You've heard the news by now that Nicole Kidman will make an appearance on TV's mega-smash "Empire" at some point to be determined. Apparently her guest gig was meant to have happened already but her London run in Photograph 51 prevented it (hmmm. which role was it originally we wonder - have you been watching Season 2?)
Interview magazine, smart devils that they are, hooked her back up with Lee Daniels for their latest issue (with photos by Fabien Baron) and it's clear that the two were tight as bandits on the set of The Paperboy (2012) and feel each other as kindred spirits.
LEE DANIELS: Nic! Hi, honey. I just spoke to Chris yesterday. He told me that you were having the time of your life in London.
NICOLE KIDMAN: I am. I'm having a really good time here.
DANIELS: I was disappointed to hear that because, of course, I want you on my set. [both laugh]
The interview is full of "naughty" memories like why Nicole was dancing in the rain with Zac Efron in his undies in that infamous film, and her fearless dive-in commitment and 'use everything' approach to acting.
DANIELS: Does your personal life ever bleed into the work? In other words, if something is fucked up in your personal life—family, husband, kids, parents, friends, what you're going through—does any of that ever bleed into your work?
KIDMAN: Yeah, but we're taught to bring everything—the state of being, the environment—and use it. If it's raining, or the other actor doesn't know his lines, everything has to be used. So your own emotional state comes into play, and I certainly remember that happening a lot on, say, The Hours, when I was going through an enormous amount of turmoil. And even though it was appropriate at times for the character [Virginia Woolf], at other times it wasn't. But I would just bleed it in; it would manifest in different ways. For me, the idea of having a plan, that you've got to hit this particular place, shuts down other possibilities. And that's probably why I work well with you because you're also like that. You see something, you jump on it. Jane Campion is the same. You are very similar in the sense that everything is so detailed, and everything you see, or sense intuitively, you focus on and pull out.
There's also asides to talking theater with The Lovely Laura Linney (!), and how her voracious reading habits as a child (Tolstoy at 12, hee) led her to acting.
It's a must read so go there...