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Entries in Cinematography (282)

Tuesday
Feb072017

Q&A: Overhyped Loveables, Depression Coping Tactics, and Best Foreign Film 

Happy Hump Day Almost! Why do some weeks feel so much like surviving itself is the only goal / triumph? I have let the Q&A column go but we're getting back on the horse and will try to do them more regularly. Here are seven questions from last week and two from a long time ago.

Ready? Let's go! Questions about awards seasons calendar, Brie Larson, director/cinematographer teams, and coping with depression after the jump...

Click to read more ...

Sunday
Feb052017

DGA & ASC Winners: La La Land and Lion

Last night was a huge night in Hollywood with three award events: The Directors Guild of America, American Society of Cinematographers, and the Annie Awards (which we'll get to later today). Which would you have attended if you had to choose?  La La Land continued its seasonal dominance but Lion unexpectedly roared, too.  

Some of the winners last night are names you'll recognize from different contexts. The list and comments are after the jump...

Click to read more ...

Thursday
Feb022017

24 Days Until Oscar - Your Vote For Best Cinematography?

What if the sexiest category this year is actually Best Cinematography? The lineup is so very strong. This year's DPs hail from all over the Globe including the US, Mexico, Australia, and Sweden. And their movies are all astonishingly beautiful albeit in completely different ways

Which of these talented gents are you rooting for to win the Oscar?

P.S. If you haven't yet seen this great montage of every Best Cinematography Winner ever, you should take 7 minutes and do so...

Tuesday
Jan242017

Happy Thoughts from Oscar Nominations! 

We've delivered the hot takeaways, mourned the snubs, but now let's get positive. I polled Team Experience about what made them happiest this morning and which category is the best overall. I hope you'll chime in. An unexpected consensus emerged straightaway in their answers. More after the jump...

Which nomination made you happiest?

Tim: Kubo and the Two Strings for Best Visual Effects. It's a great movie that deserves as much as it can possibly get, and also a good reminder to keep our conceptions about what "counts" as film craft as broad as possible

Laurence: Kubo and the Two Strings for Visual Effects. After the Ex Machina win I got the sense that branch was becoming more interested in awarding outside the box effects, so I bet on this nomination happening early. It's stunning work even by Laika standards...

Click to read more ...

Monday
Jan232017

Personal Ballots: Best Actor and Best Actress

And so it's come to this, the finale of the traditional Oscar-like categories in our own annual Film Bitch Awards. All the nominations have been announced in the first round ("special" non-Oscar related categories still to come). It's years like this when I wish YOU wish 5 were a much larger number in so many fields. There were seven leading ladies I really wanted to honor and six leading men but five does not equal six or seven. Alas. It's also strange when films you really love are denied any nominations in your own prizes. Such was the fate of one film from my top ten list (Embrace of the Serpent). Fences and Lion, two Oscar hopefuls I'm quite fond of, also look deceptively unloved with only two nominations each though with both Best Actor and Best Actress citations, Fences can't complain. 

tfw when you realize you're nominated for a Film Bitch Award. (Huppert plays it cool)

In the final nomination tally, 35 movies received at least one nomination, with Arrival and La La Land leading the pack with 8 nominations each (will they also lead the Oscar nods?). The Handmaiden, Moonlight, 20th Century Women, and Jackie trailed not so far behind. The rest of the films weren't as lucky but perhaps they'll rise in the "special" categories to come. 

Page 1 Picture, Director, Screenplay, Animation
Page 2 Actor, Actress, Supporting Actor, Supporting Actress
Page 3 Visual Categories: Cinematography, Costume Design, etcetera...
Page 4 Aural Categories: Song, Score, etcetera

Wednesday
Jan112017

Cinematography Prizes: ASC and Oscar

The American Society of Cinematographers recently added an very welcome category called "Spotlight" in which they note the work of DPs working in films with either very limited releases or festival only entries. It's a smart way to draw attention to work that might otherwise go unnoticed. In this new category they've nominated Lol Crawley for Childhood of a Leader (which we recently discussed), Gorka Gomez Andreu's work on the Georgian Oscar submission House of Others, Ernesto Pardo for the Mexican film Tempestad, and Juliette van Dormael's lensing of the Belgian film Mon Ange (My Angel). Why there are only 4 honorees and not the traditional 5 we do not know.

But the marquee category is of course Theatrical Motion Pictures. And here's the beauties they most loved looking at this year...

Bradford Young for Arrival
1st ASC nomination. Also his first BAFTA nomination. One previous Spirit nomination for Selma. Other key credits: A Most Violent Year, Pariah, Ain't Them Bodies Saints

Click to read more ...

Thursday
Dec292016

City of Link

ET First pic of Pixar's Coco though the text is greatly irritating as they seem to be very anti-musical "Don't call it a musical!"
Filmmixtape "if 2016's worst films were drag race competitors"
Playbill George S Irving, the voice of Heat-Miser for the Bankin Rass TV classic "The Year Without a Santa Claus" has died at 94. 
The Guardian why 2016 was a big year for female sexuality in film and on television 

Carrie Fisher & Debbie Reynolds and infinite list-making after the jump...

Click to read more ...

Sunday
Nov272016

In Praise of Bradford Young

Chris here to spread some love for one of my below the line favorites in this year's Oscar Race. Like many of my cohorts here at The Film Experience, I am completely taken with Arrival. Director Denis Villeneuve's last two films (Sicario and Prisoners) resulted in Best Cinematography nominations for the genius Roger Deakins, but this time he partnered up with future legend Bradford Young to stunning results. If the Oscars want to reward some diversity below the line, Young is a mightily deserving talent.

Arrival seems like a fitting film to break him into the Oscar fold considering how it perfectly distills his greatest strengths: layering intimacy and the grandiose in equal measure, complimenting theme, and creating awe in the everyday. Like the film itself, his camera is only deceptively stoic with a great well of feeling underneath. Add in Arrival's many unforgettable images and fluid movement, and we have a real contender.

The cinematography branch is one of the stingiest to let in new voices, but with a major contender like Arrival he can hopefully break through. While much of his past work might have been too small for Oscar, he's been building a steady resume of immaculate work. Let's take a look back at five favorites from his work thus far...

Click to read more ...