Glenn here. Each Tuesday bringing you reviews of documentaries from theatres, festivals and on demand.
Cameraperson is the most extraordinary of documentaries. A compelling first-person visual memoir that intricately weaves some 15 years of filmmaking into a remarkably watchable cinematic patchwork quilt. A truly wondrous mix-tape that finds documentary cinematographer Kirsten Johnson taking directorial duties upon herself in the creation of a film about the creation of films. She utilizes b-roll footage, outtakes, and home movies to build, as if like free-form lego, a powerful portrait of not just herself, but the world we live in. Cameraperson is without a doubt the best documentary of 2016, and just maybe the best film of the year, period.
You have surely seen some of the films that Johnson has used footage from. Popular titles like Fahrenheit 9/11 and Citizenfour from Johnson's frequent collaborator Laura Poitras, the latter of which makes a wonderfully obscure and unexplained appearance yet which only proves how impressively that doc was filmed. We’ve even reviewed some of them right here at The Film Experience like Dawn Porter’s Trapped, which was the very first title we reviewed in the Doc Corner.
No matter how many of the 24 titles Johnson draws from that you have seen, you haven’t seen them like this. And any that you haven't will no doubt rocket to the top of your must watch pile...