, as someone who loves the film dearly, it was hard to watch this film be up in the air for majority of the season.

Coming into the Oscar night, its only real shot at winning was for Adapted Screenplay as Everything Everywhere All at Once's victory lap at Picture seemed secure. The only problem was Adapted Screenplay also contained what was arguably the Best Picture runner-up: All Quiet on the Western Front...

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Oscar Volley: Adapted Screenplay... weak list or weak field?

The team is pairing off to discuss each Oscar race. Here's Eurocheese and Eric Blume...

ERIC:   Euro, I'm so happy to be discussing the nominees for Best Adapted Screenplay with you.  Personally, I feel like it's one of our weakest years in this category.  Before we get into each nominee and the race, do you have any candidates you personally loved that didn't make the slate?

EUROCHEESE:  It is strange how all the top contenders, and frankly most of the great films of the year, were original storylines. Even Glass Onion, sneaks into this category thanks to its lead detective but it's really an Original Screenplay...

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Best Director Closet Picks... and Polls!

by Nathaniel R

The Oscar charts are complete for Best Picture, Best Director and Best Screenplays with "who should win" polls on each page. So vote for your favs daily!  Each page also has trivia and factoids and listicles for your entertainment. For the first time in Oscar's 95 year history Director and Original Screenplay are an exact match and each of the directors also wrote or co-wrote the screenplays. We still can't get over that. Not just in 'how did it happen' but also in 'how did it never happen before?'. Do we just have more multi-hyphenates than we used to in Hollywood? (Probably) Or was it just a matter of the unique field of contenders this year? (Also possible)

Speaking of writer/directors. Today, February 10th, is Dan Kwan's 35th birthday and he has a lot to celebrate this year with 3 Oscar nominations for his 3rd feature Everything Everywhere All At Once. Remember his dance moves in "Turn Down For What?"  Speaking of "Daniels"... what did you think of their Criterion Closet visit?