Dakota Johnson and the Art of Disdain

by Cláudio Alves

There are few things more enjoyable than watching Dakota Johnson take the piss out of one of her movies. It's even better when it's not simply done in the promo tour but within the flick itself. Some might find it disrespectful, but such are the privileges of our nepo baby extraordinaire. She's got enough bad reviews to satisfy those who dislike her approach and even some Razzie nominations to go with them. However, I'd argue Johnson's bizarre deliveries, the projections of disdain for bad scripts, might be a kind of secret weapon of hers. There comes a point where one starts to feel a kinship with the actress or even a sense that she's fixing rotten characterizations by simply not taking them too seriously…

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Showbiz History: Annie Get Your Gun and What We Do in the Shadows

6 random things that happened on this day, February 12th, in showbiz history...

1949 Annie Gets Your Gun starring Ethel Merman closes on Broadway after a nearly three year run. The troubled film adaptation directed by George Sidney (a replacement for Busby Berkeley who was fired) and starring Betty Hutton (a replacement for Judy Garland who was fired) arrives the following year. 

1959 The Black Orchid starring Sophia Loren and Anthony Quinn opens in theaters. Sophia Loren had won the Volpi Cup at the Venice Film Festival the previous summer...

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Yes No Maybe So: "Book Club"

by Nathaniel R

First things first: how utterly fabulous does Jane Fonda look in the trailer for Book Club? She's 80 (!!!) Don Johnson isn't even 70 year but he should be so lucky. She looks great as a ginger. 

Now that the mandatory Jane worship is out of the way (I just saw Klute again -which is a renewal of breathless fandom for her gifts every time), let's break down the trailer for this romantic comedy of sorts about four golden girls who aren't willing to stop living and are dating again. Whilst they read books? We're really not sure how the books fit into it to be honest. Neither is the trailer...

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Fifty Shades Blander

By Spencer Coile 

It is a sunny, carefree weekday afternoon. A spur of the moment decision leads me to rent the 2017 "blockbuster," Fifty Shades Darker, which prides itself on being the sequel to the risque and monotonous Fifty Shades of Grey. It's new to DVD, I had read half of the second book several summers ago, the first film was altogether harmless, what did I have to lose? 

Two hours, it would appear.

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